Books like Confessions of a Funeral Director — picked by fans

In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.

I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”

I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”

I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”

I have a lifelong fascination with houses and the sway they hold over us. Coming from a family that moved pretty frequently, I’ve experienced the way a house can feel like a true home, or like an unwelcoming space. Unlike the characters in The Wonder State, I don’t break into places to explore (not even abandoned spaces!). But I always take notice of the homes and structures in every neighborhood and city I visit, wondering what the residents’ lives are like and how their houses affect them. I’m a novelist who focuses on the speculative, and all three of my novels feature weird houses in some capacity.

When I was a kid on the farm in Saskatchewan, I had a handful of books to read and re-read and read yet again. No television, no radio—just books. Then we moved to the city and I discovered the bookmobile, but I could only take out three books at a time. Deciding was torture. From bookmobile to library to bookstore to e-reader. Life is good. With all that reading, I knew I had to write a novel. I finally did. One became seven. How on earth did that happen? Re-reding my books I realized that teens play significant roles in all my novels. I’m a retired teacher—go figure!

I grew up in western Pennsylvania where my dad loved history and always tried to stop at any battlefield or historic sign that happened to be within his field of vision. My mom was a passionate researcher of our family ancestry and I spent our childhood looking in cemeteries for specific names and gravestones. When I was ten years old, we joined a living history reenactment group that portrayed everyday life in the 1750s, and I was immediately hooked. I began researching about our group known as “Captain William Trent’s Company” and after almost thirty years of living and breathing summer weekends at 18th Century historic sites, the pages of Pittsburgh’s Lost Outpost: Captain Trent’s Fort came to life. I picked these five books because I want future readers to be transported like I was when I first read them.

Was it the environmental movement, which burgeoned as I was growing up? Or remnants of Sunday School teachings? For whatever reason, I deeply believe that I have a responsibility to give back to the world more than I take. There are many ways to give back, as my characters Miranda and Russ explore in my novel I Meant to Tell You. In my nonfiction, I’ve investigated the healthcare and financial industries, and also suggested steps we can take in our everyday lives as consumers, parents, and investors. When I’m not writing, I’m organizing environmental clean-ups, collecting supplies for refugees, and phoning public officials.

I’ve studied the art of fiction for many years and was fortunate to have great teachers along the way who knew how to analyze novels to help anyone interested in writing fiction to better see how they work. I also enjoy editing fiction written by other novelists, as this invariably leads to a better understanding of what is possible through the written word. I worked for many years as a bookseller and within the publishing industry. As a bookseller, I set a goal of reading at least one novel from every author in the classics section, and managed to do that.

I grew up in western Pennsylvania where my dad loved history and always tried to stop at any battlefield or historic sign that happened to be within his field of vision. My mom was a passionate researcher of our family ancestry and I spent our childhood looking in cemeteries for specific names and gravestones. When I was ten years old, we joined a living history reenactment group that portrayed everyday life in the 1750s, and I was immediately hooked. I began researching about our group known as “Captain William Trent’s Company” and after almost thirty years of living and breathing summer weekends at 18th Century historic sites, the pages of Pittsburgh’s Lost Outpost: Captain Trent’s Fort came to life. I picked these five books because I want future readers to be transported like I was when I first read them.