Here are 73 books that The Water Witch fans have personally recommended if you like
The Water Witch.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it treats gods, myths, and beliefs as living things shaped by human attention and neglect.
What fascinated me most was how ancient divinities walk unnoticed in the modern world, slowly fading as people stop believing. I felt drawn to the idea that faith itself creates reality.
This story made me reflect on how myths evolve, how belief changes through time, and how the supernatural can feel strangely grounded in everyday life.
Now a STARZ® Original Series – Season 3 premiere in January 2021
“Pointed, occasionally comic, often scary, consistently moving and provocative….American Gods is strewn with secrets and magical visions.”—USA Today
Newly updated and expanded with the author’s preferred text. A modern masterpiece from the multiple-award-winning master of innovative fiction, Neil Gaiman.
First published in 2001, American Gods became an instant classic, lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Washington Post) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is the story of Shadow—released from prison just days after…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I remember being gifted a copy of a fairy tale book for children by someone my dad worked with as a kid. "Wow, these are really close to the originals," Mom murmured under her breath. "Wait, there are originals?" That set off a chain reaction of a lifelong love of fairy tales, myths, legends, and folk stories. Writing The Tooth Fairy forced me to double-check my lifetime of accumulated knowledge. Plus, being trapped indoors with audiobooks during a global pandemic left me a lot more time to learn! In short: I simply love the old legends.
This is a story about a girl with a port-wine stain under her eye. Looking different, people treat her differently. The main character, Sophie, copes by carrying around a book called "The Big Book of Monsters" and identifying the monsters and humans around her. I found Sophie pretty knowledgeable on the subject of old legends! There were a few I hadn't heard of and had to look up myself. I also like her character development, and how she becomes more empathetic. Overall, it was entertaining and informative.
There are trolls, goblins, and witches. Which kind of monster is Sophie?
Sophie is a monster expert. Thanks to her Big Book of Monsters and her vivid imagination, Sophie can identify the monsters in her school and neighborhood. Clearly, the bullies are trolls and goblins. Her nice neighbor must be a good witch, and Sophie's new best friend is obviously a fairy. But what about Sophie? She's convinced she is definitely a monster because of the "monster mark" on her face. At least that's what she calls it. The doctors call it a blood tumor. Sophie tries to hide it…
I remember being gifted a copy of a fairy tale book for children by someone my dad worked with as a kid. "Wow, these are really close to the originals," Mom murmured under her breath. "Wait, there are originals?" That set off a chain reaction of a lifelong love of fairy tales, myths, legends, and folk stories. Writing The Tooth Fairy forced me to double-check my lifetime of accumulated knowledge. Plus, being trapped indoors with audiobooks during a global pandemic left me a lot more time to learn! In short: I simply love the old legends.
Have you ever had a book actively try to stop you from reading it? This non-fiction book was guarded like all doorways into Fairie. Every time I sat down to read it the kettle would come to a boil, or the phone would ring! I read it cover to cover though. Even finding it again to tell you about it was a challenge.
Discover where faeries and other mythical creatures are hiding in our modern, urban environment with this beautifully illustrated guide to uncovering magical beings.
From the musty corners of libraries to the darkest depths of urban sewers, faeries, boggarts, redcaps, and other fantastical species can be found all around us-but only if we know where to look. And like every other being in the modern world, these wonderous creatures have been forced to adapt to the climate, industrial, and cultural changes of the modern era. Many formerly common creatures from akeki to cave trolls have been driven out by the urban…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I remember being gifted a copy of a fairy tale book for children by someone my dad worked with as a kid. "Wow, these are really close to the originals," Mom murmured under her breath. "Wait, there are originals?" That set off a chain reaction of a lifelong love of fairy tales, myths, legends, and folk stories. Writing The Tooth Fairy forced me to double-check my lifetime of accumulated knowledge. Plus, being trapped indoors with audiobooks during a global pandemic left me a lot more time to learn! In short: I simply love the old legends.
Holly Black co-wrote the Spiderwick Chronicles and knows her stuff. I found this series of graphic novels extremely entertaining, and chillingly true to the old legends. Black takes old legends from several Eurocentric cultures and has them coexisting in one single city, as just people, trying to make it. Poor Rue, the main character, is only half-human. When she finds out her mother is one of "the good neighbors"-- a fairy princess, she has to venture to her grandfather's realm to find her, meanwhile, a swan maiden is murdered up the street, and nixies steal her boyfriend. The drama of the series was riveting, as were the legends she called upon.
1
author picked
Kin
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10,
11, and
12.
What is this book about?
From the amazing imagination of bestselling author Holly Black, a mysterious and wonderful teen graphic novel masterpiece.
Rue Silver's mother has disappeared . . . and her father has been arrested, suspected of killing her. But it's not as straightforward as that. Because Rue is a faerie, like her mother was. And her father didn't kill her mother -- instead, he broke a promise to Rue's faerie king grandfather, which caused Rue's mother to be flung back to the faerie world. Now Rue must go to save her -- and must also defeat a dark faerie that threatens our very…
As a kid, I was known for hauling genre epics onto the school bus. I would devour tomes meant for adults as we wound through the mountains toward school. At that age, I was especially enthralled by dark, dangerous worlds that contrasted with my bucolic surroundings. The darker the better. Now, however, as I approach middle age, I still like darkness, but I’ve lived enough that I don’t need warnings about how bad things can be pounded into me via fiction. Thus the stories featured here contain more than darkness and danger: They contain hope. At least a note of it, and sometimes a symphony.
A viral epidemic strikes a sleepy college town and makes it exactly that: sleepy. People keep falling asleep and not waking up. Cue uncertainty, quarantine, panic, denial—all these things we are far too familiar with today. (This book was published pre-COVID.) Walker is a lyrical, insightful writer and many of the passages in this novel feel—intentionally, I believe—dreamlike.
'Riveting, profoundly moving' Emily St. John Mandel, author of Station Eleven 'Beautiful and devastating' Red 'Thought-provoking and profound' Cosmopolitan
Imagine a world where sleep could trap you, for days, for weeks, for months...
She sleeps through sunrise. She sleeps through sunset. And yet, in those first few hours, the doctors can find nothing else wrong. She looks like an ordinary girl sleeping ordinary sleep.
Karen Thompson Walker's second novel tells the mesmerising story of a town transformed by a mystery illness that locks people in perpetual sleep and triggers extraordinary, life-altering dreams.
As a journalist and author and a young father, I’ve come to seek more vigorously things that make me smile, things I can cherish and appreciate. My most recent book is dedicated to “the troubled, in trouble, and once troubled.” In promoting the book, I’ve often said I still feel fairly troubled—which is true. Demons never die, we just live to learn with them. So while reading the below books I’ve discovered hallowed moments which fill a person to the brim. After each of these reads I felt that I could surmount most anything.
I first heard Loory’s mirthful story “The Man and The Moose” while sitting in my car in my southern college town. He read it on an episode of This American Life. It was a Wednesday ritual of mine, sitting in that car and listening to stories and giving my entire being to be within them, to be completely enraptured and emphatic for at least that one hour. After hearing the story, I told it to whoever would listen. I remember the story and his voice and the way in which the inanimate became animated, the unpersonafiable personified. That story was a treasure and lives with me. It will, as with the others in this collection, live with you, too.
Loory's collection of wry and witty, dark and perilous contemporary fables is populated by people - and monsters and trees and jocular octopi - who are united by twin motivations: fear and desire. In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, "Stories for Nighttime and Some for the Day" draws us into a world of delightfully wicked…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
First of all, I’m an incurable addict to dark romance novels. Why stories for teens specifically? Well, I’m a mom of two girls and I never stop thinking about their future, including their high school years that are always filled with worries, problems, and self-judging issues. Teens are always vulnerable and it’s important to teach them how to overcome their problems and show them why it’s important to rely on their families and be there for their friends when they need them. As well as to help them realize that material things are not the only values in life to hold on to.
A well-thought-out story about the importance of true values, such as friendship and family. It shows just how little youth nowadays care about non-material things and how much attention they pay to outer beauty and perfections. The story teaches you to look deeper and never judge anyone by their appearance.
A broken boy on the path to destruction.A scarred girl without direction.A love story carved in secrets, inked with pain and sealed with a lie.Grace Shaw and West St. Claire are arctic opposites.She is the strange girl from the food truck.He is the mysterious underground fighter who stormed into her sleepy Texan college town on his motorcycle one day, and has been wreaking havoc since.She is invisible to the world.He is the town’s beloved bad boy. She is a reject.He is trouble.When West thrusts himself into Grace’s quiet life, she scrambles to figure out if he is her happily-ever-after or…
I'm a writer who’s always been obsessed with early childhood. No experience we have later in life is any more emotionally charged, resonant, intense, bewildering, or wondrous as those we have as young children. A day can feel like forever; what we imagine can be so vivid as to be indistinguishable from reality; we’re not wholly sure what’s animate and inanimate; we're still at least half-feral. My interest in childhood led me to write about children’s psychology for Psychiatric Times and for the UCLA/Duke University National Center for Child Traumatic Stress. Recently, I designed two related university courses that I teach at Antioch University Los Angeles: Representations of Childhood in Literature and the Trauma Memoir.
Robert Goolrick does not pretend in this memoir to have overcome or prevailed or found redemption from his horrendous childhood. Instead, he tells us the number of psychotropic prescriptions he must take every day just to be able to function. Something unthinkably awful happens in his seemingly genteel family at the hands of the father who is supposed to protect him, and as a result, he will never be the same. When he tries to tell what happened and seek comfort, let alone redress, his whole family turns on him. Yet Goolrick tells this story with an amazing lyricism and compassion. He unravels his tale slowly, protecting and preparing the reader in a way that no one in his family ever protected or prepared him.
It was the 1950s, a time of calm, a time when all things were new and everything seemed possible. A few years before, a noble war had been won, and now life had returned to normal.
For one little boy, however, life had become anything but "normal."
To all appearances, he and his family lived an almost idyllic life. The father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children: two boys and a girl. They lived on a sunny street in a small college town nestled…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Faithful to its title, this brilliant book starts with the body — an unspeakable injury to the narrator’s body, a crime, a horror. Bernard writes with a specificity that is gut-wrenching without being sensational. And all along, running alongside the sensory language is the author’s intellectual river, constantly washing over and over a moment, a scene, a feeling, a thought. This book includes twelve interconnected essays, each building on the other despite how many years – and miles – separate them.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.”
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
Kevin Smokler here. I spent the last three years interviewing women film directors about their complete body of work and journey toward making it. I'm honored to share that with you. My career (4 books, 2 documentaries, countless articles) has always been about how our culture and entertainment are bigger than we think, and that size is an unending gift to us. In honoring the work of women artists here and in this list of books, I'm encouraging you (I hope) to think bigger and wider and more generously with what you see as a worry of your time and attention. This is also just how my mamma raised me.
I grew up in a family of all brothers and male cousins and with a second-wave feminist mother who marched with Gloria Steinem and Bella Abzug. So while my role models of feminine badassery were clear growing up, they were also few. Feeling like I was missing out, I often sought them out in my professional life and in my reading for fun.
Lillian Hellman was as bad ass as they came. The author of a dozen plays, three memoirs, holder of six or so honorary degrees, blacklisted during McCarthyism who, to my amazement came roaring back with this book, among others to wow little me, who grow up rather ordinary in a rather ordinary midwestern college town. I was not romantically partnered with the greatest detective novelist in American history like Ms. Hellman was with Dashiel Hammett. I did stare down a hostile government trying to ruin my life…
The third volume of memoirs from the National Book Award-winning playwright Lillian Hellman.
In 1952, Hellman joined the ranks of intellectuals and artists called before Congress to testify about political subversion. Terrified yet defiant, Hellman refused to incriminate herself or others, and managed to avoid trial. Nonetheless the experience brought devastating controversy and loss. First published in 1972, her retelling of the time features a remarkable cast of characters, including her lover, novelist Dashiell Hammett, a slew of famous friends and colleagues, and a pack of "scoundrels" -- ruthless, ambitious politicians and the people who complied with their demands.
