100 Books Like The Wall Between

A poet, playwright, essayist, teacher, and activist, Jordan had more than 25 published works, including seven books of essays. 

As a feminist and women’s studies teacher and scholar who was focused on bringing race into the center of my activism and analysis, I learned so much from June Jordan. 
On Call, includes essays that explored intersectionality years before Kimberlé Crenshaw coined the term and theorized the overlapping social constructions of race, class, and gender. 

The topics of the 18 essays are wide-ranging, from patriarchy, to Black English, to the enslaved 18th-century poet Phillis Wheatley, and a hilarious short essay on the election of Ronald Reagan written in Black English.  I taught “Report from the Bahamas” in almost all of my courses. 

Like all of her essays, it is written with a poet’s sensibility. Every word matters.  

Anderson’s book is based on prodigious research, but is written for a general audience. 

She argues that when Black people make any gains, whites respond by working, mostly successfully, to deny those advances through local, state, and federal legislation and violence. 

The book begins by documenting the thorough destruction of the rights Black people gained through the 13th, 14th, and 15th amendments and brings her analysis forward to the present. This book gives you the historical background to understand what is happening now.

After reading it you will no longer be surprised by what the right wing has been doing since the gains of the civil rights movement to undo those rights won through struggle and incredible courage, the rights every American deserves. 

This book is hard to read, but its rewards are great. 

I was literally shaking when reading it because it described my life as a child of survivors and victims of the Armenian genocide in a way that I had not experienced before, illuminating new aspects of the genocide story I have been excavating for most of my adult life.  

Focusing on mass murder, colonialism, South African Apartheid, and U.S. slavery and white supremacy, Schwab addresses the trauma of the generation experiencing these atrocities as well as the way it is passed through to their progeny. 

She also explores the damage done to the perpetrators of violence into her analysis, weaving her own experience as a German growing up in the wake of WW II and the holocaust and as a white person living in the U.S. Schwab also goes beyond exploring trauma to address the necessity of perpetrators’ taking… show more.

A mere 172 pages, this book examines the brutality of European colonialism in the 19th century, uncovering genocides I had never heard of that were perpetrated by so-called “civilized people” on so-called “primitive people.” 

The justification for this barbarism was that they for the benefit of the people annihilated because they could not live in the modern world. 

That justification is the same one often used on this side of the ocean for the genocide or “removal” of Indigenous people from their ancient lands and for the enslavement of African people who were “improved” by being around white people. 

Part travelogue, part history, part literary analysis – Lindqvist focuses on Joseph Conrad’s novel The Heart of Darkness – the book cannot be easily categorized and when reading it I often wondered what he was doing. 

But my understanding of both colonialism and what the Europeans did when they came to… show more.

A heroine who’s out on parole – not your typical romantic lead.

I loved this story that draws together a Kentucky detective and a young woman with a complicated past (via his mom and her quilt shop). Novels seldom bring me to tears, but this one did; Leslie Lynch draws out the emotions in this redemptive romance.

Software is a zany romp through a 1983 vision of 2020, with sapient AIs living on the moon and maybe invading South Florida. 

Like its author, Software is a rich amalgamation of disparate elements: on the one side, the book is campy fun, while on the other, it’s a legitimate exploration of Artificial Intelligence and identity.  Back when I was first getting into cyberpunk, this was another difficult find, despite having won the Philip K. Dick award; I actually didn’t read it until the late ‘90s! 

The author’s life is nearly as interesting as his books, too: his full name is Rudolf von Bitter Rucker, a descendant of German philosopher Georg Friedrich Hegel, though he grew up in Louisville, KY, and he would eventually develop his own literary movement, Transrealism.

Joseph Fitzgerald’s powerful biography highlights the work and activism of Gloria Richardson. Her leadership of the Cambridge Nonviolent Action Committee demonstrated not only her commitment to human rights, but also her willingness to embrace alternatives to nonviolent tactics. Fitzgerald delves into Richardson’s beliefs and strategies to capture her efforts to build a grassroots movement.

I discovered this compilation of many well- and lesser-known interviews when I began working on Baldwin in the year 2000. I love it as it gives us the writer in his own words, tracing his artistic development and views on his craft, exile, race, gender, and sexuality, as well as US politics, culture, and national identity. We follow Baldwin’s journey from 1961, with the famous Studs Terkel interview introducing “the young Negro writer,” to the “Last Interview” with Quincy Troupe, conducted in 1987, just days before Baldwin’s death in his beloved house in southern France. In between, we get a kaleidoscope of moments from his life and career and fascinating insights into his literary imaginary and humanistic philosophy. 

This book artfully introduces the real and important backstory of Lorraine Hansberry, whom I had previously known only as the author of A Raisin In The Sun, a play about a Black middle-class family in Chicago. I was surprised, impressed, and thoroughly educated about Lorraine–a lesbian, Black, radical feminist and socialist, who died of cancer at the age of 34 in 1965.

I was amazed to learn about her ideas, her courage, her ability to maintain a simultaneous activist preoccupation with race, gender, and class throughout her life, and her tight three-party friendship with James Baldwin and Nina Simone. I had an intriguing, intimate, and important view of a world of 1960s USA Black intellectual and activist life, opened up wide for me by a talented author. 

This book is a brilliant collection of essays highlighting “race rebels,” where Kelley looks outside of traditional politics and organized movements to find Black resistance to forces such as white supremacy, labor exploitation, and war. Kelley focuses in on the everyday lives of working-class Black men and women, highlighting a “hidden transcript” of expression and resistance in things like music, language, dance, and choice of dress.  He elevates the political potential found in these cultural elements, urging historians to see these “style politics” in the social and economic contexts which give rise to them, for they are powerful and worthy of our attention.