Books like The Trio — picked by fans

I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.

I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.

It is a masterful use of the narrative voice in crime fiction at its best.

This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)

I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.

Fitzgerald’s mastery of the English language is beautiful to behold. This book is one of the most eloquent expositions of the control of his prose while at the same time confronting his greatest weakness in life: an inability to find happiness and true love that loves him back. Set on the French Riviera, Tender is the Night is honest and painful. It’s an insight into Fitzgerald’s melancholy world of excess.

This is both fantastic to be a part of and tragic. The tragedy and the beauty are juxtaposed in the most fantastic way–this makes this book one of my favorite romances. I read this book for pure enjoyment. Each sentence makes me smile with its beauty and its profundity. 

I like this because it reveals the dichotomy between what people say and what they do. People think words tell you about a person. What if everything they say is lies? Sally Rooney does that thing I love–she gives you clues as to why people do the things you don’t understand.

She writes imperfect heroes and heroines. You don’t like them, but then you understand them and root for them. A damaged girl who lives in pretense can’t manage life when she no longer has to pretend anymore. So she reverts to self damage rather than expose the chance of total destruction because if she choses what heals she may get destroyed when the expectation of safety gets shattered.

Why give something a chance when life says it never works out? Doing what she’s always done may hurt her, but at least she’s assured of the outcome. The… show more.

This novel made me uneasy.

I loved Rosa Burger's character, sympathized with her dilemma, and didn't want to see her harmed. And because she faced agonizing moral choices, I had to question my own. Rosa's parents, anti-apartheid activists in South Africa, were imprisoned; both died in jail. Their cause was just, their sacrifices laudable. I never doubted my own opposition to apartheid, but that was easy from a distance; I can't know what I would have done if I had lived there.

How can I judge Rosa for choosing her own path, even a frivolous one, away from both politics and her troublesome country? And can I judge her if she later goes home, becomes active, and risks her parents' fate? But then I wonder, are people who replicate their parents' life choices inauthentic? Shouldn't they think for themselves?

I found this book when surfing the Baen public library on their site. It was free to read, and I liked some of the short stories I had read from Eric Flint. 

Holy crap, nothing prepared me for the rollercoaster ride that this novel was. I loved the no-nonsense character that he gave to the main character. Add to that the fantastic alt-history spin he put to the story, and I was hooked.

I can completely understand why so many other authors added their own stories to the universe that Eric Flint created.

This is the best novel I’ve read about bubonic plague.

Student historian Kivrin travels back in time to England of the Middle Ages—unknowingly at the start of the Black Death. The cause of Black Death was the plague bacteria, unknown to people of that time.

What makes the book memorable is its depiction of everyday life, where children who get lost in the forest must find their way home by the tolling of the village church bell. Ultimately, the bell tolls for all the plague’s victims.

The vivid characterization makes me experience people of a time so distant their minds feel alien to us, yet still deeply human.

I love a tense, character-driven thriller, and this one was set in a remote town I’ve visited. 

I love that the book is set in 1963, a decade that had particular significance for Australian women, their roles, and the expectations placed upon them.

It’s not fast-moving, but the setting is an almost palpable character in its own right. I found it dark, rife with corruption, violence, oppressive heat, and both the best and the worst of what Australia has to offer.

I love this classic novel; it is one of my old favorites.

Nowhere in the genre of young adult literature does there seem to be an author more subversive than Paula Danziger; here (and in the companion novel The Cat Ate My Gymsuit), she directly encourages the young reader to question adult authority and suggests that with protests and education about what rights the law gives (and withholds from) young people, it might be possible to effect change and increase their rights.

I also found it great that the novel shows the protagonist’s parents in raw realism–the father as a hypocritical, cheap, unlikable domestic despot, the mother as a shrinking violet who at first tends to excuse the father and conform to his expectations, but eventually starts questioning her stance when she sees her daughters rebel.

I read this trilogy after I finished The Lord of the Rings.

I was surprised, and I really enjoyed the action and fight scenes it brought to the genre. I had recently met with D&D at that time, and I could see the dice rolling while reading, which was satisfying. But the real surprise was Raistlin's morally grey character turning full dark mode.

I had seen the cliché of the villain turning good many times. But this was something else. It changed all my expectations from a book, movie, or comic. To this day, as an author, I’m still trying to shock myself with the same approach. Hopefully one day I can.