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Lincoln and the Power of the Press.
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In high school (the best time for doing this) I read the first two volumes of Carl Sandburg’s six-volume biography of Lincoln. A year or so later I made my first trip on an airplane (Saint Louis to Detroit) and an easily recognizable Sandburg was one of the few passengers on our small commercial prop-plane. I was too shy to approach him, but I did sidle up the aisle to see what he was reading or writing (nothing that I could make out). He had boarded the plane alone, but there was a small party meeting him when we landed. I suppose it was Sandburg’s poetic approach to Lincoln that made me alert to the President’s astonishing feel for the English language.
Some people assume that Lincoln at first faintly disapproved of slavery but did not think of abolishing it until the chance was almost forced upon him. Oakes argues, rather, that he hated slavery from the outset and held that the Constitution viewed it as temporary, something deplorable and to be disparaged. Armed with this knowledge, he was able in practice to strike at it whenever opportunity made that possible.
The long and turning path to the abolition of American slavery has often been attributed to the equivocations and inconsistencies of anti-slavery leaders, including Lincoln himself. But James Oakes's brilliant history of Lincoln's anti-slavery strategies reveals a striking consistency and commitment extending over many years. The linchpin of anti-slavery for Lincoln was the Constitution of the United States.
Lincoln adopted the anti-slavery view that the Constitution made freedom the rule in the United States, slavery the exception. Where federal power prevailed, so did freedom. Where state power prevailed, that state determined the status of slavery and the federal government could…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
How could a historian of the USnotfind Lincoln an endlessly fascinating figure? As a young(ish) university teacher, I jumped at the invitation to write a study of the 16th president, but didn’t expect it to win the coveted Lincoln Prize. When it did, in 2004, the community of American Lincoln scholars made me, a Welsh professor from Oxford University, doubly welcome. In several books I’ve examined Lincoln’s political skill, strategic ambition, and moral purposes. But he was more than a gifted pragmatist. His greater goal was to leave his nation stronger and a little closer to realizing the principles of equality laid out in the Declaration of Independence of 1776.
Lincoln was a great communicator, whose greatest speeches deliver emotional power through unfussy language. Harriet Beecher Stowe, the author of the best-selling page-turner Uncle Tom’s Cabin, knew a thing or two about language. She said Lincoln’s compelling words had “the relish and smack of the soil.” Douglas Wilson’s study is an exercise in historical detection. Sleuth-like he uses the successive manuscript drafts of Lincoln’s speeches and public letters to show his care in choosing his words, and how alert he was to sense, sound, imagery, context, and clarity. Lincoln’s Sword is a masterpiece, a showcase of the literary and political sensibilities that made Wilson an acclaimed winner of the Lincoln Prize.
Widely considered in his own time as a genial but provincial lightweight who was out of place in the presidency, Abraham Lincoln astonished his allies and confounded his adversaries by producing a series of speeches and public letters so provocative that they helped revolutionize public opinion on such critical issues as civil liberties, the use of black soldiers, and the emancipation of slaves. This is a brilliant and unprecedented examination of how Lincoln used the power of words to not only build his political career but to keep the country united during the Civil War.
In high school (the best time for doing this) I read the first two volumes of Carl Sandburg’s six-volume biography of Lincoln. A year or so later I made my first trip on an airplane (Saint Louis to Detroit) and an easily recognizable Sandburg was one of the few passengers on our small commercial prop-plane. I was too shy to approach him, but I did sidle up the aisle to see what he was reading or writing (nothing that I could make out). He had boarded the plane alone, but there was a small party meeting him when we landed. I suppose it was Sandburg’s poetic approach to Lincoln that made me alert to the President’s astonishing feel for the English language.
People known for witty sayings or informative stories – think Mark Twain and Dorothy Parker, or Yogi Berra and Samuel Goldwyn – tend to have any such items foisted on them. Lincoln, who was a genuine purveyor of funny and biting remarks is a victim of this form of theft in reverse. Any pointed or funny words get more dignity or heft if attributed to him. It is amazing how many such pseudo quotes are collected and sifted by the Fehrenbachers. There is a whole false American history that could be woven together from these fakes.
This is the first comprehensive collection of remarks attributed to Abraham Lincoln by his contemporaries. Much of what is known or believed about the man comes from such utterances, which have been an important part of Lincoln biography. About his mother, for instance, he never wrote anything beyond supplying a few routine facts, but he can be quoted as stating orally that she was the illegitimate daughter of a Virginia aristocrat. Similarly, there is no mention of Ann Rutledge in any of his writings, but he can be quoted as saying when he was president-elect, "I did honestly and truly…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
In high school (the best time for doing this) I read the first two volumes of Carl Sandburg’s six-volume biography of Lincoln. A year or so later I made my first trip on an airplane (Saint Louis to Detroit) and an easily recognizable Sandburg was one of the few passengers on our small commercial prop-plane. I was too shy to approach him, but I did sidle up the aisle to see what he was reading or writing (nothing that I could make out). He had boarded the plane alone, but there was a small party meeting him when we landed. I suppose it was Sandburg’s poetic approach to Lincoln that made me alert to the President’s astonishing feel for the English language.
All right, children, it is time to eat our vegetables. This massive work of two volumes, each about a thousand pages, is biography as encyclopedia. And the original text has been trimmed down to this published version. The original text, in all its length and density, can be read online at the Lincoln Studies Center of Knox College. If the book seems too daunting, just look up in the informative index something you think you know about Lincoln – his Cooper Union address, say, or the Gettysburg Address, or the Second Inaugural --- turn to the relevant pages and see how much more there is to know about your subject. Or, for some racy material, look up “Mary Todd Lincoln, adultery.” Lincoln biographers have always been tough on his wife, but not as harsh as Burlingame is. Once you start looking up something you thought you knew, you will be…
In the first multi-volume biography of Abraham Lincoln to be published in decades, Lincoln scholar Michael Burlingame offers a fresh look at the life of one of America's greatest presidents. Incorporating the field notes of earlier biographers, along with decades of research in multiple manuscript archives and long-neglected newspapers, this remarkable work will both alter and reinforce our current understanding of America's sixteenth president. Volume 1 covers Lincoln's early childhood, his experiences as a farm boy in Indiana and Illinois, his legal training, and the political ambition that led to a term in Congress in the 1840s. In volume 2,…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
Moseley was the Chief European Correspondent for The Chicago Tribunefor the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship.
It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.
Readers get a vivid sense of how World War II was just that—a war that raged across the globe.
Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II's daily horrors and triumphs for Western readers. In this fascinating book, Ray Moseley, himself a former foreign correspondent who encountered a number of these journalists in the course of his long career, mines the correspondents' writings to relate, in an exhilarating parallel narrative, the events across every theater-Europe, Pearl Harbor, North Africa, and Japan-as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies.
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
Vietnam was a big war, as they say, and though it ended almost 50 years ago, its full story has yet to be told. However, many of its pieces lay in the much-overlooked yet incredibly nuanced reporting that women did in the war.
Elizabeth Becker’s book explores the legacy of three of Vietnam’s unsung journalistic heroes. Each covered the war with a different angle, sense of purpose, and understanding of its—and their—place in geopolitical history.
Becker’s vivid writing puts you next to photojournalist Catherine Leroy in the plane as she prepares to jump with the 173rd Airborne Brigade in the war’s only airborne assault. Readers can almost hear the glasses clinking with ice around the Hotel Continental pool while intellectual Frances Fitzgerald shrewdly plums the unsuspecting diplomatic class for details that she’ll weave into her groundbreaking long-form reporting on the war. And my only heart nearly stopped the minute Kate…
The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war.
Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade.
At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
From the country’s capital, the city’s journalists translated political power and social news – as well as a thriving social scene. They covered stories that were shared across the country. A mix of men and women, big names and freelancers, these journalists reveals behind-the-scenes reporting and relationships. The stories reveal how and why news is made. These watchdogs of government were often intertwined with politicians professionally and sometimes personally. This book offers a helpful understanding of Washington, D.C. journalism – and is highly entertaining.
An irreverent, warts-and-all look at the Washington Press corps--from big name stars to lowly stringers--offers fascinating insights into the Washington news pack and the people and events they cover
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Like their male counterparts, Virginia Cowles, Martha Gellhorn, Clare Hollingworth, Helen Kirkpatrick, Lee Miller, and Sigrid Schultz faced the danger inherent in reporting from war zones, but, unlike the men, these women often had to improvise to get access. Ever intrepid, Gellhorn noted, “If they don’t want to accredit you, you just do it, any little lie will do.”
By 1945 there were 250 women accredited to the Allied armies as reporters and photographers. Everyone had something to do that felt necessary, though post-war many were “shredded up inside.” With the narrative drive of a well-paced thriller, Mackrell’s essential work will have you reaching for more about the words and lives of these trailblazing six.
The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent.
"Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women
"Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review
I write stories and poetry intended to influence positive change in our world. Since marrying Kent 25 years ago and then growing to know and love his parents, something stirred in me to learn more and to write Of White Ashes. In our research, we relied on over 50 primary Hiroshima sources, visited the family home in Hiroshima, saw the bomb shelter my father-in-law dug into the side of a hillside, visited the Hiroshima Peace Memorial Museum, the few buildings that still stand, and walked where my father-in-law walked. Researching and writing Of White Ashes changed me—forever. My article, "How the History of Nuclear Violence Shapes Our Present", was published in CrimeReads.
Since John Hersey’s Hiroshima is my top book pick about the Hiroshima bombing, it makes sense that Fallout is another favorite.
Blume uses her journalistic talents to take the reader on a thrilling journey through the U.S. Government's attempts to cover up the horrific effects of the blast and its aftermath and the efforts to keep secret Hersey’s necessary article about Hiroshima right up to its publication.
Many believe the lessons in Hiroshima served as a deterrent that has kept the atomic warfare genie in its bottle for all these many years. Fallout tells the story of just how difficult it was to pull that off. Buckle up.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I was a broadcast journalist for many years and I’m fascinated by the experiences of others doing that work. I love everything about it in my rearview mirror! From gossip about how famous newspeople behave behind closed doors to the nitty gritty of gathering facts to shaping a story–once it’s in your blood, it’s there for life. I’ve also spent a fair bit of energy defending journalism from people who are only guessing how it happens. Each of these books reveals a different but genuine reality about it. I hope you find them as compelling as I did.
Author Tamara Cherry found the words to articulate what so many journalists like me have felt and experienced while covering stories. She explores the question of whether reporters revictimize victims of tragedies. Not only that, but she also looks at the impact on the reporter, too.
I haven’t read another book that does this as well with so much data to back up her theories. I have also knocked on the door of a bereaved parent because a producer assigned it to me, and felt sick to my stomach, wishing I’d gotten into another line of work instead. We don’t have to do it this way and this book proves it.
A groundbreaking and thorough examination of the trauma caused by the media covering crimes, both to victims and journalists, from a respected journalist and victim advocate
In The Trauma Beat, an eye-opening combination of investigative journalism and memoir, former big-city crime reporter Tamara Cherry calls on her award-winning skills as a journalist to examine the impact of the media on trauma survivors and the impact of trauma on members of the media. As Tamara documents the experiences of those who were forced to suffer on the public stage, she is confronted by everything she got wrong on the crime beat.…