100 Books Like The Singer

I didn’t sit down to write Carried Away with a personal sermon in my back pocket. No buried lessons or hidden curriculum—it was just a story I wanted to tell. But stories have a way of outsmarting you. 

So when I chose these books, I wasn’t looking for perfect comparisons—I was looking for echoes. Some of these books will drag you through POW camps or strand you on a lifeboat with a tiger; others will lean in and whisper that you’ve been running a program and calling it personality. A few say the quiet part out loud—about grit, meaning, and purpose. Others ring you up with fable, abstractions, or science, but they leave their mark just the same. 

As an artist, I have always had an active imagination which is fueled by great imagery found in fantasy and sci-fi books and movies. When this is coupled with spiritual themes, the experience becomes transcendent for me. Given my passion for spirituality and my desire to know God more deeply, I write books with characters that ask hard spiritual questions and who ponder their place in the universe. I also write inspirational articles that challenge people to rethink their suppositions about God. Currently, I am a game programmer who is working on my second novel, a mystery thriller, in my free time.

After reading The Princess Bride, I fell in love with William Goldman’s style of narration, with his frequent interjections, clarifications, and asides. The feel I got from the author speaking directly to me transformed simple third-person narration into engaging storytelling. From then on, I sought out books using this style and have built a small library in all genres deploying this unique voice. I’ve found it most common (and most effectively deployed) in fantasy, but there are also numerous examples elsewhere in the literary world.

I have written and published six Christian historical novels, three rescued from food addiction devotionals, two ultimate planners, and Rescued from Worry, which is my personal story. I started Purebooks Publishing and publish other people’s books. I teach writer’s workshop classes and tell authors that readers want their books to reach their hearts. To do this, your story has to reach your heart first. If you put your heart into your writing, your readers will automatically connect. What makes a great story? One that moves you and has a lasting effect on your life without the explicit. That’s the kind of books I like to read and write. 

I love a library, an eccentric bookshop, or the roadside book exchange cupboards where I live in rural southwest France. There is serendipity and synergy in what can be found through browsing (as opposed to purposeful searching). I am the author of five historical novels set in medieval Europe and centred on strong female leads. Idiosyncratic bookshops and lovely libraries bring unexpected twists to my research and writing. My six-year-old grandson recently started to read after his mum and I read many bedtime stories to him. It was a thrilling moment to hear him join the ranks of readers. Writing is inspired by and learned from voracious reading. 

My idea of ‘good fiction’ – and what I try to write myself – involves secret agents and skulduggery, crime, and romance. My own life has involved a good deal of travel. I studied Education and Drama, then Literature, History, and Politics at post-graduate level. All of which help with my research and writing. As a British ex-pat, I have lived in the USA and different parts of Europe. Now, we are finally settled near Málaga, Spain. ‘Deep-reading’ fiction set in fascinating places, quality content to indulge in on dark winter nights. I hope you enjoy your time travel as much as I do.

I am an award-winning and USA Today bestselling South African author, social anthropologist, and transformational life coach. Human transformation and the question of human social nature are key themes in all of my writing, which explores the experiences of people on the margins or with a background of overlapping cultures. I am a book dragon who loves reading adventures in almost every genre and that broad scope of my reading explorations has wormed its way into my writing style which, though broadly defined as fantasy, encompasses elements from other styles in a rich and ‘aromatic’ blend.

I have always been interested in the metaphysical and in psychology, so I have always gravitated to how the mind creates our perception of reality and how that can be stretched. Coming to this country as a refugee with my family and watching the struggles of my family has given me a keen interest in the human mind, resilience, and mental health. My artwork and writing lends itself towards magical realism and the blurring between reality and the supernatural. I truly believe that things are often not what they seem and I aim to prove it. 

Make-believe is my vocation, calling to me since earliest childhood. Not too surprising, for I was raised in a Southern Gothic household, simmering with mendacity and thwarted desires. Back then, I plotted stories for my dolls and scribbled plays of love and murder for backyard productions with the neighbor girls. Living and schooling were necessary preparation for the next story or play. To this day, while truly embracing my lived-life with passion and wonder, I still make sense of it, in part, through make-believe—an act that is both solitary and collaborative—writing dialogue for actors to interpret and novels for readers to perform in their own active imaginations.

I have always been passionate about history–especially military history, and have collected books since I was a child. In time, I became particularly absorbed with the medieval world, building up a comprehensive library of books on all aspects of life during this fascinating time. In my research, I have traveled to all of the locations mentioned in the book: East Anglia, Bremen, Lübeck, and Latvia. I particularly love trying to bring the characters to life, fitting them, and creating an interesting plot around actual historical events.