Here are 72 books that Orange Empire fans have personally recommended if you like
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As a child, I enjoyed a special relationship with an oak tree in my backyard. My father indulged my love of nature with backpacking trips in the mountains of California. In my teens, he published my booklet on edible wild plants. My maternal grandmother encouraged my interest in Indigenous uses of plants with books, field trips, and stories from her anthropology studies at UC Berkeley. My mother cultivated my creativity with ferocious intensity and supported my desire to earn a Ph.D. I landed my dream job at an alternative, interdisciplinary, small, public liberal arts college and have taught botany there for nearly 30 years. I love teaching plant-centric environmental history.
Langston tells a complex story about how the U.S. Forest Service, early in its history, demonized fire and developed a national policy of fire suppression, which has had profoundly negative ecological consequences, particularly in the West.
This case study centered on yellow pine forests illustrates how a poor understanding of forest history and ecology can result in management approaches that squander valuable timber resources.
Across the inland West, forests that once seemed like paradise have turned into an ecological nightmare. Fires, insect epidemics, and disease now threaten millions of acres of once-bountiful forests. Yet no one can agree what went wrong. Was it too much management-or not enough-that forced the forests of the inland West to the verge of collapse? Is the solution more logging, or no logging at all? In this gripping work of scientific and historical detection, Nancy Langston unravels the disturbing history of what went wrong with the western forests, despite the best intentions of those involved.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a child, I enjoyed a special relationship with an oak tree in my backyard. My father indulged my love of nature with backpacking trips in the mountains of California. In my teens, he published my booklet on edible wild plants. My maternal grandmother encouraged my interest in Indigenous uses of plants with books, field trips, and stories from her anthropology studies at UC Berkeley. My mother cultivated my creativity with ferocious intensity and supported my desire to earn a Ph.D. I landed my dream job at an alternative, interdisciplinary, small, public liberal arts college and have taught botany there for nearly 30 years. I love teaching plant-centric environmental history.
Jennifer L. Anderson provides a good reminder in this bookthat consumers often enjoy goods without a full picture of the environmental and social costs of bringing them to the marketplace. Early American consumption of mahogany furnishings contributed to Indigenous dispossession of land, the enslavement of Africans, and tropical deforestation.
Early Americans, with the means, sought out beautiful furniture made from old-growth mahogany trees to assert their class privilege. Anderson uses material culture to illuminate the effects of consumer culture in the 18th and 19th centuries. Her global perspective provides valuable insights into the impacts overseas of chasing after luxuries at any cost.
In the mid-eighteenth century, colonial Americans became enamored with the rich colors and silky surface of mahogany. This exotic wood, imported from the West Indies and Central America, quickly displaced local furniture woods as the height of fashion. Over the next century, consumer demand for mahogany set in motion elaborate schemes to secure the trees and transform their rough-hewn logs into exquisite objects. But beneath the polished gleam of this furniture lies a darker, hidden story of human and environmental exploitation.
Mahogany traces the path of this wood through many hands, from source to sale: from the enslaved African woodcutters,…
As a child, I enjoyed a special relationship with an oak tree in my backyard. My father indulged my love of nature with backpacking trips in the mountains of California. In my teens, he published my booklet on edible wild plants. My maternal grandmother encouraged my interest in Indigenous uses of plants with books, field trips, and stories from her anthropology studies at UC Berkeley. My mother cultivated my creativity with ferocious intensity and supported my desire to earn a Ph.D. I landed my dream job at an alternative, interdisciplinary, small, public liberal arts college and have taught botany there for nearly 30 years. I love teaching plant-centric environmental history.
Jonathan E. Robins illustrates how a tree that provides vegetable oil aided colonialism and the rise of a global food system built on the exploitation of people and places. To weave an engaging narrative, he draws evidence from multiple disciplines, including agricultural science, economic botany, environmental history, and gender studies.
Backed by the evidence, his conclusion is compelling that trying to catalyze sustainable and socially just practices through responsible consumerism is a flawed strategy by itself. I appreciate how he tackles a complex history from a global perspective and addresses environmental justice concerns in a historically grounded way.
Oil palms are ubiquitous--grown in nearly every tropical country, they supply the world with more edible fat than any other plant and play a role in scores of packaged products, from lipstick and soap to margarine and cookies. And as Jonathan E. Robins shows, sweeping social transformations carried the plant around the planet. First brought to the global stage in the holds of slave ships, palm oil became a quintessential commodity in the Industrial Revolution. Imperialists hungry for cheap fat subjugated Africa's oil palm landscapes and the people who worked them. In the twentieth century, the World Bank promulgated oil…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
As a child, I enjoyed a special relationship with an oak tree in my backyard. My father indulged my love of nature with backpacking trips in the mountains of California. In my teens, he published my booklet on edible wild plants. My maternal grandmother encouraged my interest in Indigenous uses of plants with books, field trips, and stories from her anthropology studies at UC Berkeley. My mother cultivated my creativity with ferocious intensity and supported my desire to earn a Ph.D. I landed my dream job at an alternative, interdisciplinary, small, public liberal arts college and have taught botany there for nearly 30 years. I love teaching plant-centric environmental history.
Michael Williams’ nearly 600-page tome is a classic must-read for anyone seriously wanting to learn about American forest history. It's richly illustrated with 159 figures and plates, plus numerous tables.
I love how he uses historic photos and illustrations in addition to quantitative data to build a grounded understanding of Americans’ shifting relations with trees. The book spans roughly 400 years, with an emphasis on the 1800s and early 1900s.
I enjoyed learning about a wide variety of trees that have played important roles in U.S. history. I also appreciated how Williams explores the cultural influences on people’s attitudes and behaviors towards forests, including religion.
When Europeans first reached the land that would become the United States they were staggered by the breadth and density of the forest they found. The existence of that forest, and the effort either to use or subdue it, have been constant themes in American history, literature, economics, and geography up to the meaning of the forest in American history and culture, he describes and analyzes the clearing and use of the forest from pre-European times to the present, and he traces the subsequent regrowth of the forest since the middle of the twentieth century. Dr Williams begins by exploring…
It was almost by accident that I became who I turned out to be as a professional, a developmental scientist interested in how early-life experiences shape who we become. Had someone asked me when I graduated from high school what were the chances of me becoming a scientist and teacher, I would have answered “zero, zero”! During my now 40+ year academic career I've come to appreciate how complex the many forces are that shape who we become. There's no nature without nurture and no nurture without nature. This emergent realization led me to learn about and study many aspects of developmental experience, like parenting and peer relations, and the role of genetics and evolution.
Whether and how childhood adversity shapes human development is a question that has long intrigued scientists and citizens.
This book tells the story of a great sociologist mining archival data about children who grew up during economically troubled times in America in order to underscore how the past is—and is not—prologue. Perhaps its greatest contribution is in illuminating the environmental conditions and life experiences that determined whether children eventually thrived or failed. In so doing, this work shaped the field of developmental studies, including my own work, for decades to come.
Explores the familial and intergenerational implications and consequences of drastic socio-economic change, as experienced by Oakland, California residents born in 1920-21
As a social scientist, I've always been interested in how the communities we live in shape our values, priorities, and behavior. I also care about how institutional change—from small things like a college offering a new major to big things like a town choosing to incorporate—can shape communities. Each of these books has changed my thinking about how we influence, and are influenced by, the communities we live in, for better or worse. I'm a professor in the departments of Political Science and Quantitative Theory and Methods at Emory University in Atlanta, and I hold a Ph.D. in the Social Sciences from Caltech.
Between 1954 and 1981, when this book was written, the number of cities in L.A. County nearly doubled from 45 to 81. Many of these new cities contracted with the county for their basic public services, and were consequently able to maintain low property tax rates. Homeowners "voted with their feet" by moving to these new cities, and previously middle-class places like Compton saw their tax bases plummet while their need for public services skyrocketed. As a native Angeleno, I found Miller's account of the fragmentation of Los Angeles fascinating and devastating. A gem of a chapter entitled "Is the Invisible Hand Biased?" presents a withering critique of the argument—standard in economic theory—that more choices make people better off.
The battle line in the urban conflict lies between the central city and the affluent suburb. The city, needing to broaden its tax base in order to provide increasingly necessary social services, has sought to annex the suburb. The latter, in order to hold down property taxes, has sought independence through incorporation.
Cities by Contract documents and dissects this process through case studies of communities located in Los Angeles County. The book traces the incorporation of "Lakewood Plan" cities, municipalities which contract with the county for the provision of basic—which is to say minimal—services.
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
My most vivid early memories are of walking in nature: the woods behind the house in the suburbs where I grew up, and forests in the mountains where I hiked as a teenager. The sounds, smells, and sights of the forest felt magical and more alive than the rest of the world. Ever since, I have kept pursuing the point where that magic meets the everyday world of people. The people I interview for books and articles about this keep me going. These experiences fascinate me and keep me writing and reading books like these.
It’s a stretch to call this true crime, but I found this a compelling detective story, wrapped in geological and human mystery. It felt like true crime.
Iconic author John McPhee tags along with geologist Eldridge Moores on field research trips, searching the rocks of the disruptive San Andreas fault for clues to where geological history and human history collide. I was driving through California myself while I was reading the book, and the chapters alternated deep geological time with the march of human time—the frenzy of the Gold Rush, the Donner Party disaster. McPhee pulls these together.
The story reaches a climax with a vivid, hair-raising account of one of the great earthquakes of our time and the overwhelming power of nature.
At various times in a span of fifteen years, John McPhee made geological field surveys in the company of Eldridge Moores, a tectonicist at the University of California at Davis. The result of these trips is Assembling California, a cross-section in human and geologic time, from Donner Pass in the Sierra Nevada through the golden foothills of the Mother Lode and across the Great Central Valley to the wine country of the Coast Ranges, the rock of San Francisco, and the San Andreas family of faults. The two disparate time scales occasionally intersect―in the gold disruptions of the nineteenth century…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
In this moving novel, the late great Oakley Hall took me back to World War II era San Diego. What I love about it is it paints a much fuller portrait of the lost city of old than he does in his first San Diego-based novel.
This book is filled with wonder, dread, love, and longing but what makes it noteworthy is its keen eye toward history and the darkness at the heart of the city’s streets and neighborhoods—and at the center of the war itself.
The Sweeping Novel of a Twentieth-Century California Life
Love and War in California tells the story, through the eyes of Payton Daltrey, of the last sixty years of an evolving America. The award-winning author Oakley Hall begins his newest work in 1940s San Diego, where his endearing, wide-eyed narrator must define his identity in terms of self, family, and World War II. As his classmates disappear into the war one by one, he becomes obsessed with abuses of power and embroiled with the charming, dangerous Errol Flynn; with the Red Baiting of the American Legion; with the House Un-American…
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.
The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.
Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."
Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.
John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion.
The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
María Amparo Ruiz de Burton lived through one of the most tumultuous periods of history in California. She was born in Baja California to an elite family but moved to Mexican Alta California, as it was then known, during the Mexican-American War, marrying US army captain Henry Burton and becoming a US citizen. Ruiz de Burton watched California’s transformation under US rule, and this 1885 novel uses fiction to lay bare the very real problem of land dispossession of the Mexican Californians (known as Californios) and the arrival of ‘squatters’ from the eastern US who were claiming contested property. Ruiz de Burton is considered to be one of the earliest Mexican-American female authors to write in English, and this work illustrates how Alta California’s transition to statehood upended the lives of many people who had lived there under Spanish and Mexican rule.
The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority.