92 Books Like The Uncommon Reader

As an 80s kid, it pains a small part of me to recommend a historical fiction book that takes place in 1984, but this book goes into so much more than simply the tragic fire that destroyed part of the LA Central Library. While I found those aspects compelling, what really drew me in was the history of library sciences and how women played—and got pushed out of—the history of such beloved institutions.

There is also a nice bonus of humanity restored for all those who helped salvage as many books as they could after the tragedy. I found it to be a really gripping and informative read.  

A gorgeous, extravagant dual-timeline historical mystery about late-20th-century academics researching a pair of (fictional) Victorian poets – did they or didn’t they?

If you like library settings, fictional documents (letters, poems – lots of poems), and a good dose of poking-fun-at-academia, you’ll love it. Yes, it is also a movie (though I can’t speak to it). 

It is difficult to imagine a list of great novels about the Middle Ages that does not include this book.

I read it first when I was in graduate school, and it brought so much of what I was studying to life – the monastic world of its setting with all its contradictions and spectacular architecture; fights over religion and the true nature of spirituality; the non-linear nature of medieval literature. 

I love how it can be read on one level as a page-turny murder mystery and on another as a post-modern novel that explores the nature of signs and meaning. Its mystificatory preface reveals the distance between the medieval world and what we can say about it.

What's not to like when the main character is a self-styled "book detective" making his way through the hidden passages and darker alleys of the world of rare antiquarian books? Lucas Corso seeks to authenticate an old manuscript by Alexander Dumas, but his quest takes an eerie turn as the events and characters he encounters along the way begin to replicate those found in Dumas's fiction. This delightful 1993 novel was meta before meta was cool, and is deeply rewarding for any bibliophile.

In the guise of a biography of the current queen, this is one of the best books on the modern British monarchy as an institution. Sarah Bradford talked to all the palace insiders, an amazing feat given how touchy and protective everyone around the queen is. Bradford has the best sense of the strengths of the current queen and her weaknesses.  Because Elizabeth II is now the longest-reigning monarch in British history, she epitomizes most of the advantages and disadvantages of the institution in her own single lifetime.  You will find out which of the episodes from Netflix’s The Crown are all made up, and which are close to the truth.

Back to pure history! At one point, I was the founder and publisher—the Head Goose—of Goosebottom Books. Of all the books we published, this title is my favorite. Gretchen Maurer, the author, did a great job of presenting a very complex and nuanced story in a way that makes it human and understandable to young readers, without side-stepping the facts. The book design and illustration are remarkable and evoke the rich Tudor aesthetic. But what I love most about this book is that it presents the antihero to my childhood hero, Elizabeth I of England, and raises the question: just how fair was history? One of these two sisters became known as Bloody Mary, the other as Good Queen Bess. Did they fully deserve those reputations?

I really did not like history when I was at school because other than 1066 (the Norman invasion of Britain) and 1492 (Columbus sailed the ocean blue) I could not remember the dates. I was not interested in the succession of kings or what countries made alliances through marriages. And then I read this book about Edward IV’s reign and the subsequent chaos which resulted in the Wars of the Roses between the houses of Lancaster and York. I was hooked. What made it more realistic for me was walking Bosworth Field, the site of the last great battle of that era. Stirring stuff.

It’s wonderful to have the opportunity to recommend this particular work of Alison Weir. A brilliant historian, she – by means of both traditional, meticulously-researched biographies, as well as in her historical fiction offerings –  chronicles many aspects, and a number of personages of Tudor England in all of its – and their – colourfully untidy turbulence. 

Her account of Elizabeth I’s life is amongst her best. I especially appreciate the skillful way in which Weir continuously “introduces” the reader to Elizabeth, as the compelling figure she is – fascinatingly intricate, brilliant, and annoyingly contradictory. Just when one seems to understand her – Weir drops yet another paradox – as the reader learns that this supposedly staunchly Protestant daughter of Henry VIII maintained most aspects of orthodox Roman Catholic practices – including a crucifix – in her private chapel royal.

From the Windsors’ Nazi leanings in the 1930s to the perceived chilliness of the royal family following the death of Diana in 1997, Clive Irving chronicles every detail in this analysis of the modern monarchy – while never losing respect for its most adroit exponent, Queen Elizabeth II. As founder of the renowned Insight team of the London Sunday Times that exposed Profumo and Philby, Irving directs his sharpest focus on the Crown’s relations with the tabloid media. But his book went to publication prior to the horse-loving Queen’s humorous reaction to Harry and Meghan’s notorious 2021 encounter with Oprah Winfrey – Her Majesty named her fastest new racing foal “Interview”. 

This is another biography of the current queen that shows how the monarchy works. It differs from Sarah Bradford’s biography. Pimlott was a historical expert on the labour party during the twentieth century. He brought to his book all the skepticism about the crown that people on the political left traditionally have in Britain. Perhaps surprisingly, then, he comes out admiring Elizabeth II. He sticks much more narrowly than Bradford does to political crises in which the queen had some noted or decisive influence.