Here are 72 books that The Squatter and the Don fans have personally recommended if you like
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Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
I had never heard of Lorenzo de Zavala until I started researching El Norte, and his story deserves to be much more widely known. He was born in Mexico when it was still under Spanish rule, and later became involved in Mexican independence. He also participated in the formation of the breakaway Republic of Texas (Tejas) in 1836, and he served as its first vice-president. Before that period of his life, however, he took a tour of the United States. He started in New Orleans in 1830, working his way north and east. This book describes that trip and his observations about the United States. It is one of the earliest travel accounts of the US written by a Mexican, and it provides a fascinating perspective from someone whose life intersected with pivotal political moments in both countries.
First published in Paris in 1834, Journey to the United States of America \/ Viaje a los Estados Unidos del Norte América, by Lorenzo de Zavala, is an elegantly written travel narrative that maps de Zavalas journey through the United States during his exile from Mexico in 1830. Embracing U.S., Texas, and Mexican history; early ethnography; geography; and political philosophy, de Zavala outlines the cultural and political institutions of Jacksonian America and post\-independence Mexico. de Zavalas commentary rivals Alex de Tocquevilles classic travel narrative, Democracy in America, which was published in Paris one year after de Zavalas. The narrative presents…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
I’m not usually a fan of political memoirs (I tend to be skeptical of the authors), but this one is an enlightening read in terms of understanding the sorts of structural and governmental prejudices that Hispanic people faced in the early twentieth century as exemplified by New Mexico’s long struggle to obtain statehood. Otero was from a prominent New Mexican family and was the governor of the territory from 1897 to 1906. New Mexico was acquired as part of the Treaty of Guadalupe Hidalgo in the aftermath of the Mexican-American war in 1848, but it didn’t become a state until 1912, due in part to the anti-Hispanic attitudes in Washington DC that Otero discusses in his book.
Miguel Antonio Otero (1859-1944) not only distinguished himself as a political leader in New Mexico and lived out his life as a champion of the people, but he is also highly recognized for his career as an author. He published his legendary My Life on the Frontier, 1864-1882, in 1935, followed by The Real Billy the Kid: With New Light on the Lincoln County War in 1936, My Life on the Frontier, 1882-1897 in 1939, and My Nine Years as Governor of the Territory of New Mexico, 1897-1906 in 1940. These books, of which this is one in Sunstone's Southwest…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
José Martí was a poet and writer who became the leader of Cuba’s final independence movement from Spain. He died in battle in 1895 and is the island’s best-known hero – images and statues of him can be found in almost every town in Cuba. He spent much of his life in exile, including in the United States. He was a prolific journalist, and his essay ‘Nuestra América’ (Our America, 1881) is one of his most-cited works. His observations about the US and the rest of the Americas were astute, and his work continues to offer insights that are applicable to the present day.
“[Martí] added a social agenda to the historic program of national liberation and instantly converted a movement devoted to the establishment of a new nation into a force dedicated to shaping a new society. Martí transformed rebellion into revolution. . . . Like a master weaver, Martí pulled together all the separate threads of Cuban discontent—social, economic, political, racial, historical—and wove them into a radical movement of enormous force.”—Louis A. Pérez Jr, author of José Martí in the United States
“Oh Cuba! . . . the blood of Martí was not yours alone; it belonged to an entire race,…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I'm an activist/scholar and I taught in the Feminist Studies department at the University of California, Santa Cruz for 40 years. My most popular class was Introduction to Feminism. Then I taught another large, undergraduate course Feminism & Social Justice. By the time I retired I had taught over 16,000 students, and worked with scores of graduate students. My online class, Feminism & Social Justice, on the Coursera Platform has been taken by over 107,000 people located on literally every continent. My teaching and writings are always anti-racist, and explicitly queer. They've drawn on my life experiences. They come out of my passion to lessen suffering, and embrace compassion.
Gloria Anzaldúa was born and raised in South Texas, growing up along the U.S.-Mexican border. For many years she lived in San Francisco, and then in Santa Cruz, California.
The first 113 pages of the book are stories and essays drawn from her life experiences as a woman of Mexican and Indian heritage, daily experiencing life at the physical border between the United States and Mexico.
She was raised in a strongly Catholic tradition, while also drawn to and inventing her own spirituality rooted in indigenous practices of harmony, balance, and reverence for the earth. She was a lesbian in a straight world that condemned her woman-loving sensibility.
Each of these is a “borderland” to be navigated and negotiated, and each of these borders is rich with insight, life, laughter, tears, violence, and love. The last 100 pages of the book is titled “Un Agitado Viento/ Ehécatl, The Wind.” It…
"The U.S-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country--a border culture."--Gloria Anzaldúa
Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in BORDERLANDS/LA FRONTERA: THE NEW MESTIZA profoundly challenged, and continue to challenge, how we think about identity. BORDERLANDS/LA FRONTERA remaps our understanding of what a "border" is, presenting it not as a simple divide between here and there, us and them, but…
I’m a longtime writer and author, who basically learned the craft of writing from over 17 years with the Portland Police Bureau. Some of the best writers are working and retired police officers because, when you write those daily reports or detailed investigativereports, you learn how to write. I've written six books, two of which have been published by Oregon Greystone Press, the Indie Publishing company operated by my wife, Theresa. I graduated from Portland State University in 2017 and was listed in the commencement program as “the oldest PSU graduate” of that year. I was 80. I live in Portland with my wife, Theresa, also a writer and author.
White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.…
In the 19th century West begins the saga of a powerful family.
After mountain man Isaiah Crow arrives in Alta California, he saves a group of people from local bandits.
As luck would have it, they are family and Vaqueros from the rancho of Don Hernando Batista, one of the most powerful families in Southern California - and very anxious to take their new friends to meet the Patron.
After Señor Batista introduces his daughter Francisca to Isaiah, the two soon fall in love. From this union a child - Jedadiah - is born. He will learn not only how…
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
I stumbled on this book in a free box outside a bookstore when I was a teenager and the family I had moved across the country to be with had collapsed.
My sisters and stepmother moved out of state, my brother moved to California, and my dad, after borrowing my student loan money for truck driving school, went over the road.
Bloodsport was rain-rippled—with a gigantic, dried fly smashed flat in the middle, sliding like a secret toy over the page.
An entire world opened up. I felt no less alone, but the experience changed my understanding of realism, the mythic, and the surreal: a book of immense oddness about a father and son journey up an apocalyptic river, toward Ratnose, the leader of a motorcycle gang.
Welcome to the wilderness of masculinity, where anything goes-where women throw themselves unreservedly at men and games are played to the death. This is the outdoor paradise of the Hassayampa, a legendary river whose bank is overrun with prehistoric and mystical creatures prime for hunting and whose water is said to turn honest men into liars. Here a father takes his prepubescent son on an unforgettable adventure, a rite-of-passage quest that starts as an innocent fishing trip and soon turns into a bizarre Homeric journey. In turn comic and brutal, Blood Sport is more than just the ultimate cult outdoor…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
In this moving novel, the late great Oakley Hall took me back to World War II era San Diego. What I love about it is it paints a much fuller portrait of the lost city of old than he does in his first San Diego-based novel.
This book is filled with wonder, dread, love, and longing but what makes it noteworthy is its keen eye toward history and the darkness at the heart of the city’s streets and neighborhoods—and at the center of the war itself.
The Sweeping Novel of a Twentieth-Century California Life
Love and War in California tells the story, through the eyes of Payton Daltrey, of the last sixty years of an evolving America. The award-winning author Oakley Hall begins his newest work in 1940s San Diego, where his endearing, wide-eyed narrator must define his identity in terms of self, family, and World War II. As his classmates disappear into the war one by one, he becomes obsessed with abuses of power and embroiled with the charming, dangerous Errol Flynn; with the Red Baiting of the American Legion; with the House Un-American…
All my writing starts with the question, How did we get here? As the granddaughter of a grocer and the daughter of a food editor, I grew up wondering about the quest for new and better foods—especially when other people began saying “new” and “better” were contradictions. Which is better, native or imported? Heirloom or hybrid? Our roses today are patented, and our food supplies are dominated by multi-national seed companies, but not very long ago, the new sciences of evolution and genetics promised an end to scarcity and monotony. If we explore the sources of our gardens, we can understand our world. That‘s what I tried to do in The Garden of Invention, and that’s why I recommend these books.
This fascinating book answers questions you never thought to ask. What would Southern California be without citrus groves or palm trees? Why does the Australian eucalyptus cover so much of this western state, and who were the elite conservatives who saw their own survival in the battle to save the redwoods? Find out here!
At the intersection of plants and politics, Trees in Paradise is an examination of ecological mythmaking and conquest. The first Americans who looked out over California saw arid grasslands and chaparral, and over the course of generations, they remade those landscapes according to the aesthetic values and economic interests of settlers, urban planners, and boosters. In the San Fernando Valley, entrepreneurs amassed fortunes from vast citrus groves; in the Bay Area, gum trees planted to beautify neighborhoods fed wildfires; and across the state, the palm came to stand for the ease and luxury of the rapidly expanding suburbs. Meanwhile, thousands…
The biggest compliment a reader can give me is to tell me my book made them cry. Yes, I love a great tear-jerker. I love writing them, and I love reading them. When we feel more deeply, we can live more fully. Books that evoke emotion can help us tune into our authentic selves and confront falsehoods that have held us back from full victory in our lives. Plus, reading is cheaper than therapy! I seek to bring hope, healing, and freedom through fiction. You have to feel to heal, so bring on all the feels.
This was a hard pick because I could easily have chosen any of Joanne Bischof’s other books.
She writes with such excellence and depth of feeling that you bond with the characters and go through their trials alongside them. I chose The Gold in These Hills over her other equally loved books because I read it with tears streaming down my face. The theme of restoration after loss and betrayal resonated with me. Deep despair gives way to soul-stretching hope.
Beautiful, quotable prose stuck with me long after I finished. If you want a novel about second chances that speaks deeply to the heart, give this one a try.
When mail-order bride Juniper's husband vanishes, she writes to him-but fears she's waiting for a ghost in a ghost town. A century later, Johnny Sutherland discovers her letters while restoring her abandoned farmhouse. Can her loving words from the distant past change his present?
1902: Upon arriving in Kenworthy, California, mail-order bride Juniper Cohen is met by the pounding of the gold mine, an untamable landscape, and her greatest surprise of all: the kind and charming man who awaits her. But when the mine proves empty of profit, and when Juniper's husband, John, vanishes, Juniper is left to fend for…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.
The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.