Here are 92 books that Confessions of a Funeral Director fans have personally recommended if you like
Confessions of a Funeral Director.
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In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.
When I began looking into how we humans send off our dead, this was the first book I read. Both moving and funny, it remains one of my favorites. Lynch, a poet, author, and professional undertaker, writes unsentimentally but with great compassion about the business of burying the dead.
While Lynch is critical of modern approaches to death—which he compares to the flush toilet, allowing us to quickly remove unpleasant reminders of our failing bodies—his book left me with a new understanding of the importance of the services provided by those who work in “the dismal trade.”
"Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director.
In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
I love history, and stumbled across this book while researching the history of battlefield recoveries. Soldier Dead is comprehensive without being tedious and Sledge organizes the material in “sections” (i.e., combat vs. non-combat recoveries) that work much better than a timeline approach, though he doesn’t skimp on the history. If you’re interested in the Tomb of the Unknown Soldier theSoldier Dead offers, in my opinion, a slightly different look at the subject including the story of the eventual identification of the Vietnam unknown soldier (later identified as Michael Blassie). This book is a great mix of military history, forensics, and mortuary procedures.
What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
As I said before, I love history, and Puckle’s book gives the reader a great look into the why of our funeral customs. As in: why do we send funeral flowers? (To which Puckle offers the glib answer, “the half sovereign he paid for it save him from the mental exercise of composing a suitable letter of condolence” before offering a serious explanation). Sure, the book was published almost a century ago, but that has no bearing on the contents. It’s an evergreen book and a highly recommended read for serious funereal scholars or those considering a career in funeral service.
Puckle's "Funeral Customs" is one of the more in-depth looks at death ever penned. Created in the early 20th century, it casts a rational and skeptical glance at the superstitions of burial practices and cremation alike, and lists in some detail the customs of death over time and changes to them during the black death and then-modernity among other eras. Not just a European work, it delves into Hinduism as well as Egyptian and Zoroastrian practices from antiquity.
From the memento mori to funeral feasts, its pages are filled with interesting folklore, astonishing history, and more than a few bits…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
During the course of my work week, I get a lot of people telling me they currently are interested in the funeral profession, or if they are of retirement age, they were interested in their younger days. Which begs the question: how do you get started in the profession? Society-girl Meyer simply went in and asked for a job at an East-side funeral home after planning her own father’s funeral. The book details how she helped plan some amazing send-offs for the Big Apple’s rich and famous, and I think is a great how-to for “rolling your sleeves up and giving something a try.” I read somewhere that the experience motivated her to attend mortuary school. Fun read.
I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books likeNever SleepI even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense.I love fantasy and science fiction as the next person, but the idea of transporting people to times and placesthat actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author.
A direct inspiration on my book, this is a great espionage thriller set in Philadelphia about a disgraced Revolution-era spy who gets hired by Alexander Hamilton to help against his arch-enemy, Thomas Jefferson, and finds his path intersecting with a farmwife standing up against a frontier uprising.
Liss is a master of the historical form (and a friend, full disclosure!)
America, 1787. Ethan Saunders, once among General Washington’s most valued spies, is living in disgrace after an accusation of treason cost him his reputation. But an opportunity for redemption comes calling when Saunders’s old enemy, Alexander Hamilton, draws him into a struggle with bitter rival Thomas Jefferson over the creation of the Bank of the United States.
Meanwhile, on the western Pennsylvania frontier, Joan Maycott and her husband, a Revolutionary War veteran, hope for a better life and a chance for prosperity. But the Maycotts’ success on an isolated frontier attracts the brutal attention of men who threaten to destroy…
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
This book is a great companion volume to Adam Begley’s Updike biography of some years ago, but it is more like reading a lively autobiography because we follow Updike in his own words from his school years, through Harvard, his first publishing successes, and his many letters to friends and fellow authors, to the end of his life.
Mary McCarthy, Joyce Carol Oates, and Ian McEwan are just the few we witness Updike in fascinating and intimate “conversation” with on every topic imaginable, including theories of fiction, the publishing industry, personal problems and conflicts, good and bad behaviors, you name it.
That the letters are so uncensored is what grabbed me as a reader, especially. The material is raw but presented still through Updike’s high, articulate, often humorous style. I found the reading experience delightful, especially for such a long book from such a prolific author.
THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • The arc of literary giant John Updike's life emerges in these luminous daily letters to family, friends, editors, and lovers—a remarkable outpouring over six decades, from his earliest consciousness as a writer to his final days.
As James Schiff writes in the introduction to this volume, of the writer who would eventually “express himself in written form as copiously and as elegantly as any American writer” before him, “Updike needed to write the way the rest of us need to breathe or eat.” With his stunning rhetorical gifts—enabling him to thrive…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I have a lifelong fascination with houses and the sway they hold over us. Coming from a family that moved pretty frequently, I’ve experienced the way a house can feel like a true home, or like an unwelcoming space. Unlike the characters in The Wonder State, I don’t break into places to explore (not even abandoned spaces!). But I always take notice of the homes and structures in every neighborhood and city I visit, wondering what the residents’ lives are like and how their houses affect them. I’m a novelist who focuses on the speculative, and all three of my novels feature weird houses in some capacity.
You are in the house and the house is in the woods. You are in the house and the house is in you.
If these words don’t send a tingle down your spine, or don’t make you suddenly aware of the house surrounding you, then we aren’t the same. Thomas’ feverish debut is the perfect example of “dark academia” done right.
Catherine House is not a home. It’s a mysterious school. Every student seems to have something odd hidden in the past. Students are encouraged to cultivate school spirit that goes well beyond the usual measures. They become one with Catherine House, submitting to cryptic experiments, cutting off contact with the outside world.
I love the way Thomas explores the ways an institution can exploit while pretending to protect.
“[A] delicious literary Gothic debut.” –THE NEW YORK TIMES BOOK REVIEW, EDITORS' CHOICE
“Moody and evocative as a fever dream, Catherine House is the sort of book that wraps itself around your brain, drawing you closer with each hypnotic step.” – THE WASHINGTON POST
A Most Anticipated Novel by Entertainment Weekly • New York magazine • Cosmopolitan • The Atlantic • Forbes • Good Housekeeping • Parade • Better Homes and Gardens • HuffPost • Buzzfeed • Newsweek • Harper’s Bazaar • Ms. Magazine • Woman's Day • PopSugar • and more!
A gothic-infused debut of literary suspense, set within…
I love stories about everyday people ripped out of their normal lives and forced to face the craziest situations head-on. I mean, can you even imagine? Could you find a way to survive and win? To face down life-threatening danger and evil people and rise from the ashes stronger and smarter? I’m pretty sure I’d kill if it meant protecting my children…but strand me in the wilderness and I’d likely perish from eating the wrong berries. I hate to be hungry, but I love to bring edgy romantic suspense and twisty psychological suspense to readers. Enjoy!
Lisa Regan is a stellar writer, and Vanishing Girls was a literal can’t-put-it-down read. I raced through the first four books in this series (Detective Josie Quinn series) and can’t wait to read the rest. I promise if you try it, you’ll feel the same—it’s addictive! Detective Josie is a mess—but you’ll be rooting for her big time. This situation is dark and disturbing, and this author excels at making things worse and worse for her characters. The writing is fast-paced and twisty—seriously, you’ll want to hold on tight to the armchair!
‘Wow this book blew my mind!... Utterly fantastic, I loved it, this is your worst nightmare come true! An explosive start to a new series. This book was scary, dark and twisted and kept me hanging on the edge of my seat unable to put it down. A huge 5 stars for this.’ Bonnie’s Book Talk, 5 stars
When Isabelle Coleman, a blonde, beautiful young girl goes missing, everyone from the small town of Denton joins the search. They can find no trace of the town’s darling, but Detective Josie Quinn finds another girl they didn’t even know was missing.
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I read it in high school, again in college, and still again (twice) as an adult, once aloud to my 3 young daughters over 3 weeks at bedtime. For me, it is the most powerful, frontier-themed American novel out there.
I love a novel that educates me and tells me things I am surprised I didn’t know because I should have, in beautifully constructed sentences.
The dialogue carries its characters so naturally that it is as if you are speaking with them yourself at your main room table in your 18th-century frontier home in Pennsylvania.
A beautifully illustrated edition of a novel that has enthralled young American readers for generations. It is the story of John Cameron Butler-captured as a small child in a raid on the Pennsylvania frontier by the Indian tribe Lenni-Lenape. Adopted by the great warrior Cuyloga and renamed True Son, he has spent 11 years living and thinking of himself as fully Indian. But when the tribe signs a treaty that requires them to return their white captives, 15-year-old True Son is returned against his will to the family he had long forgotten, and to a life that he no longer…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
Dinosaurs have been my passion in life since before I could even form complete sentences. For as far back as I can remember, I have been enthralled by these magnificent creatures and have been obsessed with their ability to ensnare the human imagination in a way few other topics can. As a child, I would go to the school library and read dinosaur books every day after school. I would also spend my summers planning trips to museums to see their bones for myself. The amount of dinosaur movies, books, video games, and television shows I have consumed cannot be understated.
Why did I love this book? Am I allowed to just say “dinosaurs ghosts?” In all seriousness, this story uses dinosaurs in a way that very few stories have ever dared to try, that being in a supernatural horror story.
I cannot help but admire the author's commitment to this premise. The author’s impressive knowledge of actual paleontology cannot be understated. As a mental health worker myself, I also love the story’s realistic depiction of a main character working through grief and trauma.
Add all of this to a story about the ancient spirits of dinosaurs haunting a museum, and I found myself enthralled by this book from start to finish.
USA TODAY BESTSELLER 2024 ITW Thriller Award Winner Esquire “Best Horror Books of 2023” Pick
A haunted paleontologist returns to the museum where his sister was abducted years earlier and is faced with a terrifying and murderous spirit in this chilling novel.
Curator of paleontology Dr. Simon Nealy never expected to return to his Pennsylvania hometown, let alone the Hawthorne Museum of Natural History. He was just a boy when his six-year-old sister, Morgan, was abducted from the museum under his watch, and the guilt has haunted Simon ever since. After a recent breakup and the death of the…