Here are 74 books that Season of Mists fans have personally recommended if you like
Season of Mists.
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When I learned, at seventeen, of my father’s Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.
I was immediately hooked by this brilliant novel because of its unusual omniscient narrator, the Grim Reaper. Death, stressed out by the surfeit of “clients” he must deal with during World War II, reveals himself to be a sensitive narrator who sees everything. He especially keeps his eye on a young German girl, her loving foster parents, and the Jewish man they hide and protect.
I fell in love with these characters as they struggled with moral decisions, wartime hardship, danger, and tragedy. Despite the realistic portrayal of German life during WWII, I found this book to be an uplifting read.
'Life affirming, triumphant and tragic . . . masterfully told. . . but also a wonderful page-turner' Guardian 'Brilliant and hugely ambitious' New York Times 'Extraordinary' Telegraph ___
HERE IS A SMALL FACT - YOU ARE GOING TO DIE
1939. Nazi Germany. The country is holding its breath. Death has never been busier. Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
We all know what happens when Death takes a holiday, but what happens when Death is given notice?
Dismissed from the only job he’s ever known, Death must decide how to spend the time he has left. Taking on the random name “Bill Door,” he offers his talents scything hay, “one blade at a time, one time, one blade.” Death is a recurring character in Discworld and has the casually brutal forbearance of someone who has seen it all.
Seen, but not experienced and it is the dawning comprehension that I love most about Reaper Man: “[Death] wondered if he’d ever felt wind and sunlight before. Yes, he’d felt them, he must have done. But he’d never experienced them like this; the way wind pushed at you, the way the sun made you hot. The way you could feel Time passing. Carrying you with it.”
One of the "Discworld" humorous fantasy series. Death is missing. Dead Rights activist Reg Shoe suddenly has more work than he'd ever dreamed of, and newly-deceased wizard Windle Poons wakes up in his coffin to find that he has come back as a corpse.
I love a smart, capable, skilled, determined heroine who’ll risk it all for the people she loves and the things she believes in. History and popular culture have long overlooked, minimized, or outright ignored the contributions of women and girls, especially in times of strife or hardship. Writing the Devil’s Revolver series, I wanted women from all walks of life proactively working to change the world and their own circumstances, wherever their paths lead them. Throughout, my protagonist, Hettie Alabama, develops allyship and understanding with women who have their own ideas, opinions, dreams, and desires, and together, they shape their own destinies and the fate of the world.
The first time I saw Pretty Deadly on the shelves at my local comic book store, I was fascinated and chilled by the cover art, and the story within did not disappoint. This Eisner-Award-nominated graphic novel by Captain Marvel writer Kelly Sue DeConnick melds Western and horror genres for a macabre tale about Death’s daughter, Deathface Ginny, riding a horse made of smoke and wind across the harsh and unrelenting landscapes of a brutal Wild West, doling out retribution. I love me some grim reaping, and the same dark, evocative imager. I love me some grim reaping, and I wanted the same dark, evocative imagery to come through on my pages and through Hettie’s own journey with the cursed gun Diablo at her side.
Kelly Sue DeConnick (Avengers Assemble, Captain Marvel) and
Emma Rios (Dr. Strange, Osborn) present the collected opening arc
of their surprise-hit series that marries the magical realism of Sandman
with the western brutality of Preacher. Death's daughter rides the wind
on a horse made of smoke and her face bears the skull marks of her father. Her
origin story is a tale of retribution as beautifully lush as it is unflinchingly
savage.
"It's a perfect match for the gorgeous, dizzying artwork in a sumptuous
palette-overlaid panels add intricate choreography to fight scenes, and
detailed, whirling splash pages beg for long-lingering…
Singularity Channel viewers may recognize Hollywood actress Shiloh Rush who plays Ensign Tara Guard in the sci-fi TV series Bulwark, but nobody knows Shiloh is leading a double life.
Haunted by the mysterious disappearance of her beloved older brother, Shiloh hopes to track him down by following in his footsteps…
I first got fascinated with fantasy as a very reluctant high school reader. I didn’t like to read all that much because I was a slow reader and it was a laborious task for me. A high school friend offered me a fantasy book to read sophomore year and I couldn’t put it down. That one book started me on a reading journey that has never stopped. I also studied English, became a teacher, and finally began writing my own fantasy. These books took a reluctant reader in high school to the man and author I am today. I hope my own work does the same for future writers.
This is the first book of the Incarnation series. What got me to read this book was the description. A man sees the incarnation of Death (the dark hooded grim reaper) and he shoots and kills him. Now that he has killed death, he must take Death’s place and become Death himself.
The second book in the series is about Chronos (time) and he lives his life backwards! The entire novel is written with time moving opposite of everyone else in the novel. I read these books in my early twenties and a lot of the series plot points still stick with me today. I have been influenced by it because in my series if one kills a mage, they must take their place as that mage.
I think The Doctor in Doctor Who and his wife moving opposite in time might have been influenced by the second book, I…
In this first novel of the Incarnations of Immortality, Piers Anthony combines a gripping story of romance and conflicting loyalties with a deeply moving examination of the meaning of life and death. This is a novel that will long linger in the reader's mind.
Shooting Death was a mistake, as Zane soon discovered. For the man who killed the Incarnation of Death was immediately forced to assume the vacant position! Thereafter, he must speed over the world, riding his pale horse, and ending the lives of others.
Zane was forced to accept his unwelcome task, despite the rules that seemed…
I’m passionate about dark fantasy stories due to the fact of their characters and worlds. The eeriness of their landscapes can tell a tale of their own. Dark fantasy has always been a drawing interest for me when it comes to telling stories. I read these books mainly because of their dark fantasy worlds. The stories and characters which come to life as I read them only captivated my creativity to tell my own stories. It is my sincere desire that you take a look into these books on this list and have your creativity sparked just as my own to craft your own dark fantasy stories.
When it comes to dark fantasy books, The Sandman must be included. Even though it is a comic book series later compiled into ten graphic novels, I had to include it in this list. It inspired me not only to improve my creative writing skills but also taught me about the captivations of mythology. How myths impact generations and still touch others to this day. The combination of dark fantasy and mythology enriches a tale to be told. No matter the setting or the format.
While reading The Sandman, I became attached to Dream of the Endless and his stories. What I took away from it was the fact that dreams never die; they only grow into something more. Something… endless.
New York Times best-selling author Neil Gaiman's transcendent series THE SANDMAN is often hailed as the definitive Vertigo title and one of the finest achievements in graphic storytelling. Gaiman created an unforgettable tale of the forces that exist beyond life and death by weaving ancient mythology, folklore and fairy tales with his own distinct narrative vision. In PRELUDES and NOCTURNES, an occultist attempting to capture Death to bargain for eternal life traps her younger brother Dream instead. After his 70 year imprisonment and eventual escape, Dream, also known as Morpheus, goes on a quest for his lost objects of power.…
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
As someone who spends my happiest moments in entirely made-up places with people who, it pains me to write, don’t actually exist, I am obsessed with the wavy lines between the life we imagine and the life we live. And no one writes about that cloudy blue haze between reality and our interior world better than Neil Gaiman. Shakespeare is glimpsed in other parts of the epic Sandmansaga, but it is in the stand-alone story A Midsummer Night’s Dream where he is the star. It is both delightful and disturbing in a way that Gaiman is a master of.
The third book of the Sandman collection is a series of four short comic book stories. In each of these otherwise unrelated stories, Morpheus serves only as a minor character. Here we meet the mother of Morpheus s son, find out what cats dream about, and discover the true origin behind Shakespeare s A Midsummer s Night Dream. The latter won a World Fantasy Award for best short story, the first time a comic book was given that honor. Collects THE SANDMAN #17-20.
Perturbations Of The Reality Field
by
A. R. Davis,
Thou shalt not go supraluminal.
When the spiritual and the physical universes collide, a cosmic mystery places humanity into a stellar prison where the inmates are dangerously nearby. Will mankind succumb to the same distractions as their alien predecessors; the struggle for survival, the quest for power, the fanaticism of…
I came to writing after twenty years of working with dreams, so I already had lots of techniques for coming and going easily between the everyday world and the inner worlds of imagination, and I’m sure that’s why I’ve never suffered from any creative blocks or anxieties. In a career spanning 30 years, I have written about 150 books, both fiction and non-fiction, for children and adults, and scores of articles including a monthly column in Writing Magazine. I have taught creative workshops for major writing organisations such as The Society of Authors, The Arvon Foundation, and The Scattered Authors’ Society, and I offer a varied programme of courses independently throughout the year.
James Hillman is the kind of writer you sometimes have to stop, think and re-read, to work your way into what he is trying to say, but it repays the effort because what he says is always interesting. This book, about fantasy and imagination, explores the idea that we are more than our personal story, more than ego and self. For me as a writer, it changed the way I see the creative process, with imagination not being something we need to spark and drive, but a space we already inhabit. Imagination is our essence; we are the dream.
In a deepening of the thinking begun in The Myth of Analysis and Re-Visioning Psychology, James Hillman develops the first new view of dreams since Freud and Jung.
I came to writing after twenty years of working with dreams, so I already had lots of techniques for coming and going easily between the everyday world and the inner worlds of imagination, and I’m sure that’s why I’ve never suffered from any creative blocks or anxieties. In a career spanning 30 years, I have written about 150 books, both fiction and non-fiction, for children and adults, and scores of articles including a monthly column in Writing Magazine. I have taught creative workshops for major writing organisations such as The Society of Authors, The Arvon Foundation, and The Scattered Authors’ Society, and I offer a varied programme of courses independently throughout the year.
This book, like the previous one, is written by an anthropologist, and it describes the author’s experiences of learning dreaming techniques from a Toltec sorcerer. In that tradition, there are seven Gates of Dreaming, obstacles to be overcome if you want to achieve greater dream awareness and control, and the book looks at four of them. It’s thought-provoking but easy reading because it takes the form of a story, rather than a series of essays, and I enjoyed trying some of the ideas in my own dream practice.
I remember the first season of Black Mirror—how fascinated I was. Even though a lot of it was uncomfortable, I couldn’t look away. It was a perfect intersection of the subjects that excited my mind: technology that could exist in the future intertwined with social and political issues and human psychology. It provided a very personal look into how technology would affect people’s daily lives and how it could shape the world we live in. Well, the series has become what it has become, but I still remember the thrill of the first episodes. It always gave me food for thought.
The book tells the story of a man who believes that his dreams influence reality. I loved it because it was strange and intriguing, mind-bending and surreal. Nothing was permanent, and even reality itself was questionable.
Ursula Le Guin explores the issues of climate change and overpopulation, pollution and the destruction of the environment though the characters’ personal experiences. She tackles racism and shows how one's life experiences shape their personality. The question of whether the end justifies the means keeps recurring in the narrative.
'Her worlds have a magic sheen . . . She moulds them into dimensions we can only just sense. She is unique. She is legend' THE TIMES
'Le Guin is a writer of phenomenal power' OBSERVER
George Orr is a mild and unremarkable man who finds the world a less than pleasant place to live: seven billion people jostle for living space and food. But George dreams dreams which do in fact change reality - and he has no means of controlling this extraordinary power.
Psychiatrist Dr William Haber offers to help. At first sceptical of George's powers, he comes…
Hope, Laughter, Survival on the Refugee Trail
by
Eileen Kay,
Dramatic true story with a wacky sense of humor.
Retired English teacher in Budapest meets foreign medical students fleeing the war in Ukraine, producing a sweet and unlikely friendship, spicy soup, and wicked joking. A sense of humor, however dark, can keep us from despair.
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
Cherie Dimaline's book really spoke to me because, in addition to great story-telling, it sets Native people in a post-apocalyptic setting.
As Native people, we are so often portrayed as ancient rather than modern. So this work connected the ancient and the modern in a novel way. With relatable characters searching for family and community, it was relatable and real even in the world the book describes.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
