Here are 100 books that The Voice of Egypt, 1997 fans have personally recommended if you like
The Voice of Egypt, 1997.
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I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Ziad Fahmy’s book on the importance of popular culture in the history of modern Egypt and the anti-British revolution of 1919 was a real landmark. Bringing together songs, jokes, vaudeville plays, and more, he manages to draw out a story of Egyptian anti-colonial, nationalism that is not confined to elite circles or confined by bourgeois morality. This is history from the streets. Although it is an academic book, it is written with an engaging style that captures some of the excitement of this period. Published in 2011, Fahmy’s book opened up space for research and writing on the history of Arabic pop culture.
The popular culture of pre-revolution Egypt did more than entertain-it created a nation. Songs, jokes, and satire, comedic sketches, plays, and poetry, all provided an opportunity for discussion and debate about national identity and an outlet for resistance to British and elite authority. This book examines how, from the 1870s until the eve of the 1919 revolution, popular media and culture provided ordinary Egyptians with a framework to construct and negotiate a modern national identity.
Ordinary Egyptians shifts the typical focus of study away from the intellectual elite to understand the rapid politicization of the growing literate middle classes…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Although most of the books written on the Nile focus on Egypt, the river stretches from the Mediterranean down to Khartoum, where the White Nile and the Blue Nile converge. Unfortunately, it is not a history of Khartoum’s nightlife (although there are people working on books about that now). Rather it uses the names given to women’s tobes (a popular form of dress) to recover the lost voices of ordinary women in mid-20th century Sudan – “Khartoum at Night” is one of those names. Through them, Brown finds a new and innovative way to tell the story of modern Sudan.
In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood.
Khartoum at Night is the first English-language history of these women's…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Published in French or Arabic, this richly and attractively illustrated book dives headfirst into nostalgia for the nightlife of the 20th century Middle East. Loaded with short vignettes and stories, accompanied by Ziade’s own drawings, this book takes the reader on a tour of nightclubs in Cairo and across the wider Middle East. It is a beautiful, misty-eyed elegy for a lost age.
Dans ce livre il y a les cabarets du Caire, les studios, villas, casinos du Caire, les maris, les amants, l'alcool, les somnifères, l'argent, les suicides, les brownings, les scandales, les palaces. Il y a le chant, la musique, la voix, les ovations, les triomphes, la gloire. Il y a l'audace, le génie, l'aventure, la tragédie. Il y a des poètes et des émirs, des danseuses, des banquiers, des officiers, des imams, des cheikhs, des actrices, des khawagates, des musiciens, des vamps, des noctambules, des révoltés, des sultans, des pachas, des beys, des espionnes, des prodiges, des rois d'Égypte et…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The Sudanese music scene of the 1970s is legendary. With stars like jazz king Sharhabil Ahmed and the girl group al-Balabil, the Nile was really swinging. Jamal Mahjoub, a British-Sudanese author who also writes crime fiction under the name Parker Bilal, has fun with this golden age in his new novel, The Fugitives. An English teacher in Sudan receives a surprise invitation to perform in America and has to re-form his father’s old band, The Kamanga Kings, who rocked Sudan in the years before Omar al-Bashir’s dictatorship and take them to Trump’s America.
The Kamanga Kings, a Khartoum jazz band of yesteryear, is presented with the opportunity of a lifetime when a surprise letter arrives inviting them to perform in Washington, D.C. The only problem is . . . the band no longer exists.
Rushdy is a disaffected secondary school teacher and the son of an original Kamanga King. Determined to see a life beyond his own home, he sets out to revive the band. Aided by his unreliable best friend, all too soon an unlikely group are on their way, knowing the eyes of their country are on them.
I am all about support, and support is a big part of Black Girl Magic. I believe that every woman should have a support system and community that values each and every person in it. Many of these authors have been featured on my podcast Support is Sexy, an interview-based podcast that introduces dynamic women professionals and the stories of their journeys to my audiences around the world. I recommended the books of these women because I love their message of self-care, self-love, support, and nurturing a healthy community.
I have known the amazing author Danyel Smith for over 15 years. At first, I only knew her through her incredible writing, but I grew to know her personally when she hired me as a Managing Editor at Vibe magazine when she was the Editor-in-Chief. During that time, I was able to personally witness her knowledge of music and the entertainment industry, as well as her unwavering passion for storytelling behind the music.
Her new book, Shine Bright, which she has been writing for more than five years, seems so fitting as part of her journey. Described as “a weave of biography, criticism, and memoir” it’s a history of Black women’s music as the foundational story of American pop.
American pop music is arguably this country’s greatest cultural contribution to the world, and its singular voice and virtuosity were created by a shining thread of Black women geniuses stretching back to the country’s founding. This is their surprising, heartbreaking, soaring story—from “one of the generation’s greatest, most insightful, most nuanced writers in pop culture” (Shea Serrano)
“Sparkling . . . the overdue singing of a Black girl’s song, with perfect pitch . . . delicious to read.”—Oprah Daily
ONE OF THE BEST BOOKS OF THE YEAR: NPR, Esquire, Publishers Weekly
Over many years of being an African American fan of rock music, I’ve learned that the combination of my gender, race, and musical taste can be disconcerting to people who expect Black women to adhere to a limited set of cultural interests. My frustration with these kinds of assumptions, my awareness that rock has deep roots in African American musical culture, my curiosity about the experiences of African American women who participated in rock and roll, and my desire to make sure that they are part of the stories we tell about the music’s history led me to write Black Diamond Queens: African American Women and Rock and Roll.
One of my favorite memoirs, Rage to Survive is a no-holds-barred dive into the life and times of a powerful singer who traversed the genres of rock and roll, blues, and R&B during her decades-long career. James tells compelling stories about her tough upbringing on the west coast and her teenage immersion into sex, drugs, and early rock and roll (check out her 1955 hit “The Wallflower”); shares her experiences touring in the segregated south during the 1950s; offers gossip about well-known musical figures; and reflects on her development as an artist navigating the recording industry in the fifties, sixties, seventies, and eighties. Throughout she offers insights about love, loss, motherhood, hard knocks, bad choices, addiction, and personal and professional triumphs. James speaks with passion, humor, and honesty.
One of the great women of American music, equally at home singing blues and jazz, Etta regales us with tales of her chaotic childhood, the stars she has known, and her troubled trip to stardom in this mesmerizing autobiography.
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
Richard Niles was born in Hollywood but grew up in London where his 50-year professional career as a composer, arranger, record producer led to work with some of the most acclaimed artists of our time, including Paul McCartney, Ray Charles, James Brown, Tina Turner, Cher and jazz icon Pat Metheny. He has worked on 20 Gold and 28 Platinum records. He has published many books on music including The Pat Metheny Interviews, The Invisible Artist, From Dreaming to Gigging, Piano Grooves, Songwriting – The 11-Point Plan, Adventures in Arranging, Adventures in Jazz Composition, What is Melody?, and How to be an Employable Musician. Dr. Niles' PhD is from Brunel University and he has lectured internationally.
Frank Sinatra did not become the most influential artist in popular music because of the scandals that surrounded much of his life. It was his singing. It was ‘The Voice’.
One of my favorite authors about music, Will Friedwald, concentrates on the dedication it took to create that voice, revealing Sinatra’s craft and artistic conception that made him a masterful storyteller and an innovative vocalist. If you read one book about Sinatra, this should be it!
Frank Sinatra was the greatest entertainer of his age, invigorating American popular song with innovative phrasing and a mastery of drama and emotion. Drawing upon interviews with hundreds of his collaborators as well as with "The Voice" himself, this book chronicles, critiques, and celebrates his five-decade career. Will Friedwald examines and evaluates all the classic and less familiar songs with the same astute, witty perceptions that earned him acclaim for his other books about jazz and pop singing. Now completely revised and updated, and including an authoritative discography and rare photos of recording sessions and performances, Sinatra! The Song Is…
I often (half-) jokingly say that I'm a failed musician. Growing up in Montreal in the eighties, music was my deepest joy. I sang in choirs for years, and even fancied myself the next great baroque singer (I guess I was a nerd.) Nerves, however, got the best of me, and I turned to the next best thing, writing. In my family, music is a meeting place, a shared language; my kids have taught me as much about music as I have taught them. Nothing pleases me more than to see on a playlist of theirs a tune that I listened to before their birth. Music is the golden thread of my life.
The 7-to-10-year-old set will love this one. My own rock-loving son, who inspired the character of Truffle in our book, was addicted to this series of books (which also includesBlack Music Greats: 40 inspiring icons), originally published in France. Both informative and filled with fun facts about the 40 artists selected by the authors (readers will learn about Mod culture through The Who, about how ABBA got their name, or how the Wu-Tang Clan influenced hip hop), the book reads like a cheat sheet on pop and rock music, with vivid and colorful illustrations.
The biggest bands…the hugest hits…the 40 most memorable music legends of all time are here! In this fun, fact-packed book from the 40 Inspiring Icons series, learn how these musicians became the voice of their generation.
Meet the King of Pop, find out about the Fab Four, learn how Bob Dylan led a revolution, discover the different identities of David Bowie, and fall "Crazy in Love" with Beyoncé. From the Doors, whose single "Light My Fire" took them to #1 on the US charts after years in obscurity, to the Wu-Tang Clan, whose debut album Enter the Wu-Tang (36 Chambers)…
I have an idea. A conviction, let's call it, that humanity is not doomed. The Mad Max scenario where civilization collapses, thrusting us into an anarchic hellscape in which the living envy the dead, is totally unrealistic and not likely to happen. So let's imagine a post-apocalyptic scenario in which people come together to help each other, to save what knowledge they can, to build something new and useful. To learn the lessons from the destruction that came before. This is what I tried to imagine in my novel Bannerless, and this is why this topic interests me so much.
So, this is a novel about a world in which a global pandemic means that large gatherings are illegal and everyone has adapted to life at home in isolation. It was published in 2019, and I read it summer of 2020. I'm not sure I've ever read anything that was this spookily, horrifyingly prophetic. That said, it's also really punk and ultimately uplifting. One of the characters is the lead singer of the band who it turns out inadvertently gave the last public concert ever, and she's trying to revive live music with underground concerts. Another character is the virtual talent scout who joins her cause. The story is about how you peel yourself out of trauma and disaster to find community again. Be warned, at this historical moment this one's a bit of a kick in the teeth.
'In A Song for a New Day, liberty and creative endeavour are compromised by political and socioeconomic reality. Pinsker presents a frighteningly real near-future US [and] movingly charts Rosemary's coming-of-age story as her world and Luce's collide' Guardian
BEFORE Luce is on the road. Success is finally within grasp: her songs are getting airtime; the venues she's playing are getting larger. But mass shootings, bombings and now a strange contagion are closing America down around her...
AFTER Rosemary is too young to remember the Before. She's grown up in a world where proximity to others is not only unusual, it…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
Marissa centers on three contemporary songwriters, Kacey Musgraves; Maren Morris; and Mickey Guyton, to illuminate the experiences of country women more broadly during the twenty-first century. Facing closed doors and narrowed constraints, this trio carved channels for music business success, using new-century tools to reach audiences and ears. The industry-old guard was left to catch up.
The backdrop for their stories is the well-documented nosedive for women on country radio airwaves since 2000, but terrestrial radio matters less for this younger generation. Dolly’s own path-clearing journey inspired these artists. At one notable intersection of their stories and hers, Dolly’s surprise appearance onstage during an all-women performance at the Newport Folk Festival drew a reaction from musicians and the crowd alike. One close observer remembered it was like they had seen “f-ing Snow White.”
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history.
This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss.
For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania…
