Books like The Squatter and the Don — picked by fans

I had never heard of Lorenzo de Zavala until I started researching El Norte, and his story deserves to be much more widely known. He was born in Mexico when it was still under Spanish rule, and later became involved in Mexican independence. He also participated in the formation of the breakaway Republic of Texas (Tejas) in 1836, and he served as its first vice-president. Before that period of his life, however, he took a tour of the United States. He started in New Orleans in 1830, working his way north and east. This book describes that trip and his observations about the United States. It is one of the earliest travel accounts of the US written by a Mexican, and it provides a fascinating perspective from someone whose life intersected with pivotal political moments in both countries.

I’m not usually a fan of political memoirs (I tend to be skeptical of the authors), but this one is an enlightening read in terms of understanding the sorts of structural and governmental prejudices that Hispanic people faced in the early twentieth century as exemplified by New Mexico’s long struggle to obtain statehood. Otero was from a prominent New Mexican family and was the governor of the territory from 1897 to 1906. New Mexico was acquired as part of the Treaty of Guadalupe Hidalgo in the aftermath of the Mexican-American war in 1848, but it didn’t become a state until 1912, due in part to the anti-Hispanic attitudes in Washington DC that Otero discusses in his book.

José Martí was a poet and writer who became the leader of Cuba’s final independence movement from Spain. He died in battle in 1895 and is the island’s best-known hero – images and statues of him can be found in almost every town in Cuba. He spent much of his life in exile, including in the United States. He was a prolific journalist, and his essay ‘Nuestra América’ (Our America, 1881) is one of his most-cited works. His observations about the US and the rest of the Americas were astute, and his work continues to offer insights that are applicable to the present day.

Gloria Anzaldúa was born and raised in South Texas, growing up along the U.S.-Mexican border. For many years she lived in San Francisco, and then in Santa Cruz, California.

The first 113 pages of the book are stories and essays drawn from her life experiences as a woman of Mexican and Indian heritage, daily experiencing life at the physical border between the United States and Mexico.

She was raised in a strongly Catholic tradition, while also drawn to and inventing her own spirituality rooted in indigenous practices of harmony, balance, and reverence for the earth. She was a lesbian in a straight world that condemned her woman-loving sensibility.

Each of these is a “borderland” to be navigated and negotiated, and each of these borders is rich with insight, life, laughter, tears, violence, and love. The last 100 pages of the book is titled “Un Agitado Viento/ Ehécatl, The Wind.” It… show more.

White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.… show more.

This was a hard pick because I could easily have chosen any of Joanne Bischof’s other books.

She writes with such excellence and depth of feeling that you bond with the characters and go through their trials alongside them. I chose The Gold in These Hills over her other equally loved books because I read it with tears streaming down my face. The theme of restoration after loss and betrayal resonated with me. Deep despair gives way to soul-stretching hope.

Beautiful, quotable prose stuck with me long after I finished. If you want a novel about second chances that speaks deeply to the heart, give this one a try.  

Mitali Perkins is a winsome, thoughtful writer who easily draws the reader into her discussions of the timelessness of each classic book. This book is a blend of memoir, literary criticism, and moral formation. My favorite part of Steeped in Stories was her contagious love for each book. She reminded me why I loved them, and why I wanted my children to read them when they were younger. Not only does Mitali guide the reader through what makes these books classics in a good sense, she also helps us see them with discerning eyes so that instead of ditching old books for problematic parts, she helps us navigate them with young readers in mind. Steeped in Stories discusses The Hobbit, Heidi, Emily of Deep Valley, Little Women, and The Silver Chair. 

In this moving novel, the late great Oakley Hall took me back to World War II era San Diego. What I love about it is it paints a much fuller portrait of the lost city of old than he does in his first San Diego-based novel.

This book is filled with wonder, dread, love, and longing but what makes it noteworthy is its keen eye toward history and the darkness at the heart of the city’s streets and neighborhoods—and at the center of the war itself. 

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.

This is an incredibly intricate book, braiding many strands together to tell the story of people who “might be going to have lived a long, long time from now in Northern California.” One thread tying it all together is Stone Telling, a young girl caught between her mother’s rich tribal life and the militaristic city life of the man who is her father. She tells him, “I am a woman, and make my own choices,” but learns that is not the case in the land of the Condors. Her story illuminates two of the many ways to be human. (I’m re-reading this now.)