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The Undercutting of Rosie and Adam.
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I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry bookA Terrible Thingreinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.
I adoredThe Half God of Rainfall’s daring: a new free-verse epic crafted from ancient Yoruba and Greek mythology by Inua Ellams, a poet and playwright, who has also adapted it for theatre. It tells the story of Demi, the son of Modúpé, a mortal woman and the Greek god Zeus. Ellams does not shy away from Zeus’s canonical role as a violent sexual predator and the tale of Demi’s rise and fall as a basketball player, half god, and half mortal culminates in the overthrowing of the patriarchy. Demi’s mother Modúpé, with the aid of the Òrìsà (Yoruban Gods) and other women wronged by him – Leda, Danaë, Europa, Antiope – takes her revenge on the great Zeus himself.
From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge.
There is something about Demi. When this boy is angry, rain clouds gather. When he cries, rivers burst their banks and the first time he takes a shot on a basketball court, the deities of the land take note.
His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows Gods often act like men: the same fragile egos, the same unpredictable fury and the same…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been an avid reader of MM literature in all its genres and sub-genres, since I was a teenager. Even now, MM fantasy titles are some of my favorite books of all time. I’d love to share my preferences with other readers so they could see the magic I see.
Apollo is a god who refuses to take his position as god of the sun.
Until his father forces him to either ascend immediately, or spend the year being mentored under the obnoxious Prince Hyacinth. Forced together, Apollo and Hyacinth grapple with their mutual disdain for each other, but eventually irritation turns into love.
Apollo and Hyacinth are the sweetest opposites attract couple. One is an uptight responsible prince, the other is a rebel demi-god. They get together, they give the other what they’ve lacked, and make each other better.
These are two good-natured characters who love humanity and work hard to make life better, while in the process falling in love.
This is for me and for anyone who loves to see a pure, natural, slow-burn attraction.
As a student of mythology and archetypal psychology, I invite you to interrogate your assumptions about self and society, to consider the narratives that we all take for granted. We live between great polar opposites. One is how our leaders embody old, toxic stories. The other asks who we might become if we imagine new ones. But only by dropping our sense of innocence and acknowledging the depths of our darkness can we open ourselves to the possibilities of real transformation. I invite you inside our mythic walls, to examine what it means to be an American. I hope to facilitate a collective initiation and invite you to think mythologically.
This Black sociologist demands that we take a deep look into the religious basis of American racism.
Of 5,000 cases of lynching reported between 1880 and 1930, at least 40% functioned as actual human sacrifices, very large communal rituals that identified certain individuals as the source of the community’s problems and eliminated them. The sacrifice created a compact between the people and their deities, expiating their sins and reinforcing their values.
"The victim mediated between the sacred and the profane...the burning cross distilled it all: sacrificed Negro joined by the torch with sacrificed Christ, burnt together and discarded...” Well into the 20th century, “The cross – Christianity’s central symbol of Christ’s sacrificial death – became identified with the crucifixion of the Negro.” Forced to carry all the projections of the white unconscious, the Black man became the American Dionysus.
Patterson observes that in recent generations the stereotype of America’s internal…
In the first essay, Patterson analyzes the very latest survey data to delineate the different attitudes, behaviors, and circumstances of Afro-American men and women, dissecting both the external and internal causes for the great disparities he finds.In the second essay, Patterson focuses on the lynching of Afro-American boys and men during the decades after Reconstruction, particularly on the substantial number of cases that constituted apparent ritual human sacrifice. As no one has done before, Patterson reveals how the complex interplay between Christian sacrificial symbolism and the deep recesses of post-bellum Southern culture resulted in some of the most shameful, barbaric…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I was a teenager in the 80s (with the big-hair pictures to prove it) and a chain-smoking, bar-hopping, flannel-clad twenty-something in the 90s. I remember everything about those days. Because my brain is basically a pop culture museum, most of my books are nostalgic, geared toward Gen X, and heavily influenced by the John Hughes films from my youth. My novels are always written with humor, heart, and heat… and more than a little sarcasm. Then again, I’m a lifelong Jersey girl, so that might go without saying. I love reading stories with fun, gorgeous heroes and smart, vibrant heroines… so that’s what I write.
Like, omigod! What a blast from the past! This adorable teen romance takes place in 1984 in southern California. It was a totally awesome 80s flashback that reminded me of Pretty in Pink (never a bad thing, amirite?). Granted, I felt that too many of the pop culture references were awkwardly crowbarred into the narrative, but it was still a fun ride nonetheless. I love stories like this, ones where the average girl lands the school’s most popular guy. Throw in a makeover, and I’m one-clicking every time. Does that make me shallow? I don’t care. Plots like that always give good butterflies, and MWY is no exception. If you’re looking for a totally rad romance that won’t gag you with a spoon, Melt With You will like, totally stoke your 1980s heart.
From NEW YORK TIMES bestselling author Addison Moore:
Love the '80s? Miss big hair, rad music, and leg warmers? Take a step back in time with Melt with You (A Totally '80s Romance). It’s like totally awesome.September 1984 Junior year is really shaping up to be something. After three years of trying, I finally made the cheer squad. And on the last day of summer practice the demigod of Glen Heights High, Joel Effing Miller, finally notices me—right after he runs me over and lands my leg in a cast. Yeah, junior year is really shaping up to be something.…
Ever since I was a child, I would hide in my special place and dream away. Reality was rarely the best place to be, even as an adult I fantasize, I step away from reality without ever truly stepping away. Mafia Romance, paranormal, and fantasy excite me, but add in a little touch of real to the story and now even reality makes you wonder. This was the basis for The Devil’s Eyes. I took a new world and mixed in a little bit of what we know is true and a little bit of what-if and a lot of dark and sexy.
I love a book that you can dive into, and it takes you into a whole other world. A mysterious world that takes the good and the bad and turns it upside down, inside out, and twists everything until nothing is at seems or you believe it should be. I love new and exciting characters that haven’t been touched on yet or even just a twist of ideas that gets your mind racing with new possibilities. You can’t wait for the next page to see where this new world will take you.
Twilight meets Ancient Aliens with the sizzle of Fifty Shades. An Amazon top 10 All-Star ⭐️⭐️⭐️⭐️⭐️More than 3M copies downloaded.
“Best paranormal series ever! I’ve always been a great fan of this genre but this series had to be best of all! Lucas created an amazing world!” ⭐️⭐️⭐️⭐️⭐️
"Hands down the best book series I have ever read. I Devour the books and coming from somebody who reads all the time this is an extreme compliment. I’ve never read such a well-written book where the storyline develops with so many characters. Also the steamy love scenes are to die for!"…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
"The statements we make just by getting dressed in the morning." This book about fashion and dress codes, and how they interconnect with gender, sexuality, and class, is lively and thought-provoking. My own study of the women who appear in Greek vase paintings led me to look more closely at women’s relationship with their clothing. In particular their handling of shoes became a source of fascination, and in my current research I’m focussing on narratives around female footwear. In the book, Brydon’s chapter "Sensible Shoes" has been an inspiration. Stilettos, for example, are seen as being entirely ambiguous in their significance, items which can both empower and disable the wearer. Like the knife they are named after, they are double-edged.
Clothing the body is one of the most complicated acts of daily existence. When a nun ponders red shoes, an architect knots his bowtie, a lesbian laces her Doc Marten's, or a nude model disrobes, each is engaging in a process of identity-making that is both intensely personal and deeply social. In an increasingly material world, negotiating dress codes is a nuanced art, informed by shifting patterns of power and authority, play and performance, as well as gender, sexuality, class, ethnicity and race. Drawing on ethnographic knowledge to connect theory and practice, authors reveal links between material culture, social and…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a failed fashion designer, the history of twentieth-century fashion, represented both visually and in the form of narrative text, make up the bulk of my ever-increasing library of fashion books. In order to write about fashion, either as a biographer of one of the great designers or cutting-edge photographers, it is crucial to acknowledge what was deemed as desirable in a previous generation and a previous context. As Yves Saint Laurent famously said, "Fashion fades, Style is eternal." Fashion in its broader sense has never existed in a vacuum and an understanding of fashion history and fashion imagery, that so clearly evokes a specific era, is the very best way to appreciate the cyclical nature of this creative business.
Meticulously researched by brilliant fashion journalist Alicia Drake, this book charts the bitchy, high octane rivalry of two mega egos of the industry, Yves Saint Laurent and Karl Lagerfeld. As a journalist working today in an era of horrendous consumerism known as ‘fast fashion’ this detailed account of how both men were instrumental in shifting the established codes of a refined haute couture system into a faster-paced ready-to-wear market in the 1970s is illuminating. It also documents the evolution of couturier as a celebrity, detailing how YSL used an image of himself to promote his aftershave in 1971, a revolutionary idea of self-promotion at the time, and now a very necessary part of the ‘selfie’ obsessed generation of creatives working in fashion.
In 1950s Paris, Yves Saint Laurent and Karl Lagerfeld were friends, the rising stars of the fashion world. But by the late sixties, the city was invaded by a new mood of liberation and hedonism, and dominated by intrigue, infidelities, addiction and parties. Each designer created his own mesmerizing world, so vivid and seductive that people were drawn to the power, charisma and fame, and it was to make them bitter rivals. "The Beautiful Fall" is a dazzling expose of an era and the story of the two men who were its essence and who remain its most singular survivors.
I grew up in Scotland, and from the moment I visited New York City as a tourist, I have been obsessed! I moved to NYC officially in 2000 and have been endlessly fascinated by its history. As a new immigrant who moved here knowing no one and having very little money, I struggled a lot in my initial years, and that left me wondering how people, particularly women, had survived being in the City in prior years, especially with less privileges than I had and so many more obstacles in their way to making a living. I hope these books give you the insight they gave me.
I loved that Julia Satow uncovers the history of lesser-known female department store professionals who hit the pinnacle of their careers in an era when few women were allowed to have executive careers following the Depression.
What delighted me the most were the details of tactics employed by the women to attract more consumers to the stores, such as selling bestselling novels that glamorized the career of an assistant buyer in the shop or the men’s club in which they could gawk at underwear models while shopping for lingerie for their wives. I was also surprised and amused by the stories of name artists such as Salvador Dali, who created window displays for the stores.
NEW YORK TIMES BESTSELLER • A glittering portrait of the golden age of American department stores and of three visionary women who led them, from the award-winning author of The Plaza. • "Ms. Satow’s carefully researched book is compulsively readable: I found myself dashing through it like a novel. She portrays the women with verve; we get a glimpse into their lives, as well as a sense of what it was like at each of these retail meccas." —The Wall Street Journal
The twentieth century American department store: a palace of consumption where every wish could be met under one…
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
Fashion is, of course, a visual medium. It’s also one with a very long history. If you want to get familiar with what people have been wearing for the last few centuries, this is the book. All the garments are taken from the Kyoto Costume Institute, a place I hope to visit one day. I’ve read this book cover to cover several times (even accidentally purchasing it more than once!), and I consider it an essential volume in my research library.
Clothes define people. A person's attire, whether it's a sari, kimono, or business suit, is an essential code to his or her culture, class, personality, even faith. Founded in 1978, the Kyoto Costume Institute recognizes the importance of understanding clothes from sociological, historical, and artistic perspectives. With one of the world's most extensive clothing collections, the KCI has amassed a wide range of historical garments, underwear, shoes, and fashion accessories dating from the 18th century to the present day.
Showcasing the Institute's vast collection, Fashion History is a fascinating excursion through the last three centuries of clothing trends. Featuring impeccable…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
Of course, I can’t put together a list of fashion books without dedicating one of them to lingerie. Underwear: Fashion in Detail was one of the first lingerie-focused books I purchased (the other was Valerie Steel’s The Corset, unfortunately no longer in print). Full of amazing photos and equally amazing diagrams, if you want to learn about lingerie specifically, this is where to start.
From camisoles to corsets, basques to boudoir caps and girdles to garters, Underwear: Fashion in Detail gets up close to some of the most intimate items in the V&A. The book traces the evolution of underwear, from rare examples dating from the sixteenth century and the exaggerated shapes of eighteenth-century courtly undergarments, to Dior's curvaceous 'New Look' girdles to contemporary lingerie by Agent Provocateur and Rigby and Peller. Meticulous colour photography shows these fascinating garments in close detail, while intricate line drawings reveal their construction. The book also highlights the work of designers such as Vionnet and Westwood, who have…