Books like The Stolen Lady — picked by fans

It’s quite simple, I just love history. I particularly like the dual timeline format because it’s a reminder that what has happened in the past remains relevant to the present. The narratives might be set hundreds of years apart, but there are common themes that continue to shape our lives and define us as human beings–some of them good and others that are potentially more destructive. I now write this sort of fiction, and I continue to devour it as a reader. I hope you enjoy the books on this list as much as I have.

I studied art history in Florence, Italy, while there for six months during college. I’ve always loved Italy and am fascinated with art and World War II, because my father was a top-turret gunner on a B-17, flying missions over Europe, including on D-Day. WWII historical fiction is my favorite topic to read and write. I write in a variety of genres, from women’s fiction to historical romantic thrillers and romantic suspense to paranormal. My latest project is a cozy mystery series about an American college graduate who goes to work for a flailing Italian art detective agency in Florence and works with her sexy Carabinieri boyfriend (later husband), to solve Nazi stolen art crimes. 

As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.  

Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.

I grew up on the ocean, surrounded by stories of pirates and mystery. Back then, I became enthralled with old detective series like Nancy Drew. Today, I am hooked on Agatha Christie. Though I primarily read and write nonfiction, they retain that mysterious element that has always intrigued me. In my teaching, writing, and research, I work with genealogy and true crime. I’m also obsessed with true crime books and podcasts. I hope you enjoy the list I have picked for you! 

I became interested in the Holocaust and the Second World War during my senior year of high school. I took a literature class entitled “Man’s Inhumanity to Man,” which focused a great deal on the literature that emerged from the Holocaust. At the end of the year, I had the great honor to meet author and Holocaust survivor Elie Wiesel who had actually read my essay (my teacher knew him, and gave it to him to read) and encouraged me to keep writing. I am fascinated by stories of survival and the quiet heroism that characterized women like Ida and Louise Cook.

My grandfather joined the French Resistance in his early twenties in 1942. He told me his story when I was a teenager, which has had a lasting effect on me. I have since taught college students about the French Resistance and published on the way it has been depicted in films, TV series, novels, and comics since 1942. My book Revisiting the French Resistance will appeal to those interested in the relationship between history and fiction, and/or who enjoy stories of ordinary, yet exemplary individuals who at some point of history have felt compelled to say “no” to a situation deemed unacceptable.  

My novel Nourishment is loosely based on stories I was told about the war by my parents who lived through it. My mother was a firewoman during the Blitz and my father was in Normandy after the D-Day landings. They married during the war. I wish now I’d written down the stories my parents used to tell me. There was always humour in their stories. My parents could both see the absurdity and the dark comedy that can sometimes be present in wartime situations, especially on the home front, and I hope some of that comes through in Nourishment.

I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book, To Die a Dry Death, and I expect nothing less from the books I read.

I am a historian of France, seduced since I did an exchange with a French family aged fourteen and was a student in Paris in my gap year, aged eighteen, in the aftermath of 1968. Since then I have been fascinated by the tension between la France profonde and revolutionary France. France in the Second World War is a wonderful place to study both, shattered by defeat, foreign occupation and division, and generating huge amounts of literature and film, myth-making, historical research and controversy.