Here are 100 books that The Vanishing Act of Esme Lennox fans have personally recommended if you like
The Vanishing Act of Esme Lennox.
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My love of history began at the age of 9 with a book given to my older brother: Our Island Story. My history teacher at school introduced me to serious historical biography and studying for a Law degree taught me the value of accuracy. The chance discovery of a notebook detailing one strand of my mother's family tree led to my current project of writing about the imagined lives of my female ancestors beginning in 1299 with my 19 times-great-grandmother Marguerite of France and ending in 1942 with my mother. Twenty-one books mean a lot of history and a mountain of research. A very pleasant way to spend my retirement.
An exciting, richly layered adventure story of the "long learning of love" set against the backdrop of the rule of the British Raj and the first rumblings of the 1857 Indian Mutiny. I lent the book to a friend and thought I'd lost it forever until I discovered it in her spare bedroom! Our narrator, Laura, has to watch as her cousin marries Charles, the man Laura loves, and is then forced to accompany the young couple on their honeymoon. Not something to be recommended! Their destination is the Kingdom of Oudh and the vast Zemindari estate of Charles's unknown brother, Oliver Erskine. I don't recommend Zemindar because it has won a host of prestigious prizes but because it is a great read.
An international bestseller and winner of the 1981 Georgette Heyer Historical Novel Prize, Zemindar is a magnificent, twisting love story, all unfolding against the tempestuous backdrop of the Indian Rebellion.
Englishwoman Laura Hewitt accompanies her newly engaged cousin to India, first to Calcutta and then to the fabled fiefdom of Oliver Erskine, Zemindar - or hereditary ruler - of a private kingdom with its own army. But India is on the verge of the Mutiny, which will sweep them all up in its chaos...
Praise for Zemindar:
'If you loved The Far Pavilions - and who didn't - this will…
This book is a literary historical novel. It is set in Britain immediately after World War II, when people – gay, straight, young, and old - are struggling to get back on track with their lives, including their love lives. Because of the turmoil of the times, the number of…
I am a journalist who has strayed into book writing with a particular interest in the history of post-independent and contemporary India. My interest in this subject developed as an offshoot of reporting on landmark changes during the period of economic liberalization in the 1990s. One of the astounding stories of this period was the rise of the technology industry and the outsourcing business. A deeper study of this took me back to the period of independence in 1947 and decades before it.
India is an enigma to many people – a developing country beset with a number of problems yet a resounding democracy; a nuclear and space power yet grappling with poverty, malnutrition, and illiteracy; a source of great talent for global corporations and a nation of innovators yet experiencing violence and acrimony based on caste and religion. India After Gandhi is a comprehensive guide to understand these apparent contradictions and make sense of modern India. It is history told in an accessible, evidence-based fashion, and free from biases.
From one of the subcontinent’s most important and controversial writers comes this definitive history of post-Partition India, published on the 60th anniversary of Independence
Told in lucid and beautiful prose, the story of India’s wild ride toward and since Independence is a riveting one. Taking full advantage of the dramatic details of the protests and conflicts that helped shape the nation, politically, socially, and economically, Guha writes of the factors and processes that have kept the country together, and kept it democratic, defying the numerous prophets of doom.
Moving between history and biography, this story provides fresh insights into the…
I grew up in Nepal, where politics was part and parcel of everyday life. During my childhood and teenage years, we lived under a monarchy, where the king was supreme. Yet there was always a simmering tension between what was a mildly authoritarian rule and what the people’s aspirations were. As I grew into adulthood, Nepal saw a massive uprising that ushered in a multiparty system, then later, after a bloody Maoist civil war, the overthrow of the crown. Yet, even amidst all these political upheavals, people do live quotidian lives, and the space between these two seemingly disparate things has always felt like a literary goldmine to me.
As an author from Nepal, I have learned the most from Rohinton Mistry than any other South Asian writer about how to “translate” the landscape and language of my country for an international audience. Such a Long Journey was the first novel that taught me how to integrate the social and political seamlessly into the psychological makeup of my protagonist—in an English that is uniquely local. In the novel, Gustad Noble, a devoted family man, gets snared into the deception and corruption of the government under Indira Gandhi. It’s a riveting read, and Mistry is superb with vivid descriptions. That the book was banned in certain conservative circles in India makes it even more of a gem.
It is Bombay in 1971, the year India went to war over what was to become Bangladesh. A hard-working bank clerk, Gustad Noble is a devoted family man who gradually sees his modest life unravelling. His young daughter falls ill; his promising son defies his father’s ambitions for him. He is the one reasonable voice amidst the ongoing dramas of his neighbours. One day, he receives a letter from an old friend, asking him to help in what at first seems like an heroic mission. But he soon finds himself unwittingly drawn into a dangerous network of deception. Compassionate, and…
Cities of Women is a dual timeline novel that interweaves the contemporary story of Verity Frazier, a disillusioned professor lacking passion and love in her life, with the tale of a medieval woman, who transforms herself into the artist, Anastasia, an unidentified illuminator of the manuscripts of the historical Christine…
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Miller’s work in village India – a world away from most of our experiences – focuses on the way that people make things to be bought and used, cherished and given, and broken and discarded, all with a feedback loop from producer to consumer and back again. Through his conversations with artisans, he reveals that when high-status people buy certain shapes, lower-status people start to want them also, until those shapes become too “common” and high-status folks begin to show their distinction through the patronage of a new design. The cycle is never-ending, and Miller’s memorable words are always in the back of my mind whenever I’m looking through ancient artifacts and thinking about how their forms and decorations changed over time.
The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of…
I am a former police officer who couldn’t find any use for his English lit degree until he lived as hard as he could for decades and found something worth writing about. My years with K9 Brag—the greatest, smartest animal I have known—became the key that unlocked my writing. Now I write screenplays, comics, historical fiction, crime stories, and even horror shorts. I am currently working on a novel trilogy about one of the most famous outlaws in history.
My stories almost always have an animal that lies at the emotional heart of the tale.
The second tiger book on my list, this fascinating account of a man-eating tiger hunter’s experiences in India, is terrifying and astonishing.
I had no idea that tigers possessed such will and intelligence, and the author’s respectful defense of these magnificent predators was moving. I couldn’t turn the pages fast enough during some of the hunts. Corbett manages to pack in so much real-world understanding of animals and nature that the book defies categorization.
Her tracks now–as she carried away the girl–led into the wilderness of rocks, some acres in extent, where the going was both difficult and dangerous. The cracks and chasms in between the rocks were masked with ferns, blackberry vines, and a false step, which might easily have resulted in a broken limb, would have been fatal. Progress under these conditions was of necessity slow, and the tigress was taking advantage of it to continue her meal. A dozen times I found where she had rested, and after each of these rests, the blood trail became more distinct.
As a fantasy author, I love stories set within complex and unusual worlds. I especially enjoy worlds where the rules of physics and metaphysics are re-imagined, adding an extra dimension to the story. Most fantasy worlds are much like our own – big, spherical, ordinary climactic zones, normal physics. Magic sort of exists around the edges. A handful of fantasy worlds are different: the world is flat, layered, hollow, has physical and metaphysical laws that change when you step across a political border – or is wholly contained within an infinite House with oceans pouring through the lower levels. Those are worlds I find especially delightful to visit – and to write about!
The Pyramids of London has the most ornate, baroque alternative-history setting of any novel in the entire history of fantasy novels. Seriously. To start with, every kind of mythology is true in whatever region that mythology developed. Also, the pharaohs of Egypt have been vampires for thousands of years. Plus, when they die, vampires might become stars. Which are also gods. Plus France is ruled by the Fae. At night, when the Fae Court of the Moon arises in Paris, gravity suddenly drops dramatically.
Insert a murder mystery into this wildly ornate setting, plus fully realized characters you both believe in and root for, and off you go, on a fantastic journey through a world that is like nothing you’ve ever seen before.
In a world where lightning sustained the Roman Empire, and Egypt's vampiric god-kings spread their influence through medicine and good weather, tiny Prytennia's fortunes are rising with the ships that have made her undisputed ruler of the air. But the peace of recent decades is under threat. Rome's automaton-driven wealth is waning along with the New Republic's supply of power crystals, while Sweden uses fear of Rome to add to her Protectorates. And Prytennia is under attack from the wind itself. Relentless daily blasts destroy crops, buildings, and lives, and neither the weather vampires nor Prytennia's Trifold Goddess have been…
If you’re intrigued by the psychology of relationships this is the novel for you.
Described as a modern-day Rebecca, this is a story of a bereaved man’s obsession with his deceased married lover, Michelle. Determined to find out all he can about Michelle’s life when she wasn’t with him,…
I am an author whose work has reverberated globally in the fields of Sustainability, Jain Studies, Film Studies, and Diaspora Studies. With over 30 years of experience in academia and the corporate world, I have held the position of Head of Department (HoD) for Humanities and Languages. As the Director of The India Centre at FLAME University, I have led numerous initiatives to promote Indian culture and scholarship, including international conferences, research projects, and cultural events, leaving an indelible mark on the global academic landscape. My suggested five books are also in these fields.
This book connects the latest environmental research with Hinduism, one of the most ancient religious traditions of India.
It has well-researched chapters by top-notch experts in Asian Studies and Environmental Studies that touch various natural resources such as the mountains, rivers, oceans, and land, as well as their consumption and reverence by Hindus in India and beyond.
This fourth volume in the series exploring religions and the environment investigates the role of the multifaceted Hindu tradition in the development of greater ecological awareness in India. The 22 contributors ask how traditional concepts of nature in the classical texts might inspire or impede an eco-friendly attitude among modern Hindus, and they describe some grass-roots approaches to environmental protection. They look to Gandhian principles of minimal consumption, self-reliance, simplicity and sustainability. And they explore forests and sacred groves in text and tradition and review the political and religious controversies surrounding India's sacred river systems.
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
This slim novel I read in one sitting not because, in the way of conventional thrillers, one hopes for a decent resolution, but because the story is so devastating. Its very hopelessness somehow pulls one in. Pandey has written a very gentle account of the very brutal forces ranged against one couple who have committed what can be a crime in modern India – marrying outside one’s caste and religion.
This is like Kafka in Deoria. Or Camus in the cow belt. But more accurate to say that Legal Fiction is an urgent, literary report about how truth goes missing in our land. I read it with a racing heart.
-- Amitava Kumar, author of The Lovers
Chandan Pandey goes looking for the story that lurks just out of sight, getting under the skin of news headlines and extracting a story that is as compelling as it is devastating.
-- Annie Zaidi, author of Prelude to a Riot
Chandan Pandey has written a brilliant, gripping political novel. Legal Fiction is…
Born into an atheist family and a psychiatrist by background, I identified as a Christian in mid-life then became an interfaith minister. I believe everyone has a birthright to discover their own personal nature and purpose and although religion can help, it’s probably only a phase through which a properly evolved consciousness passes. You can read all the non-fiction and sacred texts you like, but I find spiritual fiction to be the best medium to explore and share fundamentals like this.
A cynical and brilliant exposé of an apparent holy man who goes from tour guide to guru in a way that, although a work of fiction, reminds me of so many religious people I’ve come across who pretend to be something they’re not. It also has a big sense of humor and made me laugh out loud several times.
Published in 1959, it was very ahead of its time and is still the best spiritual fiction novel to come out of India.
Raju's first stop after his release from prison is the barber's shop Then he decides to take refuge in an abandoned temple. Raju used to be India's most corrupt tourist guide - but now a peasant mistakes him for a holy man. Gradually, almost grudgingly, he begins to play the part. He succeeds so well that God himself intervenes to put Raju's new holiness to the test.
Charlotte Rose’s quiet life on a remote island is forever changed the day Michael Cordero, injured and bleeding, steers his ketch, Shearwater, into her cove. Charlotte tends to Michael’s wounds, using the skills she’s learned caring for her husband and son, who are away fishing for salmon. As Michael recovers,…
I come from a family of some of the earliest big-game hunters turned conservationists of India and grew up treading jungles with my naturalist father. As a child, I was often found trying to catch a snake or spin a yarn or reading from the collection of wildlife and natural history books at home. Jungles were as much a part of growing up as was going to school, and I learnt precious life lessons from them. To pursue the cause of conservation, I’ve written several fiction and non-fiction books, as well as articles in national dailies/magazines on wildlife and nature, and I was appointed the Honorary Wildlife Warden of Udaipur, India.
500 square miles of terror. 125 deaths. One hunter.
The Rudraprayag man-eater’s reign of terror went on from 1918 to 1926.
The remarkable hunter cum conservation Jim Corbett’s inimitable style, simple language, and unadulterated love for the forests will keep you hooked to this gripping tale of true adventure as he follows the footsteps of the leopard in the wild mountains. What makes Corbett special is that he empathised with not just the plight of humans, but of animals too. “(The crime) of the leopard was not against the laws of nature, but against the laws of man,” the hunter wrote in his book.
Corbett was a real-life hero and an inspiration for my father. And subsequently for me too.
Jim Corbett's books are usually collections of stories about how he tracked and shot man-eaters in the Indian Himalayas. The present volume consists of a single story, which is perhaps the most exciting of all Corbett's jungle tales.
