Here are 24 books that The Ship That Flew fans have personally recommended if you like
The Ship That Flew.
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History has always been a captivating adventure for me, a stage to rekindle the echoes of times long past. My journey began amid musty archives in Hobart, where I stumbled upon a handwritten prison record about my wife's feisty ancestor, transported in the 1830s. There and then, I resolved to breathe life into the fading embers of her existence, and after extensive research, I wrote my first novel, a tapestry of historical events intertwined with the resurrection of long-forgotten souls. Since then, I've applied lessons from masters like Conan Doyle to create exciting, atmospheric stories that turn us all into time travelers on an exhilarating voyage.
This is an enthralling adventure story that drags the reader across the rugged mountains, glens, and cities of 18th-century Scotland as the hero seeks to recover his stolen inheritance.
The story gallops along with vivid descriptions that transport the reader back to a time when loyalty and honour were really cherished. The character development, as David Balfour and Alan Breck risk all amongst the failed Jacobite uprising, is exceptional. This is another timeless classic that transports the reader to another age.
I love the interplay of real characters and real events with the underlying story, a technique that I use fully in my novels; it adds depth, veracity, and interest. Stevenson’s prose is also exceptional, creating images that make this a compelling and memorable adventure story.
Robert Louis Stevenson's classic, swashbuckling novel about a young boy who is forced to go to sea and who is then caught up in high drama, daring adventure and political intrigue.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Louise Welsh and features black and white illustrations.
Headstrong David Balfour, orphaned at seventeen, sets out from the Scottish Lowlands to seek his fortune in Edinburgh. Betrayed by his wealthy Uncle…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
This is very simple as to why there is passionate engagement with the themes listed within each of the five titles chosen. It's about engagement with the story which immediately comes from strongly identifying with the characters and events. The ‘identity factor’ is vital in drawing the reader in, and it's the mystery when writing a story or book which doesn’t begin with a prescribed plan. The mystery is really what creates the story and its characters, wanting to see what happens on the next page. With the reader, after having read a few pages, feeling the compulsion to read on, fully committed, emotionally involved, intrigued, and passionately caught up in the story.
I began to read this book in childhood because it was in our house (sent as a present from an Aunt living in America) and it intrigued me by the title and the illustrations of buffalos, coyotes, bears, the landscape, rivers, canyons, and the covered wagons in a circle with people and their belongings, bedding down by campfires under the starry skies […] The episodes easily captured my attention. Parkman is documenting the first settlers crossing the Mid-West Plains towards the Rockies. This is really ‘a page turner’ and classic of travelogue adventure, even though I had never heard the genre term ‘travelogue’ on first reading. It also reads like a fantasy and provides the reader who has never been to the United States with a longing to go there. Books are parallel to life and in this case for me, I did reach the Origen Trail, walked some of…
Keen observations and a graphic style characterize the author's remarkable record of a vanishing frontier. Detailed accounts of the hardships experienced while traveling across mountains and prairies; vibrant portraits of emigrants and Western wildlife; and vivid descriptions of Indian life and culture. A classic of American frontier literature.
This is very simple as to why there is passionate engagement with the themes listed within each of the five titles chosen. It's about engagement with the story which immediately comes from strongly identifying with the characters and events. The ‘identity factor’ is vital in drawing the reader in, and it's the mystery when writing a story or book which doesn’t begin with a prescribed plan. The mystery is really what creates the story and its characters, wanting to see what happens on the next page. With the reader, after having read a few pages, feeling the compulsion to read on, fully committed, emotionally involved, intrigued, and passionately caught up in the story.
In being faithful to the ‘first’ books I ever read The Ship That Flew and The Adventures of Henry Penn. Henry Penn is a Penguin and daydreamer. He wants to be a poet. Some of the story involves his creative life writing/reciting from his ‘secret’ little book the “Lays of Ancient Penland.” The close of the story recounts an episode after the Kipper War when there is a celebration concert and Henry performs his first poem!
The town’s people (Penguins) dominate the story. The Kipper War (is a funny episode) against the Pirates to recover the stolen hoard of fish belonging to the Penguins. Important in all of the books chosen are the illustrations, for instance, the illustration of Henry in school at the back of the class ‘caught’ by the teacher staring out the high windows.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
This is very simple as to why there is passionate engagement with the themes listed within each of the five titles chosen. It's about engagement with the story which immediately comes from strongly identifying with the characters and events. The ‘identity factor’ is vital in drawing the reader in, and it's the mystery when writing a story or book which doesn’t begin with a prescribed plan. The mystery is really what creates the story and its characters, wanting to see what happens on the next page. With the reader, after having read a few pages, feeling the compulsion to read on, fully committed, emotionally involved, intrigued, and passionately caught up in the story.
Lang’s story telling is compelling opening up for the reader the timeless characters of Cinderella, Little Red Riding Hood, Hansel & Gretel, Jack the Giant Killer, Jonathan Swift’s “A Voyage to Lilliput” fromGulliver’s Travels, Aladdin, Sleeping Beauty, Rumpelstilzkin, Why the Sea is Salt, Goldilocks, Blue Beard, Snow White and many others.
My sister and brother (older than I) used to read aloud from, not only The Blue Fairy Book but the Red Book and the Green Book. These stories were the first I’d heard, and were so real I believed the characters would be present in my life. Grimm’s Tales ‘told’ by Lang becomes an exciting guidebook for a young person growing up. This aspect was ‘proven’ to me by the co-existence of these characters as archetypes in terms of life events and situations. My conviction is that the storyline, characters, and the progression of events in…
"The Blue Fairy Book" is Andrew Lang's classic selection of popular fairy tales. Contained in this work you will find the following tales: The Bronze Ring, Prince Hyacinth and the Dear Little Princess, East of the Sun and West of the Moon, The Yellow Dwarf, Little Red Riding-Hood, The Sleeping Beauty in the Wood, Cinderella; or, the Little Glass Slipper, Aladdin and the Wonderful Lamp, The Tale of a Youth Who Set Out to Learn What Fear Was, Rumpelstiltzkin, Beauty and the Beast, The Master-Maid, Why the Sea is Salt, The Master Cat; or, Puss in Boots, Felicia and the…
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
Originally published as The Fears of Henry IV, this book gives us a fascinating look into the usurpation of Richard II and reign of the first Lancastrian king. Although they were first cousins, King Richard II and Henry Bolingbroke were perpetually at odds, and Henry's decision to seize the crown opened up a slew of problems that haunted him throughout his reign. He fought one rebellion after another, and once he put down his enemies, Henry was beset with terrible health problems that led to his early death. Because my series covers the reigns of Richard II through Henry VI (I'm currently writing about Henry IV), this book was critical to my understanding of why things went so wrong after his triumphant return from exile.
From the saviour of the realm to the subject of multiple attempted assassinations in the space of six years. King Henry IV's reign was characterised by his fear and paranoia, but above all a continued quest for survival.
The son of John the Gaunt, Henry was seen as a confident, well-educated, generous, and spiritually fervent young man. And, in 1399, having ousted the insecure tyrannical Richard II, he was enthusiastically greeted as the new King of England.
However, therein lay Henry's weakness. Upon assuming the crown, he found himself surrounded by men who would only support him as long as…
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
This book might be my definition of ‘fact more entertaining than fiction’. It is a relatively light read that was easy to get through, without feeling under-researched in the least. I bought it as an introduction to the life, reign, and personality of Richard II, who incidentally is one of England’s most fascinating kings in my view. Warner’s analysis of his character and relationships was what truly got me flipping the pages, anxious to read more about potential romances and debated narcissism.
Richard II is a figure famous in England's national myths - the king who went insane, the narcissist, the tyrant of Shakespeare's play. History regards his rule either as that of a superhuman monarch or a crazed and vicious ruler. But Richard II was a complex and conflicted man - a person with faults and shortcomings thrust into a role that demanded greatness. In this book, Kathryn Warner returns with the first modern biography of Richard II in decades, to paint a portrait of the king with all of his strengths and imperfections left in the picture. An aesthete and…
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
An oldie but goodie! Any aspiring historian will benefit greatly from this four-book series written in the 1960s. This is a popular history and very easy to read. Although I discovered these books years before I started writing, I periodically revisit them purely for enjoyment. Costain covered a lot of information in a way that stayed with me for years. I would even go so far as to say he influenced me to continue my reading on the subject. This particular volume gives us a lot of insight into Richard II.
Copyright 1962 - Paperback A great storyteller's most dazzling bestseller Here is Thomas B. Costain's most magnificent performance, rivaling even THE BLACK ROSE for color and drama. Here are history's most spectacular Kings and Queens - and a brilliant new probing of the greatest mystery of all time, the death of the Princess in the Tower.
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
No study about Richard II would be complete without an understanding of his uncle, the powerful and intimidating John of Gaunt. Before I read this book, I accepted the usual depiction that he was arrogant, unpleasant, and downright nasty. But really, this was a gross exaggeration. Although many contemporaries assumed he coveted the throne, in reality, it would have been against his honor to usurp the king, no matter how helpless, ungrateful, or deserving Richard may have seemed. Gaunt was the only person who stood between the king and his many enemies. Once Richard discovered this for himself, he treated his uncle with much more respect, and this biography certainly helped me put Gaunt into proper perspective.
As younger brother of the Black Prince, and fourth son of Edward III, John of Gaunt was not destined to play an important role in the Plantagenet dynasty’s fortunes.
Yet the Black Prince and Edward died before their time, and John found his influence increased with the accession of his young nephew, Richard II.
Throughout Richard’s reign he would face accusations of seeking to usurp the throne, and as a result fluctuated in and out of favour for the rest of his life.
Never enjoying military successes as his brother or father had, John found his form in the dynastic…
I have been writing the Owen Archer mysteries, set in and around the city of York in the late 14th century, for 30 years, ever since falling in love with the city of York on a visit. As I studied medieval literature and culture in graduate school, with a special interest in Chaucer, I’ve focused my research on the period in which he lived. I’ve spent months walking the streets of the city, hiking through the countryside, and meeting with local historians. Besides the 13 Owen Archer mysteries I’ve also published 3 Kate Clifford mysteries covering Richard II’s downfall, both series grounded in the politics and culture of medieval York and Yorkshire.
If you want even earlier information than 1068, Palliser begins with Roman York, Eboracum, moves through Scandinavian York, Jorvik, and then joins up with the city as it grows in the middle ages. The introduction discusses why a city grew in this particular spot, the strategic, geologic, and geographic advantage of the Vale of York.
This is the perfect complement to Rees Jones’s book, with more emphasis on the political and military history than hers and extending past the Black Death into the large degree of independent rule gained in two charters granted by King Richard II, then on to the gradual decline of the city in the 16th century.
Medieval York provides a comprehensive history of what is now considered England's most famous surviving medieval city, covering nearly a thousand years. The volume examines York from its post-Roman revival as a town (c. 600) to the major changes of the 1530s and 1540s, which in many ways brought an end to the Middle Ages in England. York was one of the leading English towns after London, and in status almost always the 'second city'.
Much research and publication has been carried out on various aspects of medieval York, but this volume seeks to cover the field in its entirety.…
I have been writing the Owen Archer mysteries, set in and around the city of York in the late 14th century, for 30 years, ever since falling in love with the city of York on a visit. As I studied medieval literature and culture in graduate school, with a special interest in Chaucer, I’ve focused my research on the period in which he lived. I’ve spent months walking the streets of the city, hiking through the countryside, and meeting with local historians. Besides the 13 Owen Archer mysteries I’ve also published 3 Kate Clifford mysteries covering Richard II’s downfall, both series grounded in the politics and culture of medieval York and Yorkshire.
Why would this 50 year period be so interesting in these two cities? In these years Bristol and York were second only to London in influence and growth within the realm, and as the rising merchant class accrued wealth they used it to make agreements with the crown—to their advantage, of course. With King Edward III it was all about his war with France; with his grandson and successor King Richard II it was about gaining charters that made them more independent of royal interference as well as negotiating their way between the political factions within the nobility.
Richard’s reign was a dangerous time, especially at the end when York merchants chose to loan money to Henry Bolingbroke’s uprising against his cousin the king. The stakes were high and the personalities larger than life.
The strengthening of ties between crown and locality in the fourteenth century is epitomised by the relationships between York and Bristol (then amongst the largest and wealthiest urban communities in England) and the crown. Thisbook combines a detailed study of the individuals who ruled Bristol and York at the time with a close analysis of the texts which illustrate the relationship between the two cities and the king, thus offering a new perspective onrelations between town and crown in late medieval England. Beginning with an analysis of the various demands, financial, political and commercial, made upon the towns by the…