74 Books Like The Vanity Fair Diaries

As a child, I loved my grandmother’s visits because she would bring all the tabloids I wasn’t allowed to read — and none was better than The National Enquirer. No other outlet reveled so gleefully in scandal: Hollywood stars, politicians, huckster reverends — all were equal targets, and the Enquirer exposed them the way law enforcement nails suspects: Photographic evidence. Can’t lie your way out of a photo. So here’s a ruddy, paunchy, engaged-to-be-married Sen. Ted Kennedy with his 27-year-old paramour, a Miss Alabama runner-up; married presidential candidate Gary Hart, knocked out of the race after daring the media to catch him cheating — which the Enquirer did, running an exclusive picture of mistress Donna Rice sitting on his lap, Hart incredibly wearing a T-shirt reading Monkey Business; and an unprecedented image that changed tabloid journalism and resulted in the Enquirer’s best-selling issue: Elvis Presley in his coffin at… show more.

Speaking of Elvis, this biography, the second of two parts, is among the greatest of the late 20th century. We begin with Elvis entering the U.S. Army in 1958 and follow this increasingly lost soul through the years, his fame metastasizing into something unrivaled, incredible, enviable and wholly malignant. Guralnick captures the singular loneliness Elvis came to suffer, the slow suicide that was his Las Vegas residency, the exploitations of his manager, Col. Tom Parker, and a death so humiliating it finally made Elvis what he had longed to be for decades: Profoundly, squalidly human. None other than Bob Dylan called this Presley biography the one that “cancels out all others.”

I find WASP culture absurd and fascinating. I love that rich people, really rich people, have a fixation with stickers, slapping abbreviations for Martha’s Vineyard or Nantucket or East Hampton on their luxury vehicles even though said luxury vehicles, parked in said locales, really should say it all. Such is the taxonomy writ large in Lisa Birnbach’s seminal Preppy Handbook, which explores other WASP signifiers such as “the politics of monogramming,” the elevation of old clothes over new, and what your choice of private schools, charities and vacation spots says about you. Pairs well with Take Ivy, a cult photography book by the Japanese photographer T. Hayashida, who spent the early-to-mid 1960s photographing American preps on college campuses — with prep soon becoming the rage in the Japan’s hipster Ginza district.

The New York Times called this memoir “The Hollywood Chainsaw Massacre!” and it still stands as one of the best. Phillips, who died New Year’s Day 2002, was a self-described “nice Jewish girl from Great Neck,” Long Island who loved the movies, movie stars — and books. She was sharp, unsparing, and became the first female producer to win an Oscar for Best Picture. The closest comp title, I think, is The Kid Stays In The Picture by the late Robert Evans, but Phillips does him better in eviscerating no one so much as herself. And this is someone who describes Rolling Stone Ronnie Wood as “very sweet, but . . . smells terrible,” before asking, “Why don’t the English like to bathe?” An observation that could get one canceled today.

When more than three women recommend a memoir, especially one that is by someone famous, I have to pick it up. Usually, I am not attracted to the lives of famous people, partly because I worked in Hollywood for so long. I saw they were just people like us, playing roles and doing their jobs. But Demi Moore’s long battle with body dysmorphia stemmed from a cruel relationship with her mother, where she was even sold for money. As she finds her fame, she is never satisfied with her body, but acutely aware she is underpaid when compared to her famous husband. So on one hand, she can’t align with a personal image of self-love and worth, but somewhere inside is a voice that knows she deserves more. 

People either love The Moth or haven’t heard of it. If you are in the latter camp it’s a non-profit based in New York dedicated to true stories told live. The best way to experience it is in person, but there’s a podcast and a series of books.

50 True Stories is the first book they published and draws from thousands of stories told on Moth stages around the world. If you’re looking for dynamic ways to tell a specific story from your life, this is a great place to get inspired. I’ve been involved with it for over a decade as a storyteller and host and it’s helped me tell and even identify my own stories immensely. 

If you ask me or anyone else in the punk scene in 80s/90s New York, St. Mark’s Place—which was the epicenter of cool in our day—is a sad parody of itself now, touristy and dull. Until I read this book, I assumed its heyday began and ended with us, with Trash and Vaudeville and Manic Panic, with drinking 40-ounce beers on stoops.

Well, it turns out every generation that’s ever had a heyday on this famous, radical, anarchic block—whether as a gangster or dancing at Andy Warhol’s notorious Electric Circus parties—thought theirs was the only era that mattered. Calhoun chronicles hundreds of years of this exact attitude, which is fascinating and gives me some perspective.

This book is in a similar vein as Oona finds herself time jumping within her own life, suddenly living it out of sequence as she jumps to a different period in time with each birthday, forcing her to look within and realize what is important and worth holding on to and worth fighting for. I am a sucker for books where characters get the opportunity to experience alternate versions of their personal realities, and I could not put this one down. I’m all about my characters understanding that the choices they make create their ultimate realities. The ultimate messages about the importance of love and family and the choices we make really resonated with me.

Fans of A Little Princess will find a story both fresh and comfortingly familiar inside these pages. Izzy and Emma's personalities spark off the page, and the ticking clock to the time their magic is either activated or snuffed out forever makes their journey to friendship even more endearing. Featuring themes of justice and social change, this is a retelling not to be missed.

This book is well-written with language that’s easy off the tongue and sweet on the ears. I appreciate the main character, Dèja’s, spunk, and confidence despite her family being unhoused. I also enjoyed how the story’s characters, though from different cultural backgrounds, get along organically while working together on a difficult school assignment.

The ending is satisfying and hopeful. And I truly appreciate the story’s takeaway theme—confronting the past is more empowering than ignoring it.