Here are 64 books that Appaloosa fans have personally recommended if you like
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I grew up in central Arkansas, which means I experienced first-hand the fiction I describe here. The South in these books - its religion, poverty, and beauty, not to mention its capacity for real ugliness - is not simply an atmosphere these authors have used to decorate their sets. The South in these books is a place where real people live, in exactly the ways these writers have described. My novella, Six Mile Store, is my own take on the real South. These are the books that showed me that these kinds of Southern stories are worth telling.
The film adaptations make True Grit look like a Western. It is not.
It is an Arkansas book, and Mattie Ross is an Arkansas character: fourteen years old, tiny, and completely on board with the violence she knows avenging her father's murder will require. She has courage and goal-oriented ruthlessness.
Mattie’s fortitude underlines the gap between what my characters can see for themselves and what they can actually reach. That gap is at the heart of what my novella is about.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
The first female police detective in Acapulco, Emilia Cruz, dives into an ocean of secrets and lies when she is forced to lead the investigation into her own lieutenant's murder.
Caught between the powerful head of the police union and resentful colleagues, Emilia becomes a pawn in a game of…
I’ve loved both history and fantasy since I was a child. The first book I can remember reading at all was The Hobbit. The first historical novel I fell in love with was The Killer Angels. I visited the battlefield of Gettysburg with my family, and currently teach the movie every year to my high school film class. (I’ve never visited Middle Earth, but plan to visit New Zealand as soon as possible). I’ve been reading both genres ever since—and quite by accident my first novel contains a mix of both genres.
It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.
I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.
The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.
Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.
It begins in the office of The Hat Creek Cattle Company of the Rio Grande. It ends as a journey into the heart of every adventurer who ever lived . . .
More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.
When I wrote The Shopkeeper, I wanted to write a different type of western. I love buddy stories. I also love fish-out-of-water stories. The Steve Dancy Tales combines both. More accurately, the first couple of novels maintain the fish-of-of-water storyline, but eventually, our shopkeeper gets the hang of the Wild West. Steve and his two friends, however, remain united throughout all seven books. They fight common foes, move through the western states, marry, have children, grow older, but remain fast friends. In fact, I consider Steve Dancy, Joseph McAllen, and Jeff Sharp friends of mine. I have sure spent a lot of time with them.
The Sacketts series is a classic western saga and this first book tells the story of two brothers bound by more than blood. A good buddy yarn works best when the protagonists are very different. The reader must also want all of these different characters to succeed. Orrin and Tyrel are an unusual and unbreakable team.
With plot elements inspired by presidential elections in both the US and Mexico, Barracuda Bay follows Acapulco’s first female police detective, Emilia Cruz, as she investigates the murder of the mayor’s sister—only to become a fugitive hunted by killers disguised as cops in Washington, DC. The stakes couldn’t be higher…
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
When I cracked the spine on Patrick deWitt’s book, I knew I was in for a treat. Contract killers, endless bloodshed, and belly laughs? How could you go wrong? The novel is technically a Western, but represents a revisionist and darkly comedic pivot in the genre, following two brothers, Eli and Charlie Sisters, from Oregon to San Francisco during the Gold Rush on their quest to murder a man called Hermann Kermit Warm, accused of stealing from their client.
One brother, Eli, questions his purpose in this world, while Charlie cannot satiate his blood lust, all with deadpan humor, which left me thinking hard about the nature of violence and man’s capacity for change, and a little worried about my own dark sense of humor.
Hermann Kermit Warm is going to die. Across 1000 miles of Oregon desert his assassins, the notorious Eli and Charlies Sisters, ride - fighting, shooting, and drinking their way to Sacramento. But their prey isn't an easy mark, the road is long and bloody, and somewhere along the path Eli begins to question what he does for a living - and whom he does it for.
The Sisters Brothers pays homage to the classic Western, transforming it into an unforgettable ribald tour de force. Filled with a remarkable cast of losers, cheaters, and ne'er-do-wells from…
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.
The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned.
Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first…
I’ve been fascinated by the Wild West since I was a little boy, playing Cowboy vs Indian with a plastic six-shooter and bow-and-arrow set. I grew up watching movies and reading books about the Wild West, and probably that sense of adventure and necessary courage required in such settings helped build the foundation that led me to join the Marines. It took guts to move out West. (Or desperation.) But either way, the settling of the Wild West is one of our core American stories. To me, the stories of the West are even more enthralling today than they were even fifty years ago.
A confederate soldier, Paul Cable, returns from the Civil War to find Union men have taken over his farm. Cable thinks his fighting is over, but he couldn’t be more wrong.
The book is tense and moves quickly. It’s also short, yet packs a punch far above its weight. Highly recommend.
A nail-biting, tough-talking classic western from the author of GET SHORTY and JACKIE BROWN.
In LAST STAND AT SABER RIVER, a Civil War veteran returns home to find a Yankee's private army living on his land, while another enemy waits to strike...
Paul Cable has fought - and lost - for the Confederacy but when he returns home he finds that his own war is far from over. The Union Army and two brothers - and a beautiful woman - have taken over Cable's spread and are refusing to give it back. But Cable is determined that no one is…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’ve been fascinated by the Wild West since I was a little boy, playing Cowboy vs Indian with a plastic six-shooter and bow-and-arrow set. I grew up watching movies and reading books about the Wild West, and probably that sense of adventure and necessary courage required in such settings helped build the foundation that led me to join the Marines. It took guts to move out West. (Or desperation.) But either way, the settling of the Wild West is one of our core American stories. To me, the stories of the West are even more enthralling today than they were even fifty years ago.
This book is a great read by Louis L'Amour, who’s arguably one of the greatest Western writers to ever live.
L'Amour executes the book brilliantly, placing a woman and her six-year-old son in grave danger from some angry, fired-up Apaches, who are on the warpath.
All that stands between them and their safety is one tough man and his dog.
As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials!
He was etched by the desert’s howling winds, a big, broad-shouldered man who knew the ways of the Apache and the ways of staying alive. She was a woman alone raising a young son on a remote Arizona ranch. And between Hondo Lane and Angie Lowe was the warrior Vittoro, whose people were preparing to rise against the white men. Now the pioneer woman, the gunman, and the Apache warrior are caught in a drama of love, war, and honor.
I’m an amalgam of all of my varied interests and varied employments from actress and singer to corporate paralegal at a movie studio. Since my teenage years, I’ve loved to research. That joy leads into writing factually-accurate historical fiction set in the West. Delving into the private lives of both the fictional and the real people gives the reader a better understanding of the characters’ designated paths leading to the events upon which my novel is based. My recommendations for the best books set in the West with in-depth characters have qualities I’ve employed in my novel. Some of these books also delve into characters from differing races, reflecting most towns in the Old West.
Perhaps Arizona’s most widely recognized event, the thirty seconds of gunfight at O.K. Corral in Tombstone isn’t the main emphasis in Epitaph. That belongs to Russell’s engrossing depictions of the intensely personal relationships between the Earp brothers, their girlfriends and wives, their routines, and addictions.
As I found out in researching for my novel, if you get the accurate facts about the personalities and actions of the good and the bad people, who actually lived in the Old West, you’re well on the way to writing a novel.
John Philip Clum started the newspaper in Tombstone and called it Epitaph, because “No tombstone is complete without its epitaph.” To complete your reading about the Old West, include Epitaph.
Mary Doria Russell, the bestselling, award-winning author of The Sparrow, returns with Epitaph. An American Iliad, this richly detailed and meticulously researched historical novel continues the story she began in Doc, following Wyatt Earp and Doc Holliday to Tombstone, Arizona, and to the gunfight at the O.K. Corral.
A deeply divided nation. Vicious politics. A shamelessly partisan media. A president loathed by half the populace. Smuggling and gang warfare along the Mexican border. Armed citizens willing to stand their ground and take law into their own hands. . . .
Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
Genet’s prose really kicks a lot of others to the curb, even in translation, and the curb is where he is most comfortable. To paraphrase Wilde, he was definitely in the gutter but looking at the stars.
His visionary, unabashed grit, queer defiance, and uncanny lyrical ability really should make him required reading for everyone. But if you’re a defiant freak, you get mixed up in the prison system, and you need a North Star, you can’t do much better than Genet, a beautiful, wild thinker about all things related to the place of punishment and jails in society.
He truly lived the life he described, which people love nowadays. The Thief’s Journal is shockingly countercultural and exhilarating even now.
Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions.
The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel; an account of his impoverished travels across 1930s Europe. The narrator is guilty of vagrancy, petty theft and prostitution, but his writing transforms such…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
This book does a fine job of laying out the complex plots and cross-plots of a most complicated New Mexico Territory of the 1870s.
The full spectrum of politics, murders, and factions can be overwhelming to a first-time student. There are clearly too many players in the story for a reader to grasp the overarching drama. Mr. Wallis found a way to guide the reader across this challenging terrain without shortcuts.
Award-winning historian Michael Wallis has spent several years re-creating the rich, anecdotal saga of Billy the Kid (1859-1881), a deeply mythologized young man who became a legend in his own time and yet remains an enigma to this day. With the Gilded Age in full swing and the Industrial Revolution reshaping the American landscape, "the Kid," who was gunned down by Sheriff Pat Garrett in the New Mexico Territory at the age of twenty-one, became a new breed of celebrity outlaw. He arose amid the mystery and myth of the swiftly vanishing frontier and, sensationalized beyond recognition by the tabloids…
