Here are 100 books that The Undertaking fans have personally recommended if you like
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In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.
This book has had a profound influence on my thinking. While I’m not sure I agree with absolutely everything the authors propose, their central idea is compelling: that as humans, awareness of our own death shapes everything we do in life (consciously or subconsciously)—whether we write symphonies, climb Everest, start a family or enter the local baking competition.
The book underscores my belief that, while knowing we have an expiration date is terrifying, if we use that knowledge in the right way, it can be empowering.
Proof of a ground-breaking psychological theory: that the fear of death is the hidden motive behind almost everything we do.
'A joy ... The Worm at the Core asks how humans can learn to live happily while being intelligently aware of our impending doom, how knowledge of death affects the decisions we make every day, and how we can stop fear and anxiety overwhelming us' Charlotte Runcie, Daily Telegraph
'Provocative, lucid and fascinating' Financial Times
'An important, superbly readable and potentially life-changing book . . . suggests one should confront mortality in order to live an authentic life' Tim Lott,…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.
I first read this book as a teenager and missed the full force of its ferocious satire. Re-reading it years later, I laughed out loud. Waugh’s genius is to set his story of a love triangle in a Los Angeles funeral home. This way, he gets to poke fun at Hollywood and the American funeral industry while giving the dead a prominent role in the drama.
When, for example, embalmer Mr. Joyboy starts wooing young cosmetician Aimée Thanatogenos, he does it through the expressions he puts on the faces of the corpses he sends to her makeup studio. When Aimée falls for his rival, a poet and pet mortician, the beatific smiles of Mr. Joyboy’s death turn into ghastly grimaces. It’s one of my favorite moments in the book—but there are many more.
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
You might recognize Caleb Wilde from his prolific social media presence. And while Wilde’s funeral home is only about an hour from mine, that has nothing to do with the recommendation. What appealed to me about Confessions is Wilde’s naked honesty about the pervasiveness of death that many of us who work in the profession feel. Confessions is introspective, and at times funny, but my main takeaway is Wilde’s attempt to foster a more death-positive attitude with his text. Sure death is sad, and at times tragic, but there are life lessons to be learned and it doesn’t have to be a taboo subject in our culture.
"I tremble to say there's good in death, because I've looked in the eyes of the grieving mother and I've seen the heartbreak of the stricken widow, but I've also seen something more in death, something good. Death's hands aren't all bony and cold."-from Confessions of a Funeral Director
We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and-when it can be avoided no longer-letting the professionals take over.
Sixth-generation funeral director Caleb Wilde understands this reticence…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
I love history, and stumbled across this book while researching the history of battlefield recoveries. Soldier Dead is comprehensive without being tedious and Sledge organizes the material in “sections” (i.e., combat vs. non-combat recoveries) that work much better than a timeline approach, though he doesn’t skimp on the history. If you’re interested in the Tomb of the Unknown Soldier theSoldier Dead offers, in my opinion, a slightly different look at the subject including the story of the eventual identification of the Vietnam unknown soldier (later identified as Michael Blassie). This book is a great mix of military history, forensics, and mortuary procedures.
What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
As I said before, I love history, and Puckle’s book gives the reader a great look into the why of our funeral customs. As in: why do we send funeral flowers? (To which Puckle offers the glib answer, “the half sovereign he paid for it save him from the mental exercise of composing a suitable letter of condolence” before offering a serious explanation). Sure, the book was published almost a century ago, but that has no bearing on the contents. It’s an evergreen book and a highly recommended read for serious funereal scholars or those considering a career in funeral service.
Puckle's "Funeral Customs" is one of the more in-depth looks at death ever penned. Created in the early 20th century, it casts a rational and skeptical glance at the superstitions of burial practices and cremation alike, and lists in some detail the customs of death over time and changes to them during the black death and then-modernity among other eras. Not just a European work, it delves into Hinduism as well as Egyptian and Zoroastrian practices from antiquity.
From the memento mori to funeral feasts, its pages are filled with interesting folklore, astonishing history, and more than a few bits…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
During the course of my work week, I get a lot of people telling me they currently are interested in the funeral profession, or if they are of retirement age, they were interested in their younger days. Which begs the question: how do you get started in the profession? Society-girl Meyer simply went in and asked for a job at an East-side funeral home after planning her own father’s funeral. The book details how she helped plan some amazing send-offs for the Big Apple’s rich and famous, and I think is a great how-to for “rolling your sleeves up and giving something a try.” I read somewhere that the experience motivated her to attend mortuary school. Fun read.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.
What I love about this highly unusual memoir from Julian Barnes is how he invites us to join him on his meanderings through a smorgasbord of intriguing topics and unexpected thought worms. As he explores his fear of death, he meets, greets, and remembers everyone from historical figures, poets, writers, and philosophers to friends and family members.
I found this book unexpected, poignant, and, at times, very funny. And as is true of so much of what I enjoy reading, this meditation on death does much to shed light on what makes us human.
'I don't believe in God, but I miss Him.' Julian Barnes' new book is, among many things, a family memoir, an exchange with his philosopher brother, a meditation on mortality and the fear of death, a celebration of art, an argument with and about God, and a homage to the French writer Jules Renard. Though he warns us that 'this is not my autobiography', the result is a tour of the mind of one of our most brilliant writers.
In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.
For me, the fact that this intriguing book is part of a series called The Art of Living says it all. Philosopher Todd May argues that while death is “tragic, arbitrary and meaningless,” it’s also the most important fact about us as humans.
What stayed with me long after I’d finished reading was the idea that immortality would be far worse than death. With no end in sight, May argues, life would become meaningless. Why, in fact, would we bother doing anything at all since we could endlessly put it off till later? As a writer who needs a deadline to get anything done, I couldn’t agree more. Endlessly thought-provoking, this little book punches far above its weight.
The fact that we will die, and that our death can come at any time, pervades the entirety of our living. There are many ways to think about and deal with death. Among those ways, however, a good number of them are attempts to escape its grip.
In this book, Todd May seeks to confront death in its power. He considers the possibility that our mortal deaths are the end of us, and asks what this might mean for our living. What lessons can we draw from our mortality? And how might we live as creatures who die, and who…
I am an artist and writer drawn to the intersections of non-believe. My work explores the friction points non-believers encounter and illuminates a path forward informed by reason and empathy. My writing is evidence-based, with the skepticism that comes with being an atheist, but infused with warmth, clarity, and understanding. Grief can present friction for non-believers. I aim to support those navigating such losses by providing evidence-based guidance and compassion. I hope you find some valuable nuggets in this list of books.
This book is part science, part memoir. The author shares how she applied the research she has done around resilience as she grappled with grief when her child died.
When we are grieving without the false promises of an afterlife, learning how to support ourselves as we put one foot in front of another and continue to move forward can take everything we have. By exploring concepts of resilience and well-being, Dr. Hone provides practical tools to help us cope a bit better.
The death of someone we hold dear may be inevitable; being paralysed by our grief is not. A growing body of research has revealed our capacity for resilient grieving, our innate ability to respond to traumatic loss by finding ways to grow - by becoming more engaged with our lives, and discovering new, profound meaning.
Author and resilience/well-being expert Lucy Hone, a pioneer in fusing positive psychology and bereavement research, was faced with her own inescapable sorrow when, in 2014, her 12-year-old daughter was killed in a car accident. By following the strategies of resilient grieving, she found a proactive…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.
I’m a sucker for books about restored faith, particularly one with a Victorian house on the cover (see The Diamond in the Window below). That’s what caught my eye about Jess Redman’s beautifully written book, but the main character, a kid named Wunder, really drew me in and kept me reading.
I loved following Wunder’s journey as his faith in miracles falters after the death of his newborn sister. What touched me the most was how his connection with a woman–maybe a witch–who resides in the crumbling Victorian house helps reawaken his belief in everyday magic. This is one of my top favorite magical middle grade books of all time.
In the tradition of heartwrenching and hopeful middle grade novels such as Bridge to Terabithia comes Jess Redman's stunning debut about a young boy who must regain his faith in miracles after a tragedy changes his world.
Eleven-year-old Wunder Ellis is a miracologist. In a journal he calls The Miraculous, he records stories of the inexplicable and the extraordinary. And he believes every single one. But then his newborn sister dies, at only eight days old. If that can happen, then miracles can’t exist. So Wunder gets rid of The Miraculous. He stops…