82 Books Like The Sisters Brothers

I was about thirteen years old when I picked up Charles Portis’ book, and from the very first line, I wanted to be Mattie Ross. The novel was the first Western I remember reading and remains imprinted on my brain as a first to mash up the traditional themes of the righteous Code of the West and the hopelessness of a world awash in lawlessness and violence, all the while eliciting whoops of laughter.

Mattie was the first female protagonist I remember encountering with pluck and impertinence to match the infamous U.S. Marshal Rooster Cogburn and inspire my own.

Here is another masterpiece.

It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.

I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.

The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.

This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.

McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!

This book is the perfect example of a great Western. A stern, courageous lawman, tougher than forged steel. A young sidekick by his side. A beautiful woman in town that everyone wants.

Put those elements onto the page and then throw into it a cruel, evil rancher, who’s already killed the city marshal and one of his deputies. What do you end up with? A kick-ass Western.

The Sacketts series is a classic western saga and this first book tells the story of two brothers bound by more than blood. A good buddy yarn works best when the protagonists are very different. The reader must also want all of these different characters to succeed. Orrin and Tyrel are an unusual and unbreakable team.

I have always loved gritty mysteries and Joe. R. Lansdale’s book did not disappoint. I was first pulled in by the curious and clipped cadence of the voice of the narrator, an older Harry Collins recalling a brutal murder from his youth. You could almost hear Harry’s voice jump off the page.

I was also particularly drawn to the finely crafted setting on the rugged Texas frontier, dripping with eerie foreboding. The land is as rotten as the characters who inhabit the narrative. Add in an East Texas setting and the bleak and desperate themes of racism at the turn of the 20th century, and you have a compelling read that is hard to put down. 

I could not wipe the smile from my face for the entirety of Joel and Ethan Cohen’s collection of short stories, where the hard-scrabbled western frontier meets the supernatural meets Vaudeville.

The images of the bank robber who is hung twice and the miner who thinks he is digging for gold but soon discovers he has dug his own grave are but two examples of how the collection explores the myth of the American frontier and uncovers the darker and occasionally absurd aspects of human nature–hallmarks of the Western and Southern Gothic genres, respectively.

The story of Flat Stanley is so silly and outlandish, yet somehow relatable! It’s hard to believe the original title in this series is over 50 years old.

When Stanley becomes, well, flat, it launches him into adventures all over the world. Who hasn’t thought about being able to mail themselves wherever they want? But Stanley finds that being flat isn’t all that it’s cracked up to be.

Kids love this story of an ordinary boy thrust into extraordinary situations, and so do their adults!

I love this book because of its emphasis on the growing pains (and love) of family. I enjoy the aspect of this story providing laughs, tears, and anger, and being able to identify with the situations throughout. I love the characters finding their way in navigating on a micro level (family) and a macro one (the world). I love the bonds between siblings, where kindness shines through despite misgivings they may have.

A trickster god dies, leaving his two sons to squabble with each other and, in that process, identify. At once immersive, magical, and memorable, Gaiman took me through the problems and conflicts of his characters with a potpourri of gravitas, humour, and smartness that only he can conjure with such ease.

Despite the lack of profundity that he's known for amid the scribbled sorcery, I got a lukewarm feel at the end, an all's well that ends well moment that’s an underappreciated and recently overlooked ethic of good-ol’ fantasy.