100 Books Like The Sound of Silence

I Am Peace is part of a wonderful series by this well-known team. The series explores topics such as compassion, empathy, resilience, and what it is to be a feeling human being. I Am Peace is about a child (gender not identified) who worries about the past and future and learns how to comfort and ground themselves by noticing the here and now, breathing evenly, and practicing kindness toward themselves and others. The simple, sparse text expresses these rather deep ideas in ways that all children can understand: “I can watch my worries gently pop and disappear. I let things go"; “I can hug a tree and thank it for its beauty and strength.” The back matter features a discussion of mindfulness and a guided meditation.

In this colorful book about pigs learning to meditate, we see their stressful world and how it is sometimes hard to manage emotions such as anger and frustration: “So it’s good to have a peaceful place inside.” In simple, accessible language, the author shows how, through meditation, the pigs learn, among other things, to accept what “is,” instead of wishing it were otherwise. A sweet scene showing a dead goldfish that can’t be wished back to life gently makes this point. Themes of self-care, self-acceptance, and kindness add to the strong message. Back matter includes a meditation instruction, how to make a glitter jar, and notes about family meditation. A great introduction to how to do the formal practice of meditation. 

This is one of my favorite all-time picture books! Each page identifies one “type” of quiet accompanied by a whimsical illustration with delightful animal characters. Some of my favorites are “Hide-and-seek quiet,” which shows a baby moose trying unsuccessfully to hide behind an office chair; “Lollipop quiet,” which shows a bear and a rabbit with bandages comforting themselves with lollipops; or “Top of the roller coaster quiet,” which shows an assortment of animals anticipating that fateful moment! The words and illustrations are beautifully paired and children will want to invent their own stories about each scene. A sweet, evocative, and original book that expands the notion of quiet in imaginative ways.

What can we hear when we stop to listen, really listen, to the world around us? This gorgeously illustrated book by Lemniscates, a studio of artists and designers from Barcelona, depicts a girl’s journeys in nature and through the seasons. She names what she hears “in the silence,” such as “the wind playing with my kite,” “my heart when running,” or “my breath when still.” I love the simplicity of the art and the text, leaving room for readers to answer the question, “How many things can you hear?” The experience of reading the book is almost like a mindfulness meditation, but without any didactic component. I can’t recommend this book enough! 

This book is full of unexpected delights from beginning to end.

The first spread states, “ROAR!! Goes the…” opposite a cutout that shows a tiger driving. The next spread says, “…TRUCK that rumbles up the road,” and shows the tiger driving a truck with a crate of tacks tumbling onto the road.

Likewise, “Hiss…goes the CAR that gets a flat tire,” driven by a snake. A parade of vehicles gets held up behind them until a coyote-driven police car (Awooo!) and beaver-driven tow truck (chomp!) save the day.

Cushman’s illustrations contain even more visual jokes. The sloth passing the pile-up on the sidewalk while pushing a tennis-ball-footed walker made me laugh out loud, even without a vehicle- or animal-loving toddler to read it to.

Going back 125 years in recording history, Milner’s book will make you question what “good recorded sound” is, and how that notion, surprisingly, is a political one that has changed over time. A diversity of genres and artists are brought in to prove his points. He demonstrates why technological innovations such as the cylinder, the 78RPM record, magnetic tape, albums, transistors, the cassette, the CD, ProTools and of course MP3s changed the sound and content of music forever. And also how such changes greatly affected the bottom line of the music business, increasing or decreasing revenue as the case may be. Might change how you view your music collection.

Known as ‘the man who invented the ‘80s’, Trevor Horn is considered one of the most innovative producers of modern pop.

He revolutionized production from his group The Buggles Video Killed the Radio Star to Band Aid’s Do they Know It’s Christmas?, to hits for Frankie Goes to Hollywood, ABC, Yes,  Rod Stewart, and Seal. I can tell you this book is the real deal because I worked with him on hits for The Pet Shop Boys, Grace Jones, Frankie, and ABC.

This book takes you inside his unique process, and reveals his production concept - at once mind-blowing and surprisingly down-to-earth.

As a DJ tutor who's been in this game for 30+ years, I'm amazed at how often students really want me to tell them a bit about what it was like to DJ on the club scene "back in the day." When they do, I send them to this book.

Written by an anonymous DJ who toured the world playing in the best clubs for long enough to experience many highs and some considerable lows, it is part memoir, part Spinal Tap, as it lifts the lid on the hedonism, stupidity, and craziness of the club/rave scene at its height. Certainly harrowing in parts, but it is also laugh-out-loud funny - and is nothing if not brutally honest.

Ten Ways to Hear Snow commemorates the sounds of winter. Lina sets off alone to visit her grandmother (another Little Red Riding Hood reference!) the morning after a blizzard. As she walks through the neighbourhood, she notices the sounds snow makes while building a snowman, shoveling snow, and more. At her grandma’s place, they form a new point of connection because her grandma can’t see well and so relies on listening.

Michael Denning was my dissertation advisor in grad school and one of the most impressive scholars of American culture that I know. What I like about Noise Uprising is that it gives us a whole new perspective on the beginnings of jazz. No longer is American jazz at the center of the universe. Instead, it’s a small piece of a larger mosaic of popular music that stretched from Havana and Rio to Seville, Cairo, Jakarta, and Honolulu. Before reading this book I had no idea that musical recording even went on in all these far-flung places, beginning in 1925, even before the great wave of recordings appeared from Louis Armstrong, Duke Ellington, and Jelly Roll Morton. We learn about the origin and first recordings of such major genres as samba, son, tango, flamenco, tarab, kroncong, and hula. All of these styles were deeply embedded in the social and political struggles… show more.