Here are 67 books that The Undercutting of Rosie and Adam fans have personally recommended if you like
The Undercutting of Rosie and Adam.
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I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry bookA Terrible Thingreinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.
I adoredThe Half God of Rainfall’s daring: a new free-verse epic crafted from ancient Yoruba and Greek mythology by Inua Ellams, a poet and playwright, who has also adapted it for theatre. It tells the story of Demi, the son of Modúpé, a mortal woman and the Greek god Zeus. Ellams does not shy away from Zeus’s canonical role as a violent sexual predator and the tale of Demi’s rise and fall as a basketball player, half god, and half mortal culminates in the overthrowing of the patriarchy. Demi’s mother Modúpé, with the aid of the Òrìsà (Yoruban Gods) and other women wronged by him – Leda, Danaë, Europa, Antiope – takes her revenge on the great Zeus himself.
From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge.
There is something about Demi. When this boy is angry, rain clouds gather. When he cries, rivers burst their banks and the first time he takes a shot on a basketball court, the deities of the land take note.
His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows Gods often act like men: the same fragile egos, the same unpredictable fury and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been an avid reader of MM literature in all its genres and sub-genres, since I was a teenager. Even now, MM fantasy titles are some of my favorite books of all time. I’d love to share my preferences with other readers so they could see the magic I see.
Apollo is a god who refuses to take his position as god of the sun.
Until his father forces him to either ascend immediately, or spend the year being mentored under the obnoxious Prince Hyacinth. Forced together, Apollo and Hyacinth grapple with their mutual disdain for each other, but eventually irritation turns into love.
Apollo and Hyacinth are the sweetest opposites attract couple. One is an uptight responsible prince, the other is a rebel demi-god. They get together, they give the other what they’ve lacked, and make each other better.
These are two good-natured characters who love humanity and work hard to make life better, while in the process falling in love.
This is for me and for anyone who loves to see a pure, natural, slow-burn attraction.
As a student of mythology and archetypal psychology, I invite you to interrogate your assumptions about self and society, to consider the narratives that we all take for granted. We live between great polar opposites. One is how our leaders embody old, toxic stories. The other asks who we might become if we imagine new ones. But only by dropping our sense of innocence and acknowledging the depths of our darkness can we open ourselves to the possibilities of real transformation. I invite you inside our mythic walls, to examine what it means to be an American. I hope to facilitate a collective initiation and invite you to think mythologically.
This Black sociologist demands that we take a deep look into the religious basis of American racism.
Of 5,000 cases of lynching reported between 1880 and 1930, at least 40% functioned as actual human sacrifices, very large communal rituals that identified certain individuals as the source of the community’s problems and eliminated them. The sacrifice created a compact between the people and their deities, expiating their sins and reinforcing their values.
"The victim mediated between the sacred and the profane...the burning cross distilled it all: sacrificed Negro joined by the torch with sacrificed Christ, burnt together and discarded...” Well into the 20th century, “The cross – Christianity’s central symbol of Christ’s sacrificial death – became identified with the crucifixion of the Negro.” Forced to carry all the projections of the white unconscious, the Black man became the American Dionysus.
Patterson observes that in recent generations the stereotype of America’s internal…
In the first essay, Patterson analyzes the very latest survey data to delineate the different attitudes, behaviors, and circumstances of Afro-American men and women, dissecting both the external and internal causes for the great disparities he finds.In the second essay, Patterson focuses on the lynching of Afro-American boys and men during the decades after Reconstruction, particularly on the substantial number of cases that constituted apparent ritual human sacrifice. As no one has done before, Patterson reveals how the complex interplay between Christian sacrificial symbolism and the deep recesses of post-bellum Southern culture resulted in some of the most shameful, barbaric…
The woman who inspired Don Quixote sets out across the dangerous roads of Spain to honor her dying lover's final plea.
The daughter of a wealthy merchant, young Dolça Llull Prat is besotted with the dashing, bootstrapping Miguel Cervantes from their first meeting. Despite Miguel's entreaties, the ever-practical Dolça, with…
Ever since I was a child, I would hide in my special place and dream away. Reality was rarely the best place to be, even as an adult I fantasize, I step away from reality without ever truly stepping away. Mafia Romance, paranormal, and fantasy excite me, but add in a little touch of real to the story and now even reality makes you wonder. This was the basis for The Devil’s Eyes. I took a new world and mixed in a little bit of what we know is true and a little bit of what-if and a lot of dark and sexy.
I love a book that you can dive into, and it takes you into a whole other world. A mysterious world that takes the good and the bad and turns it upside down, inside out, and twists everything until nothing is at seems or you believe it should be. I love new and exciting characters that haven’t been touched on yet or even just a twist of ideas that gets your mind racing with new possibilities. You can’t wait for the next page to see where this new world will take you.
Twilight meets Ancient Aliens with the sizzle of Fifty Shades. An Amazon top 10 All-Star ⭐️⭐️⭐️⭐️⭐️More than 3M copies downloaded.
“Best paranormal series ever! I’ve always been a great fan of this genre but this series had to be best of all! Lucas created an amazing world!” ⭐️⭐️⭐️⭐️⭐️
"Hands down the best book series I have ever read. I Devour the books and coming from somebody who reads all the time this is an extreme compliment. I’ve never read such a well-written book where the storyline develops with so many characters. Also the steamy love scenes are to die for!"…
I was a teenager in the 80s (with the big-hair pictures to prove it) and a chain-smoking, bar-hopping, flannel-clad twenty-something in the 90s. I remember everything about those days. Because my brain is basically a pop culture museum, most of my books are nostalgic, geared toward Gen X, and heavily influenced by the John Hughes films from my youth. My novels are always written with humor, heart, and heat… and more than a little sarcasm. Then again, I’m a lifelong Jersey girl, so that might go without saying. I love reading stories with fun, gorgeous heroes and smart, vibrant heroines… so that’s what I write.
Like, omigod! What a blast from the past! This adorable teen romance takes place in 1984 in southern California. It was a totally awesome 80s flashback that reminded me of Pretty in Pink (never a bad thing, amirite?). Granted, I felt that too many of the pop culture references were awkwardly crowbarred into the narrative, but it was still a fun ride nonetheless. I love stories like this, ones where the average girl lands the school’s most popular guy. Throw in a makeover, and I’m one-clicking every time. Does that make me shallow? I don’t care. Plots like that always give good butterflies, and MWY is no exception. If you’re looking for a totally rad romance that won’t gag you with a spoon, Melt With You will like, totally stoke your 1980s heart.
From NEW YORK TIMES bestselling author Addison Moore: Love the '80s? Miss big hair, rad music, and leg warmers? Take a step back in time with Melt with You (A Totally '80s Romance). It’s like totally awesome.September 1984 Junior year is really shaping up to be something. After three years of trying, I finally made the cheer squad. And on the last day of summer practice the demigod of Glen Heights High, Joel Effing Miller, finally notices me—right after he runs me over and lands my leg in a cast. Yeah, junior year is really shaping up to be something.…
As a failed fashion designer, the history of twentieth-century fashion, represented both visually and in the form of narrative text, make up the bulk of my ever-increasing library of fashion books. In order to write about fashion, either as a biographer of one of the great designers or cutting-edge photographers, it is crucial to acknowledge what was deemed as desirable in a previous generation and a previous context. As Yves Saint Laurent famously said, "Fashion fades, Style is eternal." Fashion in its broader sense has never existed in a vacuum and an understanding of fashion history and fashion imagery, that so clearly evokes a specific era, is the very best way to appreciate the cyclical nature of this creative business.
When I started out working on magazines everybody told me not to look at British Vogue, (which was apparently rubbish at the time) but to save up and buy a copy of Italian or French Vogue, both of which featured stunning photographic spreads and crazily innovative ideas that were too avant-garde for the Brits. Carine Roitfeld, fashion director at French Vogue was responsible for the daring often controversial shoots that appeared in the stylish glossy for a 10-year period. Known for her sense of humour and her desire to constantly investigate new designers and unexplored territory, this massive volume of her work features lavish editorial stories from her tenure at Vogue and the memorable advertising campaigns she shot with Tom Ford at Gucci in the 1990s.
"Carine, and her vision of French Vogue, embodies all that the world likes to think of as Parisian style: a sense of chic that's impeccable and sometimes idiosyncratic and which forever lives on a moonlit street as seen through the lens of Helmut Newton."--Anna Wintour Karl Lagerfeld once said that if you close your eyes and imagine the ideal French woman, it would be Carine Roitfeld. She is a fashion visionary and a muse. Since the start of her career in the early 1990s, through her collaborations with the legendary photographer Mario Testino, Roitfeld has been credited with launching Tom…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
Like most, I grew up reading the classic literature assigned to me at school. But what I always found lacking were characters and themes that related to me—a queer, poor, half-Mexican in 80’s rural Texas. I wanted to be a writer at an early age, but took a 15-year detour as an editor at DC Comics, Scholastic, and other big publishing houses. While there, I was proud to find new diverse talent with new perspectives and voices. Stories are magical when they act as windows through which we learn about others, but they can be even more powerful when they act as mirrors in which we can see ourselves.
The award-winning author of Stargazing does it again with a beautiful new fairy tale for any age. While it isn’t a reimagining of a specific tale, it has all the feels and tropes of a Disney movie—only we’re learning more about a budding friendship between a brilliant young dressmaker and a prince who struggles to be his true queer self.
If I had this story when I was a boy, I would have read it until the book fell apart and had to buy a new one. As it is now, it has a special place on my bookshelf—and in my heart.
A fairy tale for any age, Jen Wang's The Prince and the Dressmaker will steal your heart.
Paris, at the dawn of the modern age:
Prince Sebastian is looking for a bride—or rather, his parents are looking for one for him. Sebastian is too busy hiding his secret life from everyone. At night he puts on daring dresses and takes Paris by storm as the fabulous Lady Crystallia—the hottest fashion icon in the world capital of fashion!
Sebastian’s secret weapon (and best friend) is the brilliant dressmaker Frances—one of only two people who know the truth: sometimes this boy wears…
As a professional organizer since 1999, I’ve realized that the problem isn’t so much that we are disorganized, but that we are out-matched. We have too much stuff, it is too cheap and we are too busy and we can’t keep up. If you really want to stay organized, you have to examine your relationship to stuff. Why we want what we want and buy what we buy. Less but better!
Przybryszewski, a history professor at Notre Dame, had me from the start where she says she’s probably the only person to have spoken to the Supreme court wearing a ’suit that won a blue ribbon at a country fair.” Taking American fashion back to the Home Economics taught at Land Grant Universities and subsequently, at high schools, Przybryszewski argues that knowing how to sew was not just a practical skill, but also made us better consumers.
Making our own clothes might have seemed like drudgery, but it was empowering and now that most of us don’t have those skills, we’re literally slaves to fashion… we can’t tell high-quality from low quality, we can’t put in pockets when we need them… and nothing, nothing is ever our exact size. This is a book that will make you want to learn to make your own clothes… or at least cast a far…
As a glance down any street in America quickly reveals, American women have forgotten how to dress. We chase fads, choose inappropriate materials and unattractive cuts, and waste energy tottering in heels when we could be moving gracefully. Quite simply, we lack the fashion know-how we need to dress professionally and flatteringly.As historian and expert dressmaker Linda Przybyszewski reveals in The Lost Art of Dress , it wasn't always like this. In the first half of the twentieth century, a remarkable group of women,the so-called Dress Doctors,taught American women how to stretch each yard of fabric and dress well on…
For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.
Set in a mid-century department store, this wonderful short novel details life in a mid-20th-century frock department through the eyes of the women who worked there.
It is a book that highlights the importance of clothing in women’s lives at that time and the very specific kinds of garments. The tale follows Lisa as the news sales assistant in Cocktail Frocks and the friends she makes along the way. It is a sharply observed, funny, and tender story bringing the old department store alive.
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
"The statements we make just by getting dressed in the morning." This book about fashion and dress codes, and how they interconnect with gender, sexuality, and class, is lively and thought-provoking. My own study of the women who appear in Greek vase paintings led me to look more closely at women’s relationship with their clothing. In particular their handling of shoes became a source of fascination, and in my current research I’m focussing on narratives around female footwear. In the book, Brydon’s chapter "Sensible Shoes" has been an inspiration. Stilettos, for example, are seen as being entirely ambiguous in their significance, items which can both empower and disable the wearer. Like the knife they are named after, they are double-edged.
Clothing the body is one of the most complicated acts of daily existence. When a nun ponders red shoes, an architect knots his bowtie, a lesbian laces her Doc Marten's, or a nude model disrobes, each is engaging in a process of identity-making that is both intensely personal and deeply social. In an increasingly material world, negotiating dress codes is a nuanced art, informed by shifting patterns of power and authority, play and performance, as well as gender, sexuality, class, ethnicity and race. Drawing on ethnographic knowledge to connect theory and practice, authors reveal links between material culture, social and…