Here are 86 books that The Secrets We Hide fans have personally recommended if you like
The Secrets We Hide.
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Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
This last tale brings the tour back to London, albeit with side trips to Yorkshire. I was attracted to this enthralling mystery not only by the twisty plot but also by the way the author cleverly sets scenes with just a few words. It was enough for me to know time and place while leaving room for my imagination to have its say.
I easily pictured the library or drawing room of Somerville Hall; Harrogate’s rat-infested police station; the derelict building housing Russell’s Book Shop; Verrey’s Restaurant, Regent Street; the London General Mourning Warehouse; and the list continues. I was drawn into every scene with the story’s heroine.
Lucy Lawrence stared down at her husband, his once handsome face now a twisted mask of death. She shivered and pulled her shawl tighter around her shoulders. His life had held so many secrets, and now his sins were hers to bear…England, 1886. In the flickering gaslights of Victorian London, 28-year-old Lucy Lawrence's future hangs in the balance. Her husband's murder has left her reputation in tatters, and the theft of her mother's priceless heirloom pearls has only added to her woes. But when the handsome investigator Phineas Stone enters her life, Lucy finds herself drawn into a web of…
Detective Kate Bowen is out of time—and out of options.
A surveillance operation on the Irish border goes cock-eyed. Detective Kate Bowen is left red-faced when her target vanishes into the mists of the Irish Sea. She must work smart to figure out where he’s headed and what he’s plotting.
Without conflict there is no story. It doesn’t always have to be between the forces of good and evil with all of creation hanging in the balance. Nor does it need to entangle complex issues about morality and the human condition. Readers (and writers) can get just as pumped up about Karen from down the street arguing with her neighbour about that damn tree branch hanging over her fence. It just so happens that fantasy conflict, great and small, is my bread and butter. I was born and raised in New Zealand on a diet of anime and video games and I love reading a good honest dust-up.
Ruckley manages to strike a rare balance between high fantasy prose and Grimdark’s dirt-under-the-nails realism, and combines it all with thoughtful character development and an oftentimes sombre tone. On the one hand it’s about a boy’s coming of age journey and the tragedy of loss, and on the other a bitter and ultimately futile conflict of a people riven by the dogma of an emergent religion. There are visceral and superbly paced clashes between these opposing sides, which are both blinded by the all-encompassing madness of a magic user who is rapidly losing control of his own power. The fact that all of the suffering and slaughter in this story could easily be avoided is what makes it hit deepest. If everyone had just been nice to the poor boy, maybe he wouldn’t have turned into a narcissistic half-corpse hell-bent on psychic slavery and death. But hey, then there would…
It is a godless world. An uneasy truce exists between the human clans and ancient races. But now the clan of the Black Road move south, and their arrival will herald a new age of war and chaos. Behind it all seems to be one man, Aeglyss, a man whose desire for power will only be sated when he has achieved his ultimate goal: immortality.
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I spent eighteen years writing the authorized biography of W.B. Yeats, and he haunts me still.
Though his poetry is world-famous, his autobiographies are less well known; yet they illuminate like nothing else the experience of living between Ireland and England and the contrast between a childhood in late-Victorian County Sligo and coming of age in the artistic circles of fin-de-siecle London.
At the end of his life, Yeats reflected on the tension between his Irish background and English conditioning and the contradictory feelings they inspired, writing, "My hatred tortures me with love, my love with hate." Elsewhere, he wrote that poetry comes out of "the struggle with ourselves," and his autobiographies show this to mesmerizing effect.
This title contains six autobiographical works that Yeats published in the mid 1930s. Together, they provide a fascinating insight into the first 58 years of his life. The work provides memories of his early childhood, through to his experience of winning the Nobel Prize for Literature.
Odette Lefebvre is a serial killer stalking the shadows of Nazi-occupied Paris and must confront both the evils of those she murders and the darkness of her own past.
This young woman's childhood trauma shapes her complex journey through World War II France, where she walks a razor's edge…
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.
You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This novel perfectly captures the frenetic pleasure-seeking ethos of the youth of the English upper classes after the horrors of WW1- unsurpsingly, as it is written by one of them.
Evelyn Waugh was one of the Bright Young People, as they became known, who tore round London in sports cars, snatching at policemen’s helmets for the treasure hunts they loved.
Vile Bodies is both a celebration of the hedonism of the young and a warning to those who believe that their license to indulge is infinite, unquestionable and without consequence. A whole host of wonderful characters are introduced throughout Waugh's thought-provoking and satirical story, which follows protagonist Adam from the perils and pitfalls of being a gossip columnist to the trials and tribulations in attempting to secure his marriage to Nine Blount. Roll on an eccentric (verging on senile) potential father-in-law, parties as 10 Downing Street, high times at Shepheard's hotel, where the wine is always flowing (until your bill…
I write crime fiction set in the north of England. It’s where I was born and grew up, although for the last 20 years I’ve lived in Spain. I really love novels with a local or regional flavour. The kind of writing that takes you to a specific place, and draws on that place in the action itself. The writers that I chose for this list all do this extremely well. And although their books are set in different locations, they share the sense of the setting almost becoming a character in the story.
Dominic wrote two very good crime books in a short series before publishing Vine Street.
I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.
The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.
What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and…
***BEST CRIME BOOKS OF 2021 - THE TIMES/SUNDAY TIMES*** ***CRIME BOOK OF THE MONTH - THE TIMES***
'Brings the obsessional dread of James Ellroy to 1940s London.' IAN RANKIN
'Extraordinary...a career-defining performance.' THE SUNDAY TIMES
'This is crime writing of the highest quality' DAILY MAIL
SOHO, 1935. SERGEANT LEON GEATS' PATCH.
A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.
The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another…
Nominated for the Shamus Award for Best Original Paperback, and winner of the Beverly Hills Book Award.
Francis Hoyt, arrogant, athletic, brilliant, manipulative and ruthless is a master burglar who specializes in stealing high-end silver and jewelry. He's never been caught in the act. Recently retired Connecticut state investigator Charlie…
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
I had a ‘property tycoons’ itch that I needed to scratch, and this book by Rosa Lucas was exactly what I needed.
I adored this enemies to lovers high stakes romance, and the witty heroine was someone I was rooting for from the very instant I met her. With a dash of CEO/employee and a whole host of fire, this book needs to be on your ereader.
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
If you adore a second chance romance, then this is the steamy billionaire romance with a trip to London for you.
I adored how Rebecca Castle weaves together hints for the second standalone in this series, and a few of the scenes made me pant! So sizzling. Make sure you grab it now.
Two sassy girls. Two billionaire British brothers. One beautiful city of culture, history. And love.
KINGSLEY Tall, handsome, rich, and British. I thought I had it all as the bachelor son of one of England’s ancient aristocratic families. The girls. The parties. The money. The power. But that was until I spent a semester at an American high school. That was until I met her.
SCARLETT That bad boy Brit, Kingsley Heath-Harding, broke my heart, but that was a long time ago in high school. He fled back to the UK, and I thought I would never see him again. …
I have loved the world of Sherlock Holmes and the Victorian era ever since I first read A Study in Scarlet at age nine. Despite life getting in the way, I never lost my love for the character and the period. I continue to read both to this day. The five books I mention below are five that have stayed with me over the years. I hope you enjoy the books as much as I do.
I really loved the way this book told the story of London across the Victorian era. I often call London my spiritual home, and books about the city always capture my attention. Each chapter covers a separate topic, such as the Middle Class, Buildings, Amusements, etc., with interesting stories for each one.
I love the book as it is the sort I can pick up if I only have a few minutes to read.
Like her previous books, this book is the product of the author's passionate interest in the realities of everyday life - and the conditions in which most people lived - so often left out of history books. This period of mid Victorian London covers a huge span: Victoria's wedding and the place of the royals in popular esteem; how the very poor lived, the underworld, prostitution, crime, prisons and transportation; the public utilities - Bazalgette on sewers and road design, Chadwick on pollution and sanitation; private charities - Peabody, Burdett Coutts - and workhouses; new terraced housing and transport, trains,…
Liza O’Connell was a horror buff in every sense of the word. But there was one deadly nightmare she would never be able to talk about … her own. A friend murdered. A business in trouble. A marriage struggling to survive. And that’s just the beginning.
Having spent my youth watching dramasCrown Court andL.A. Lawon TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.
When Armani-loving lawyer, Leanne Mitchell, is asked to defend millionaire Clive Omartian on fraud charges, she believes her career is on an upward trajectory. But her success puts her at odds with the head of her Chambers, who is desperate to be awarded ‘Silk’ and with her instructing solicitor and old friend, as she begins to suspect he knows more about their client than he is letting on. Before she realises, she’s being dragged into dangerous waters.
Oozing authenticity, twisty and turny, the reader shares Lee’s pain, not just the wounds she suffers from courtroom barbs, but in her everyday experience as a young, black, working-class woman barrister in a mainly white, male, privileged world. Despite huge challenges she remains feisty and principled. A real hero for our times.
'Impressive and unique. As relevant today as it was over two decades go' Bernardine Evaristo, from the Introduction
A gripping, propulsive courtroom thriller following barrister Lee Mitchell as she uncovers the dark secrets of London's obscenely rich
Lee Mitchell is a thirty-year-old barrister from a working-class Caribbean background: in the cut-throat environment of the courtroom, everything is stacked against her.
After she takes on the high-profile case of notorious millionaire playboy Clive Omartian - arrested along with his father and stepbrother for eye-wateringly exorbitant fraud - the line between her personal and professional life becomes dangerously blurred. Spiralling further into…