Books like The Stuarts' Last Secret — picked by fans

Diana Gabaldon is a powerhouse in the historical fiction genre. Her Outlander series is one of my absolute favorites. In between the release of books in the main series, I content myself with stories about Lord John, an important but secondary Outlander character. This book includes three stories about Lord John.

When it comes to female heroism and the ultimate sacrifice to save not only lives but those cultural icons that herold times past, I have to say Laura Morelli’s The Night Portrait is top of my list.

Morelli successfully blends two timelines 500 years apart. A 16-year-old girl is mistress to the Duke of Millan and poses for Leonardo da Vinci, in hopes of securing her future.

Five hundred years later, as World War 2 breaks out, another young woman is charged with securing her future by agreeing to see da Vinci’s painting, now in the hands of a Nazi war criminal, is successfully transferred to an American soldier working with the Monuments Men. Security. War. Death. Destruction. Morelli has written it all.

Whether it was 500 years ago or today, Morelli has penned a novel of man’s basic need for peace and security in order to thrive, and of… show more.

Who knew that women were such powerful figures during the transition from the Roman Empire to the Byzantine era? Hollum did. He chronicles the lives and contributions of three generations of Theodosian empresses. This book was the major source of information on the main characters in the second and third books in my Theodosian Women series.

Read about the remarkable Empress Pulcheria. Granddaughter of Theodosian the Great, she outwitted a whole court of experienced men to become Augusta and Regent for her minor brother at the age of fifteen! She ruled by his side for most of his life and laid the foundations for the dawn of the Byzantine Empire. What had you accomplished by age fifteen?

Having read numerous books about the French Revolution, amongst my favourites is this fascinating biography of Lucie Dillon – who became Lucie du la Tour du Pin – by Caroline Morehead. I unhesitatingly recommend it, certain that, from Morehead’s striking presentation, most readers will experience a keen sense of what it was like to live during the twilight of the Ancien Régime, and thence on, into and through the nightmare that followed. As an Irish-French aristocrat, whose father commanded the regiment of the Irish Brigade of France that bore the family’s name, whilst her mother was a lady-in-waiting to Marie Antoinette, Lucie was in a singular position to observe and chronicle the tragic upheaval. 

Relying in part on Lucie’s own published memoir, as well as numerous primary sources, including family papers, which her meticulous research uncovered, Morehead tells a powerful story of loss and survival. 

I loved this swashbuckling tale of Shakespeare’s fight master because it took me back to Elizabethan England and right on to the stage at The Globe theater. There’s plenty of action and intrigue (the main character’s not only an actor and fight master but a spy!) that inspired me when I was writing the action scenes in my book. The author fills the pages with an impressive amount of historical detail while maintaining a brisk, page-turning pace.

You gotta give props to Flewelling, who wrote a fantasy series with queer male protags in 1996! Just imagine – before Will & Grace, before Queer as Folk, before gay marriage was even a thing, she had the courage to write this deeply moving spy espionage fantasy book and the relationship between the noble rogue Seregil and his mentee/lover Alec was basically what I used as a model for every romantic relationship in my life. Also, the protag in my first two books was named Alek. Coincidence? I think not.

So, making this list has rather reminded me that there is a major dearth of queer books in historical romance. Especially of the happy variety—and it’s not a true romance if it doesn’t have an HEA.

I could easily have included The Song of Achilles or Fried Green Tomatoes at the Whistle Stop Café or Patience and Sarah, but they wouldn’t have fit the Regency/Victorian time period I was aiming for and they also either have very hidden/obscured queerness (e.g. Fried Green Tomatoes) or no HEA (Song of Achilles, obvs).

I’m going with Lord John even though he’s Georgian era because 1) he has a happy and fulfilling life despite his One True Love ultimately being unrequited, 2) he has some great love affairs and adventures, and 3) best of all this is a series. And a series is almost as good as an HEA!

If… show more.

I read this trilogy out of order but I’ll go ahead and recommend the first book. I found these on my hunt for things to do with the Borgias, and this is an absolutely brilliant set of books for it. Centered on a smart, strong woman in late 15th century Rome, it shows us a side usually left to male characters as she is embroiled in politics, plotting, and murder at the behest of the Borgias during the Papacy of Alexander VI. For anyone who loves to see every possible angle to a period of history, this is certainly one to add to their list. The only sad note is the series is, and seems likely to remain, incomplete, without a satisfactory resolution.

We’ve all heard of Lady Jane Grey, "The Nine Day Queen”, but not many know that all three Grey sisters had tragic lives. Their Tudor blood and proximity to the throne made them rivals to the monarch, whether they wanted to be or not.

Leanda de Lisle does a wonderful job telling the stories of these three fascinating women: Jane, Katherine, and Mary. I love how she banishes the many myths surrounding them. Jane may have been a victim of the executioner, but the Jane that rises from the pages of this book was one tough cookie, as were her sisters.

All three of them challenged authority and were willing to pay the price. An excellent read.

My first three picks are scholarly studies. This book is more popular history in the sense that it lays out Lucrezia’s family and cultural contexts in detail for non-specialists. Bradford brings the period to life and shows the extent to which Lucrezia’s reputation was the inevitable product of the intrigues that surrounded her. She was nothing like the promiscuous, depraved, monstrous creature she is supposed to have been. The contrast that Bradford gives us between the bloodthirsty legend and the cultured and intelligent human being is so stunning that you will never take anything you read about an infamous woman at face value again.