100 Books Like The Trio

I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.

I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.

It is a masterful use of the narrative voice in crime fiction at its best.

This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)

I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.

Fitzgerald’s mastery of the English language is beautiful to behold. This book is one of the most eloquent expositions of the control of his prose while at the same time confronting his greatest weakness in life: an inability to find happiness and true love that loves him back. Set on the French Riviera, Tender is the Night is honest and painful. It’s an insight into Fitzgerald’s melancholy world of excess.

This is both fantastic to be a part of and tragic. The tragedy and the beauty are juxtaposed in the most fantastic way–this makes this book one of my favorite romances. I read this book for pure enjoyment. Each sentence makes me smile with its beauty and its profundity. 

I like this because it reveals the dichotomy between what people say and what they do. People think words tell you about a person. What if everything they say is lies? Sally Rooney does that thing I love–she gives you clues as to why people do the things you don’t understand.

She writes imperfect heroes and heroines. You don’t like them, but then you understand them and root for them. A damaged girl who lives in pretense can’t manage life when she no longer has to pretend anymore. So she reverts to self damage rather than expose the chance of total destruction because if she choses what heals she may get destroyed when the expectation of safety gets shattered.

Why give something a chance when life says it never works out? Doing what she’s always done may hurt her, but at least she’s assured of the outcome. The… show more.

This is one of those ideas that I wish I had thought of—Germany of the Thirty Years War meets Appalachia of the early 2000s. I enjoy the unexpected things that time travel can bring, like a high school library being the most potent source of knowledge in the world or a high school cheerleader confronting the king of Sweden. And for those who appreciate historical accuracy, Flint does not disappoint.

For me, it’s the characters that really connect me to the story. There are a lot of them—from both 2000s America and 1630s Europe—but Flint gives enough time that I really feel like I got to know a lot of them.

This is the best novel I’ve read about bubonic plague.

Student historian Kivrin travels back in time to England of the Middle Ages—unknowingly at the start of the Black Death. The cause of Black Death was the plague bacteria, unknown to people of that time.

What makes the book memorable is its depiction of everyday life, where children who get lost in the forest must find their way home by the tolling of the village church bell. Ultimately, the bell tolls for all the plague’s victims.

The vivid characterization makes me experience people of a time so distant their minds feel alien to us, yet still deeply human.

I adore how the scholar Sternberg analyses how some of the greatest authors of all time create and play with time. His work is the example par excellence of how a comprehensive theory about time in literature should be written.

He discusses different epochs and genres, linking them to a coherent history. Sternberg’s brilliance charms me.    

This is one of the first books I read about writing that gave me that A-HA feeling. Originally published in 1999, it’s still relevant and foundational. What does your character want? Why? And what is standing in their way? It seems like a simple concept, but it isn’t easy! And boy, oh boy, if you are missing one of those elements, it can be the difference between a page-turner and a wall-banger (when a reader throws your book against the wall because you just wasted their time.)

Without really understanding what your character wants and why, writers risk nonsensical plot progression and alienating the reader.

I love how the lives of different people intersect during the summer in this book. Unexpected romance, well-meaning lies, and damaging secrets pepper this story, making it the perfect page turner during a summer vacation.

I also love that one of the characters is a baker. I just love stories that marry food and cooking into the story.

I like this novel because it is one of the few that I know of that features a blind musician like the protagonist of my novel. Also, I feel that the author offers fine descriptions of jazz piano and jazz music. This book was published in 1965, a turbulent time in America. The author depicts being black as a disability like blindness. I think William Melvin Kelley was an excellent novelist who deserves greater recognition.