Books like The Vanishing Act of Esme Lennox — picked by fans

Gigi Pandian has gone on to write several series I adore, including the Secret Staircase and Accidental Alchemist mysteries, but her first series about history professor Jaya Jones remains my favorite.

A bejeweled and mysterious artifact sends her globe-trotting, and I, for one, enjoyed the ride every step of the way. Jaya is smart and confident, and I would want to hang out with her and her friends any day of the week—especially that roguish possible art thief she encounters. 

It takes a lot from a lot of different stakeholders for a democracy to thrive. It requires unbiased institutions that ensure a level playing field for all political parties and candidates, and one of the primary institutions that keep democracy alive is the media. A vote is only an informed decision when voters have accurate information to base their decision on. The responsibility of making this information accessible rests with a nation’s media. For this reason, it is also one of the first institutions that is targeted by any politician wanting to consolidate power. This book, written by one of India’s leading journalists details how media institutions can be transformed from sources of accurate information to drivers of fear, and how that damages democracy. 

Born with a silver spoon, the protagonist of the story, Aratrika Reddy finds herself at the helm of affairs for a multi-million-dollar conglomerate at a very early age. The lack of experience is duly made up for by her enthusiasm and the zeal to leave a mark, until she finds herself at a crossroads where she has precisely eight hours to save her company from certain insolvency. With greed, treachery, and mistrust shaping the unexpected and exciting twists and turns in the plot, this one is a must-read. Especially for those looking for a glimpse into the winding corridors of power and the crafty and sly maneuvers that shape them. 

This book examines the function and representation of religion in Indian cinema and demonstrates that the interplay between the modern and the traditional in modern India is a natural aspect of daily existence. It discusses India's various cinemas while focusing on Bollywood, the Hindi film industry in Mumbai.

The devotional genre, which peaked during the height of the nationalist movement in the 1930s and 1940s, the mythological genre, which carries on India's long tradition of retelling Hindu myths and legends by drawing from sources like the national epics of the Mahabharata and the Ramayana, and Bombay-produced films that portray India's Islamicate culture, including historical, courtesan, and "Muslim social" genres, are all covered in Rachel Dwyer's engaging conversation.

If you are interested in the history of the Indian stock market, then this book is a must-read for you. Written in an easy-to-understand language, the book will take you on an exciting journey from the early days of the Bombay Stock Exchange, narrating all major episodes and players with learnings that can help you to navigate in the Indian Stock Market.

Those who know the field of religious violence may find my choice of Ashis Nandy’s book of essays to be a peculiar one since it deals with a variety of issues besides religious violence. But one of his essays, “The Discrete Charms of Indian Terrorists,” is worth the price of the book. In it, Nandy describes the remarkably civil behavior of young Sikh activists who hijacked an Indian plane in the 1980s. He then goes on to disagree with Gandhi that terrorism necessarily absolutizes a conflict, and he rejects the common perspective, especially in the West, that terrorism is always evil. Though Nandy’s analysis does not fit all, or perhaps most, instances of religion-related terrorism it makes us reconsider our assumptions about the use of violence in certain situations.

Sometimes fiction speaks truer than facts. This adventure set in India in the 1970s brings to life what it means to balance yogic ideas with a Western mindset. It's a mixture of hippie idealism, academic disillusionment, and searches for meaning as things fall apart. Beautifully written and wise, it evokes the common ground between yoga and Buddhism—particularly on causes of suffering and how to transcend it. 

When I came across this book, I was on the point of giving up reading modern novels. Everything I had read recently was such a let-down at the end that sometimes I threw the book across the room in reader rage.

At last, in Rushdie, I found someone who did not disappoint. As I approached the end, I became breathless, worrying that the story was going to sink like a soufflé, but it didn’t. It just kept on rising.

Once upon a time in Fairgrounds, there was a contraption called the Hammer and Bell. It was a test of strength to see if you could make the bell ring. Most couldn’t. Most got the marker some way up the calibrated column only to see it hesitate, then begin its descent. Midnight’s Children made it to the top.

What makes a good ending? For me, it is some transcendent statement of… show more.

A friend gave me this book, and I couldn’t put it down. It is Bhowmick’s story–and that of her mother, who was a working mother and exhausted by managing both her professional work and homemaking.

Building on this, Bhowmick maps the lives of middle-class Indian women labouring under this double burden and yet giving hope to their daughters about the promise of the possibility of "having it all"–a fulfilling home life (despite the unequal burden of housework) and an ambitious professional life.

The tone of the book is angry as Bhowmick, a journalist, conveys her frustrations with the patriarchal social order that refuses to see the depleting effects of gendered inequalities in both the public and the private spheres of life for middle-class women in India.

This book connects the latest environmental research with Hinduism, one of the most ancient religious traditions of India.

It has well-researched chapters by top-notch experts in Asian Studies and Environmental Studies that touch various natural resources such as the mountains, rivers, oceans, and land, as well as their consumption and reverence by Hindus in India and beyond.