Here are 59 books that The Undocumented Americans fans have personally recommended if you like
The Undocumented Americans.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, âPel-tone.â Atop the Kurt Vonnegut Iâd read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, Iâve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
All that happens throughout most of this book is that a Nigerian grad student in psychiatry nightly wanders end-to-end the streets of New York City, observing. And yet I couldnât put this book down, riveted by this angry mind on fire and the differences in the landscape he sees from the one I thought I knew so well.
Author Teju Cole is highly visual, as one would expect from one whose other job as he wrote this was as photography editor of the New York Times Magazine. But then, as you get to the ending of his narratorâs musings, as you feel you have a handle on this plotless novel, the trap is sprung so that you cannot but reevaluate everything that has come before. This book is a stunner!
The bestselling debut novel from a writer heralded as the twenty-first-century W. G. Sebald.
A haunting novel about national identity, race, liberty, loss and surrender, Open City follows a young Nigerian doctor as he wanders aimlessly along the streets of Manhattan. For Julius the walks are a release from the tight regulations of work, from the emotional fallout of a failed relationship, from lives past and present on either side of the Atlantic.
Isolated amid crowds of bustling strangers, Julius criss-crosses not just physical landscapes but social boundaries too, encountering people whose otherness sheds light on his own remarkable journeyâŠ
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŠ
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, Iâm lucky to love what I doâand so I enjoy most of what I read. But these books are special. They drew me in and wouldnât let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
Much of âthe line,â as Border Patrol agents and migrants sometimes call the border, is far from big cities and curious journalists. And a lot of what happens there, happens under cover of darkness or behind the secured doors of Border Patrol stations.
As a former Border Patrol agent, CantĂș saw what happened when no one else was looking. His memoir shares it with the rest of us.
Shortlisted for the Orwell Prize for Political Writing 2019, an electrifying memoir from a Mexican-American US Border Patrol guard
'Stunningly good... The best thing I've read for ages' James Rebanks, author of The Shepherd's Life
Francisco Cantu was a US Border Patrol agent from 2008 to 2012.
In this extraordinary account, he describes his work in the desert along the Mexican border. He tracks humans through blistering days and frigid nights. He detains the exhausted and hauls in the dead. The line he is sworn to defend, however, begins to dissolve. Haunted by nightmares, Cantu abandons the Patrol for civilianâŠ
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, Iâm lucky to love what I doâand so I enjoy most of what I read. But these books are special. They drew me in and wouldnât let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
At times, immigration policies are so ludicrous that only fiction can tell a credible story of whatâs happening.
In Luiselliâs novel, modern asylum policies in the United States get the storytelling they deserve through the lens of one New York family struggling with the ordinary challenges of life only to learn, bit by bit, just how close their lives are to the migrants attempting to navigate the extraordinary demands of immigration policies along the US-Mexican border.
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR âą âAn epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.â âThe Washington Post
In Valeria Luiselliâs fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing betweenâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, Iâm lucky to love what I doâand so I enjoy most of what I read. But these books are special. They drew me in and wouldnât let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
Olivares is also a migrant who knows what itâs like to have his family split apart by immigration laws. Read it for the play-by-play account of family separation in 2018 but enjoy it because in Olivares the future of migration breathes, walks, and fights back.
INTERNATIONAL LATINO BOOK AWARD WINNER - The Raul Yzaguirre Best Political/Current Affairs Book
This deeply personal perspective from a human rights lawyerâwhose work on the front lines of the fight against family separations in South Texas intertwines with his own story of immigrating to the United States at thirteenâreframes the United States' history as a nation of immigrants but also a nation against immigrants.
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, Iâm lucky to love what I doâand so I enjoy most of what I read. But these books are special. They drew me in and wouldnât let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
In Calais, France, on Europeâs northern edge, migrants from across the Middle East and Africa settled, hopeful that they would eventually make it across the English Channel.
While they waited, they built lives, relationships, and the ramshackle edifices that poverty permitsâthe ingredients of communities. Only to be attacked, sometimes by neighbors, other times by police. In this graphic novel, Evans brings Europeâs refugees to life in their humor, hope, and despair.
**LONGLISTED FOR THE ORWELL PRIZE FOR BOOKS 2018**
In the French port town of Calais, famous for its historic lace industry, a city within a city arose. This new town, known as the Jungle, was home to thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans hasâŠ
I embody the âAmerican Dreamâ mythology: I came to the United States as a child who did not speak English and had few means. And now I am the Chair of the English Department at Harvard. But I am the exception, not the rule. So many migrants die on perilous journeys or survive only to live marginal lives under surveillance. Yet we donât always ask why people risk their lives and those of their children to migrate. And when we do, we donât often go beyond the first layer of answers. The list of books I recommend allows us to think deeply about the roots of forced migration.
Drawing on a wide range of research, Shah counteracts the common assumption that contemporary human and nonhuman migrations represent an unprecedented global crisis.
She reframes migration as a biological and cultural necessity that has been a crucial part of human history and shows how it has been fueled by such factors as economic inequality, politics, nationalism, colonialism, etc. I learned so much from this meticulously researched, yet highly readable book.
I love how it asks readers to consider migration and its history from multiple perspectives and that it can help us think and prepare for an increase of migration due to climate change.
Finalist for the 2021 PEN/E.O. Wilson Literary Science Writing Award A Library Journal Best Science & Technology Book of 2020 A Publishers Weekly Best Nonfiction Book of 2020 2020 Goodreads Choice Award Semifinalist in Science & Technology
A prize-winning journalist upends our centuries-long assumptions about migration through science, history, and reporting--predicting its lifesaving power in the face of climate change.
The news today is full of stories of dislocated people on the move. Wild species, too, are escaping warming seas and desiccated lands, creeping, swimming, and flying in a mass exodus from their past habitats. News media presents this scramblingâŠ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŠ
Iâve been fascinated with the topic of immigration since childhood. My father is an immigrant, and my mother grew up overseas. My first job after college was working for a youth program for immigrant and refugee kids in Chicago. Now, I am a professor who teaches and writes about migration law. I find stories about how moving across borders shapes peopleâs lives to be endlessly interesting, bringing up themes of belonging, home, memory, trauma, and identity. I also think that the topic of global migration is intimately linked to questions of justice and equality and requires us all to reckon with the ways in which the colonial past shapes the present.Â
I loved this book because, while it is full of personal stories, it also looks at the big picture and asks why global migration is happening in the ways that it is.
The author centers colonialism in his explanation of why people are coming from the Global South to the North and why it is short-sighted to fear and loathe such newcomers. Mehta is a really excellent writerâI loved the way he weaved the forest and the trees together to help explain the politics of migration from the global to the local level.Â
An impassioned defence of global immigration from the acclaimed author of Maximum City.
Drawing on his family's own experience emigrating from India to Britain and America, and years of reporting around the world, Suketu Mehta subjects the worldwide anti-immigrant backlash to withering scrutiny. The West, he argues, is being destroyed not by immigrants but by the fear of immigrants. He juxtaposes the phony narratives of populist ideologues with the ordinary heroism of labourers, nannies and others, from Dubai to New York, and explains why more people are on the move today than ever before. As civil strife and climate changeâŠ
I embody the âAmerican Dreamâ mythology: I came to the United States as a child who did not speak English and had few means. And now I am the Chair of the English Department at Harvard. But I am the exception, not the rule. So many migrants die on perilous journeys or survive only to live marginal lives under surveillance. Yet we donât always ask why people risk their lives and those of their children to migrate. And when we do, we donât often go beyond the first layer of answers. The list of books I recommend allows us to think deeply about the roots of forced migration.
In this book, Stoler rightly warns us against assuming that colonial violence existed only in the past. But she also shows that it is hard to grasp the effects of colonial power in our contemporary world.
This is because that power wraps âaround contemporary problems,â including âtoxic dumping in Africa, devastated âwaste lands,â precarious sites of residence, ongoing dispossession, or pockets of ghettoized urban quarters,â as well as migration crises the world over.
Imperial formations of power have transformed, adhering âin the logics of governance,â plaiting âthrough racialized distinctions,â and holding âtight to the less tangible emotional economies of humiliations, indignities, and resentments that manifest in bold acts of refusal to abide by territorial restrictions.â
Empires, old and new, intentionally conceal and silence their brutality, failures, and disorderliness and thus keep us in the dark while making us complicit in their violence.
How do colonial histories matter to the urgencies and conditions of our current world? How have those histories so often been rendered as leftovers, as "legacies" of a dead past rather than as active and violating forces in the world today? With precision and clarity, Ann Laura Stoler argues that recognizing "colonial presence" may have as much to do with how the connections between colonial histories and the present are expected to look as it does with how they are expected to be. In Duress, Stoler considers what methodological renovations might serve to write histories that yield neither to smoothâŠ
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
This one takes us back to the founding of the Border Patrol to look at its Wild West origins. The first agents were plucked from frontier law enforcement and the Texas Rangers, whose earlier tasks included slave patrols and the violent removal of Native Americans. Lytle Hernandez shows how those racist and violent origins shaped the practices of the early Border Patrol.Â
This is the untold history of the United States Border Patrol from its beginnings in 1924 as a small peripheral outfit to its emergence as a large professional police force. To tell this story, Kelly Lytle Hernandez dug through a gold mine of lost and unseen records stored in garages, closets, an abandoned factory, and in U.S. and Mexican archives. Focusing on the daily challenges of policing the borderlands and bringing to light unexpected partners and forgotten dynamics, "Migra!" reveals how the U.S. Border Patrol translated the mandate for comprehensive migration control into a project of policing Mexicans in theâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
I had a difficult past; from living in war, poverty, and doing various jobs to help with the family economy, to losing my life, imprisonment, and exile. I was one of millions of Iranians who were trapped in a prison called âoppressionâ by a dictatorial and totalitarian regime. They called us âthe burnt generation.â Despite all the hardships, I immigrated to America, became a successful scientist, and achieved all my goals. Then I told myself to write my biography to inspire and motivate people all around the world and convey this universal message to them: protect your freedom, cherish your democracy, and never forget the ones left behind.
Behrouz described his journey with beauty and exemplary courage in the Manus prison. This book is reiminisent of my life story and the lives of millions of Iranians trapped in a prison called âoppression.â This biography speaks of the importance of life and the need for every human being to tell their own story.
I narrated life in Iran in shocking detail of cruelty, destruction, discrimination, humiliation, and constant surveillance, and like many Iranians, found beauty in simple things like rain and paper flowers that soothed us in our loneliness and misery.
This is a testament to the power of writing to overcome difficulties and loneliness.
The Award-winning International Bestselling Story of One Man's Six Year Detention in Australia
'A powerfully vivid account of the experiences of a refugee: desperation, brutality, suffering, and all observed with an eye that seems to see everything and told in a voice that's equal to the task.' - Phillip Pullman
In 2013, Kurdish journalist Behrouz Boochani sought asylum in Australia but was instead illegally imprisoned in the country's most notorious detention centre on Manus Island. This book is the result.
Boochani spent nearly five years typing passages of this book one text at a time from a secret mobile phoneâŠ