Here are 60 books that The Stuarts' Last Secret fans have personally recommended if you like
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I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
I loved this swashbuckling tale of Shakespeare’s fight master because it took me back to Elizabethan England and right on to the stage at The Globe theater. There’s plenty of action and intrigue (the main character’s not only an actor and fight master but a spy!) that inspired me when I was writing the action scenes in my book. The author fills the pages with an impressive amount of historical detail while maintaining a brisk, page-turning pace.
A gripping historical adventure packed with intrigue, deception, rebellion, politics, love and war, that fans of C.J. Sansom will love.
London 1599, a city on the brink of revolution...
He is Queen Elizabeth's last, perhaps her greatest, love - Robert Deveraux, Earl of Essex. Champion jouster, dashing general...and the man that John Lawley, England's finest swordsman, most wishes to avoid. For John knows the other earl - the reckless melancholic - and has had to risk his life for him in battle one time too many.
All John wants is to be left alone to win back the heart of…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
Tracy Chevalier once again manages to transport readers into iconic works of art, bringing the story of famed images to life, and exploring the personality of every hand that took to create it. Set in 1490, this book invents a tale behind the creation of “The Lady and the Unicorn Tapestries.” It has everything an engrossing read should have—romance, ambition, betrayal. But for the medieval aficionado, Chevalier’s incredible research on the creation of a tapestry—from designing the cartoon, to sheering the sheep’s wool to the dying it, to the weaving and the warping—is described as a master class that leaves the reader wanting to pick up a loom.
A tour de force of history and imagination, The Lady and the Unicorn is Tracy Chevalier’s answer to the mystery behind one of the art world’s great masterpieces—a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now.
Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter,…
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
I read this trilogy out of order but I’ll go ahead and recommend the first book. I found these on my hunt for things to do with the Borgias, and this is an absolutely brilliant set of books for it. Centered on a smart, strong woman in late 15th century Rome, it shows us a side usually left to male characters as she is embroiled in politics, plotting, and murder at the behest of the Borgias during the Papacy of Alexander VI. For anyone who loves to see every possible angle to a period of history, this is certainly one to add to their list. The only sad note is the series is, and seems likely to remain, incomplete, without a satisfactory resolution.
In the simmering hot summer of 1492, a monstrous evil is stirring within the Eternal City of Rome. The brutal murder of an alchemist sets off a desperate race to uncover the plot that threatens to extinguish the light of the Renaissance and plunge Europe back into medieval darkness.
Determined to avenge the killing of her father, Francesca Giordano defies all convention to claim for herself the position of poisoner serving Cardinal Rodrigo Borgia, head of the most notorious and dangerous family in Italy. She becomes the confidante of Lucrezia Borgia and the lover of Cesare Borgia. At the same…
In the small town of Grady, Montana, twenty-four-year-old Tad Bungley has a reputation for trouble. When he lands a job at Come Around Ranch, however, his life seems to take a positive turn. As he develops a soft spot for Sam, the ranch owner's disabled son, and a special bond…
I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Who knew that an account of a disappeared medieval world could be so gripping?
I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.
Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.
The fourteenth century was a time of fabled crusades and chivalry, glittering cathedrals and grand castles. It was also a time of ferocity and spiritual agony, a world of chaos and the plague.
Here, Barbara Tuchman masterfully reveals the two contradictory images of the age, examining the great rhythms of history and the grain and texture of domestic life as it was lived: what childhood was like; what marriage meant; how money, taxes and war dominated the lives of serf, noble and clergy alike.
Granting her subjects their loyalties, treacheries and guilty passions, Tuchman recreates the lives of proud cardinals,…
I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people.
I love this book because I'm a sucker for a well-written redemption story.
Sebastian kidnaps one of Evie's best friends because he wants to force her to marry him, and in the beginning, he has few redeemable qualities. Evie marries him for protection from her awful family. Sebastian doesn't expect her to stand up to him. He doesn't expect to be fascinated by her. And he definitely doesn't expect to want to bed her more than once.
He is shocked when she refuses to cave to his charm. Evie gives him a purpose, and he cannot help wanting to earn her love. His story arc and growth are perfectly executed.
From the New York Times bestselling author Lisa Kleypas comes the next title in the beloved romance series The Wallflowers - perfect for fans of Sarah MacLean, Julia Quinn and Eloisa James.
'Kleypas can make you laugh and cry - on the same page' Julia Quinn, Sunday Times bestselling author of the Bridgerton series
'Scorching sexual tension, hysterical banter, and a reformed rake that could melt even the hardest of hearts' Frolic
The Wallflowers: four young ladies enter London society and band together to each find a husband. Has the third 'Wallflower' now met her match?
Danielle Thorne has researched, traveled, read, and written sweet stories about historical gentlemen, pirates, ladies, and not-so-distressed damsels from her home south of Atlanta for over half her life. A graduate of BYU-Idaho with an English minor, she also writes clean and wholesome contemporary romance for Harlequin's tasteful Love Inspired line. She is the author of over twenty-five family-friendly books in a variety of genres.
Courting Miss Lancaster is a perfect first novel for those new to Sarah Eden. She is the queen of beautiful and inspirational wholesome romance novels. This story is original, fun, witty, and so heartwarming you will be an instant fan. Well-researched, it brings the Regency era—and courtship—to life.
Harry Windover adores blonde, green-eyed Athena Lancaster, but alas, a penniless man like himself has no hope of winning a young noblewoman s hand. To add insult to injury, Athena s brother-in-law and guardian, the Duke of Kielder, has asked Harry to assist Athena in finding the gentleman of her dreams. But the lovesick Harry is cunning as well: as the weeks pass, he introduces Athena to suitors who are horrifically boring, alarmingly attached to their mothers, downright rude, astoundingly self-absorbed, and utterly ridiculous. Athena can't comprehend why she is having so little success meeting eligible and acceptable gentlemen. Indeed,…
When a high security prison fails, a down-on-his luck cop and the governor’s daughter must team up if they’re going to escape in this "jaw-dropping, authentic, and absolutely gripping" (Harlan Coben, #1 New York Times bestselling author) USA Today bestselling thriller from Adam Plantinga.
I am King George III Professor in British History at the Ohio State University. While later medieval England is my specialty, I approach it through a study of the legal record. Medieval people were highly litigious – the average person ended up in court far more often than we do today, making legal records the best means to unearth information about the lives of normal people from the era. Most of my research has been sparked by questions students have asked me in class, such as: did medieval women stay with their abusive husbands? Did medieval children have rights? What was it like to be a single woman in medieval England?
Because everyone loves a good rebel. Eleanor de Montfort was little known before Wilkinson’s fine book. She was the daughter of King John, the sister of King Henry III, and the aunt of King Edward I. She was also the wife of one of England’s most notorious rebels, Simon de Montfort, whose leadership during the period of baronial reform and rebellion (1258-67) saw him rise to become the de facto ruler of England and host of the first representative parliament. Eleanor was no shrinking violet in all of this; she actively supported her husband’s cause through recruitment of allies, strategic hospitality, caring for royal prisoners, and suing for the properties and rights of her sons and husband, even after her husband’s gruesome death and desecration at the Battle of Evesham turned her into an outlaw on the run from English authorities.
This book deals with the remarkable life of a powerful and fiery woman at the heart of the turbulent Barons' Wars. As sister of Henry III and aunt of the future Edward I, Eleanor de Montfort was at the heart of the bloody conflict between the Crown and the English barons. At Lewes in 1264 Simon de Montfort captured the king and secured control of royal government. A woman of fiery nature, Eleanor worked tirelessly in supporting her husband's cause. She assumed responsibility for the care of the royal prisoners and she regularly dispatched luxurious gifts to Henry III and…
In the hands of a skilled horror author, there is something powerful about a slow-burn romance. When two characters are drawn to each other against the backdrop of dread and danger, the stakes are raised. Every moment the two have together is hard-won, special. The romance doesn’t soften the horror; it sharpens it. It gives readers something to invest in and hope for. That intense emotional investment creates tension. Survival isn’t just about escaping the supernatural threat or a human monster; it’s about what might be lost if they don’t. In horror, love is a luxury because it’s risky and a vulnerability. It's a favorite element of good horror.
Perfect for horror readers who enjoy a narrative that is easy to settle into (the pages fly by), enjoy elements of dark fantasy with rich, opulent settings, and anything to do with blood, not necessarily vampires, but vampire-like activity.
The “rags-to-riches” storyline is so satisfying, I was physically dying for the MC to get to her new home, take a bath, get a makeover, and sink into a pretty & comfy bed. I loved this book so much; it delivered on everything, including my infatuation with reading about female friendships, toxicity, jealousy, and rivalry. Also, quite a bit of sapphic romance, which is a breath of fresh air in horror, filled with stale same-sex relationships or no romance at all.
NOMINATED FOR BEST HORROR NOVEL in the GOODREADS READERS CHOICE AWARDS...
'A lurid, luscious debauch of a book.' Guardian
'An unforgettable feast of decadence and depravity, House of Hunger cements Henderson's place as one of the great gothic writers of our generation.' S T GIBSON, author of A Dowry of Blood
A young woman is drawn into the upper echelons of a society where blood is power in this dark and enthralling Gothic novel from the author of The Year of the Witching.
WANTED: A bloodmaid of exceptional taste. Must have a keen proclivity for life's finer pleasures. Girls of…
I am fascinated by how societies conduct war. Who is expected to fight, and how are they organized? How is technology developed, implemented, and improvised in the heat of battle? And, most importantly, how do its participants make sense of the carnage around them? History is replete with tales of savagery and courage, of honor and depravity. Perilously few of these have been formed into novels, leaving an incomplete and disjointed understanding of thousands of years of struggle. Many authors, including those listed here, paved the path for holistic depictions of historical battle fiction – my hope is to contribute tales from oft-neglected societies, beginning with Belisarius and the 6th-Century Roman Empire.
Some might buck at describing Cloud of Sparrows as ‘premodern battle’ – after all, it describes events of the mid-19th Century! However, Takashi Matsuoka’s novel is a soulful retelling of the Bakumatsu, or the twilight of the Tokugawa shogunate as Japan was violently pushed into the age of gunpowder.
Cloud of Sparrows is richly detailed in combat amongst a fading samurai culture. Descriptions abound of the all-important Battle of Sekigahara, which had established the Tokugawa shogunate over two centuries prior. More immediate attention is paid to countless duels amongst the retainers of Genji, the Great Lord of Akaoka, who struggle to uphold antiquated notions of honor as Japan’s warrior class confronts gunpowder and cannon. Even the most experienced historical fiction writer will learn from Matsuoka’s descriptions of blades and bows.
Warrior clans nursing ancient grudges. Western missionaries brandishing pistols. Beautiful geishas who are deadly ninjas.
1861 - after two centuries of isolation Japan has been forced to open its doors. Now new influences are tearing apart the old order. Japan is as unprepared for outsiders as missionaries are for samurai assassins, executions and honour killings. Genji's life is at risk. He plans his escape to the Cloud of Sparrows but the road is long and there are many places along the way for brutal samurai to attack -The demons of the past, the treachery of the present, an uncertain future…
An auctioned storage locker comes with a box of Raggedy Ann books and a dresser drawer stuffed with grisly momentos. A small college town in Georgia is now ground zero for a mind-bending cold case.
Local journalist James Murphy wishes he had never bought the storage unit which either contains…
I have loved the Regency for decades. I cut my teeth on it as a young reader, and it’s been exciting to see the genre expand to include all types of stories from manner-driven drawing room dramas that highlight the nuances of the era to seductive, sexy stories that simply take place during those years, to stories that draw heavily on the events of the era to design unique and exciting historical plots. The diversity within the genre reflects the diversity of life and experience during the Regency. I have tried to capture a little of each across the 70+ books I’ve written for Harlequin, Mills, and Boon and in my own reading.
This book is on my list because it combines classic Regency backdrops—picnics, estates, rambles by the river, and delicious tea trays—with a bit of intrigue that keeps the reader turning the page. Nathaniel, Duke of Rothaven, is hiding a dark secret, and where there’s one dark secret, there are likely a few more.
It’s all well and good until a woman comes along who tempts him to want a different life than the one he’s built to protect his brother and his family name. On the surface, this book is an excellent example of how to execute a story against a vivid Regency backdrop full of manners and social restriction, but it is also a look at critical human dilemmas that transcend the Regency, such as weighing personal happiness against the happiness of others.
This book demonstrates the nuances of the Regency in shaping the way one might have solved…
'Grace Burrowes is terrific!' Julia Quinn, Sunday Times bestselling author of the Bridgerton series
A difficult duke, a determined lady and too many secrets . . .
Nathaniel, Duke of Rothhaven, lives in seclusion, leaving his property only to gallop his demon-black steed across the moors by moonlight. Exasperated mamas invoke his name to frighten small children, though Nathaniel is truly a decent man - maybe too decent for his own good. That's precisely why he must turn away the beguiling woman demanding his help.
Lady Althea Wentworth has little patience for dukes, reclusive or otherwise, but she needs Rothhaven's…