Books like The Twisting Lane — picked by fans

This book tells the story of Craig Smith, a musician and songwriter who had a brush with fame in the sixties before developing mental health issues while on the hippie trail in Afghanistan. Thereafter, he adopted an unusual alter ego, Maitreya Kali, under which he recorded two bizarre and now excruciatingly rare albums. Through years of research, author Mike Stax tells the story by patching together court and medical records, interviews with associates, and other shreds of data, even trying to track down Smith, who had been homeless for many years.

This is a sad but captivating work that uncovers the mysterious story of an obscure cranny of music history.

The filmic counterpart to Amanda Petrusich’s exposé on collectors of 78 RPM records, Do Not Sell at Any Price, this book uncovers the eccentric characters who have devoted their free time to collecting theatrical prints of movies, often risking harm (and jail time) in the process. One highlight is a profile of Mike Vraney, the man who founded Something Weird Video, a film distributor famous for re-releasing arcane Z-movies and shock films. The self-professed owner of the “largest sexploitation archive on Earth,” his stories, and those of a range of other specialized collectors, make this book a worthy compendium of a unique subculture.

I promise you my publisher isn’t strong-arming me into including this (now long out of print) book – which I stumbled upon years before I linked up with them. A spin-off of Kossy’s zine of the same name, Kooks is a kind-spirited examination of several conspiracy theorists, aspiring cult leaders, and miscellaneous cranks. In each profile, Kossy does her best to meticulously research her topic, digging deep into piles of rambling documents so that you don’t have to. Who can forget Francis E. Dec, sworn enemy of the Mad Deadly Worldwide Communist Gangster Computer God, who mailed out unintelligible hand-typed diatribes to media outlets for years?

The definitive book on outsider musicians, from The Shaggs to Jandek to the hyper-obscure likes of Y. Bhekhirst, who left copies of his outrageously bizarre cassette album, Hot In the Airport, at several NYC record stores before permanently disappearing into thin air. A detailed work that required copious original research to dig up murky facts about obscure musicians, it has been an inspiration to me as a writer. In fact, in my book I dedicate an entire chapter to outsider musicians of the digital age, in obvious homage to this magical tome.

Here again I mean not only the sexuality of deviance or the deviance of sexuality such as crossdressers, transvestites, homosexuals, and lesbians but also historical phenomena such as the gay rights movement or the suppression of gays in Nazi Germany.

The book that most influenced me in the 1970s was Laud Humphrey’s “Tea-Room Trade”. His book was so radical, so astounding in its utter chutzpah that it could never be replicated today at research universities. It was a time when gay consciousness was erupting. The problem was that those gay activists were out in the open, but what about the closeted man? (His study dealt only with men.)

These men may not even label themselves as homosexual or bisexual or Trans. I am speaking of men who go to “hidden” bathrooms in parks or buildings and wait for anonymous sex; then go home to their wives and children and live… show more.

Gay American History was an epiphany for me and thousands of other gay men and women who were eager to learn about our history because books about it were few. I can’t describe the wonder I felt as I opened the book to thousands of rare documents (letters, diary entries, newspaper articles, book excerpts, medical and legal reports, etc.) that connected me to LGBT individuals who lived centuries earlier. Puritans, indigenous people, cross-dressing (“passing”) women, military personnel, artists of every ilk, government officials—their struggles, their defeats, and their victories, I learned, were no different in essence from those of the LGBT individual of the 21st Century. Gay American History is, in short, a treasure trove of information.

Men, did you know that too little body hair or too much talkativeness could keep you from being admitted to the United States in the early 1900s? The Straight State will have readers shaking their heads at the outrageous presumptions that immigration inspectors applied to keep “degenerates” out of the country. This was the first time that federal officials had both the interest and power to create policies against homosexuality, and they were crassly influenced by the eugenics movement and hostility to the poor. Canaday also shows how early welfare policies perpetuated gender stereotypes and discrimination against sexual “deviants,” favoring the married over the single. I learned so much! 

This book about the ultimate rebel woman Patricia Highsmith explores in depth the many ways Highsmith rejected social expectations of her time in terms of her gender, sexuality, and writing material. The biography does not shy away from presenting Highsmith in all her glorious complexity – equal parts humorous, wry, loathsome, disturbing. This was one of the first biographies that I read where I realized the power of archives, what they can reveal, and how enlightening they can be when used so brilliantly, as Andrew Wilson does here. 

In all honesty, I wasn’t going to read this at first.

This book is a spin-off of her A Beginners Guide to Necromancy series, and I didn’t really like Amelie. But I really enjoyed this series, almost more than the main one. Hadley is as flawed as they come, but she’s compassionate, hardworking, and really wants to change.

This has become a series that I never wanted to end, and I can go back to read each one over and over. 

I found White's book deeply resonant with my own biographical work on Genet. While my book Genet: la vie écrite focused on his artistic trajectory, White masterfully illuminates the personal dimensions of this complex figure's life.

What particularly moved me was how White's intimate understanding of both French culture and queer experience complements my analysis of Genet's theatrical works. His biography provides rich psychological insights that deepen and enrich my own research into Genet's creative process.

For anyone who, like me, has spent years studying the intersection of Genet's life and art, White's work is an indispensable companion that reveals new layers of understanding about this enigmatic literary genius.