86 Books Like The Romantic Generation

In the ongoing debates over artificial general intelligence (AGI), Judea Pearl is taking a firm stand: He argues that an intelligent robot should be able to reason about causality and that the currently fashionable approaches to AI miss this aspect.

A celebrated AI researcher and a Turing Prize laureate, Pearl has developed an amazingly original approach to this problem. This book is a high-end popular exposition of his approach.

But it’s so much more than that. It’s a history of statistics and its conflicted attitude to causality. It’s a story of heroes (or villains?) in this history. And it’s a scientific autobiography that describes Pearl’s journey. Pearl likes picking fights with the AI community, statisticians, or economists. He’s boastful, provocative, extremely intelligent, and knows how to tell a story.

A simple (not perfect) test of whether you’re going to love this book: Just check out the author’s blog, called “shtetl-optimized”. The style is similar: sharp, funny, mixing professional theoretical Computer Science with broader takes.

I am still in the middle of the book, and nevertheless, I’m happy to recommend it. As an amateur with superficial CS knowledge, I am enjoying this introduction to classical complexity theory and the basic theory of quantum computation.

Aaronson’s distinctive style makes the ride all the more enjoyable. It’s neither a “real” textbook nor a pop-science book. It’s in a weird space somewhere in between, and I love it!

This is actually not one book but a five-volume (!) series of books which contains some of the best writing on classical music I’ve ever come across.

Taruskin, who passed away recently, was a legendary musicologist. In his writings, he managed to combine analytic writing that addresses his colleagues with unbelievably sharp and insightful writing that I, as a classical music fan who is not a pro, enjoy tremendously.

Taruskin loved picking intellectual fights, and this sort of combative energy is gripping. In this series, there are major story arcs like the interplay between “oral” and “literate” traditions or the role of nationalism in 19th-century music. I liked how Tarsukin switches smoothly between a close analysis of a piece and a discussion of how it relates to the wider culture.

I am an academic economist, but even more interested in intellectual debates. I discovered this book when I was a PhD student, and it has remained a favorite of mine.

In the 1970s, macroeconomics (not my field) underwent a revolution. The old guard was “Keynesian,” the new Turks were “new classical”. This book is a series of conversations from the early 1980s with the protagonists of this epic period, many future Nobel laureates.

The interviewer, Arjo Klamer, was interested in the rhetoric and culture of economics, and he constructed the interviews in a way that nicely brought out these elements. The interlocutors are brilliant, acerbic, and funny. If you think economics is dry or boring, you won’t think so after seeing how passionate these people are.

Silverian Stables isn’t technically a ranch, as it is in a fantasy story and the stable is more a place where the horses of the knights, travelers, and other high-born’s horses are kept, but in only a few pages I was sold and ready to start the long trek up Mount Saddle. The stables become a focal point in book two where the Stable Master is one of the main characters. We get a loving peek into her life and the lives of those caring for the horses. The horses that fill the stables feel like ones I have known all my life and am dying to ride. Even though it is fantasy romance, it reads like any great small-town story, just with an added hint of magic.

I love Jess Mastorakos’ military books. As a military veteran, I always enjoy a good romance featuring our country’s servicemen and women. Pairing one up with a royal is pure genius on Ms. Mastorakos’ part. This book had humor, sweet moments, a little clandestine action going on, and a swoony ending. This book reminded me why I read Jess Mastorakos.

An interdisciplinary study taken to its logical conclusion. Starting with a powerful interpretation of Romanticism back in the 1950s, Peckham’s work culminated in an ambitious "general theory of human behaviour."

In essence, this book helped me understand that explanation is a form of violence–all languages, and all cultures, strive to enforce predictable behaviour in other human beings. Despite his flaws, Peckham offers a fascinating example of the power of interdisciplinarity. All subjects, when followed through, lead to all the others. 

I’m a sucker for a good primary source, but I’m even more of a fan of the 1.5 sources. I love the sources which are of the time but are influenced as much by rumour as fact. This collection of essays does its best to be objective, but there are people amongst these pages who have been so strongly immortalised in popular opinion, but sometimes facts have been discarded in favour of Hazlitt’s own opinion. But, from the point of view of a historical fiction writer, this is priceless, because it unearths a contemporary viewpoint and opens a window onto the thoughts of a people about The Spirit of the Age!

I’m a person with limited interests so, as well as loving history and poetry, I also collect bits of both… Ballads and Lyrical Pieces is one of the only books I can boast about having a first edition of!

I have a lot of time for Walter Scott, not only as a writer, but as a cultural politician and a folklorist. A lot of the pieces in this book are not solely his work, but the reimagining of local ballads. After scooping up these, there’s no wonder he went on to invent the romanticised “Scottishness” we recognise today. This book, 15 years before Scott influenced George IV’s visit to Scotland, shows where his own influences came from.

This classic study introduced me and the whole world of critics and scholars to theoretical perspectives that still resonate among historians of literature and culture. 

It defines a momentous change: the shift from views of art as a mirror—a reflection of things as they are—to a lamp—a radiant projection from the hearts and minds of its creators. This revolution in aesthetic principles, formulated by German and British theorists, also resulted in new ways of looking at nature and in new kinds of poetry. 

Abrams charts the depths of Romantic theory; and his work helped spur a revival of interest in the Romantics—now often cherished as the first modern poets.