Here are 100 books that The River Remembers fans have personally recommended if you like
The River Remembers.
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I hold degrees in history and social science with a focus on women’s history at the turn of the century. I’ve studied the hysteria pandemic and its lasting results for over a decade. As someone who struggles with depression, anxiety, and the effects of psychological abuse, I find I know these women all too well. As a writer, I’ve been inspired by other classic gothic novels like Wuthering Heights by Emily Bronte, The Haunting of Hill House by Shirley Jackson, and The Bell Jar by Sylvia Plath. In addition to writing novels, I’m also a blogger and marketing consultant in southern California where I live with my blind dog, Mr. Magoo.
The Yellow Wallpaper inspired my book and brand. Gilman not only defined the madwoman of Gothic literature by writing one of the most haunting and empowering stories of the 19th century, but she also lived it. Her experience inspired her story and exposed the horror of hysteria treatments. This story inspired me because I could relate to Gilman and her main character. Though hysteria is no longer a recognized condition and women have gained many more rights, ideologies left over from the hysteria panic still creep in our culture and generational memory. Women are still called crazy. The assumption that women are emotionally unstable is still used to discredit, invalidate and control women. In an era where women couldn’t fight for their rights as we do, Gilman found her power by embracing madness, and so do I.
Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here. Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "Turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
This well-researched and lucidly written book, by art historian Catherine McCormack, traces the representation of women throughout the history of Western art.
McCormack examines a wide range of images featuring female figures—from paintings by Old Masters to contemporary advertising—and pays close attention to the way in which these images betray deep-seated stereotypes about women and contribute to the objectification of female bodies.
This book was indispensable to my research for my book, especially the sections on the aestheticizing of sexual violence in paintings and sculptures.
Venus, maiden, wife, mother, monster-women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art-think Titian, Botticelli, and Millais-and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women's identity, sexuality, race, and power in more complex ways.
I’m genuinely fascinated by human nature and why we behave the way we do, the things that make us act within or out of character, and at what point they become a part of who we are rather than just a lapse in judgment or an isolated incident. Relationships in particular fascinate me because of the way they force us to reckon with our behavior towards ourselves and other people. I love seeing how writers explore and examine those relationships, whether before, after, or during them, and how they allow their characters to move through those moments. Often, despite how far-fetched some of the scenarios may feel, I find myself within their pages.
I loved this book – and read it in one or two sittings – because of how skillfully the author, Megan Nolan, is able to explore the pits of a broken relationship and the attempts and failures of trying to heal.
It pulls no punches in its depiction of what we are willing to do when we believe we are in love and that that love is good, and also in its depiction of what happens to us when the bad reveals itself in all its naked ugliness. Once you’ve read this, you’ll want to read anything else Nolan writes next.
*A NEW STATESMAN, OBSERVER, IRISH TIMES, i, SPECTATOR AND STYLIST BOOK OF 2021*
'Please believe the hype ... a seriously exciting writer' Sunday Times
'Such brilliant writing about female desire... honest and visceral' Marian Keyes
Discover this bitingly honest, darkly funny debut novel about a toxic relationship and secret female desire, from an emerging star of Irish literature.
Love was the final consolation, would set ablaze the fields of my life in one go, leaving nothing behind. I thought of it as a force which would clean me and by its presence make me worthy of it. There was no…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I grew up in an era of feminism but did not necessarily see opportunities outside of the traditional female roles. I became a teacher, mother, and now grandmother, and I am more passionate than ever about the challenges of being a woman, especially in this strident time in America. I think it is imperative that women stand up for themselves and fulfill the dreams that some of our ancestors were not able to achieve. We should never move backward in terms of allowing all citizens to strive toward their pursuit of happiness. Consequently, I have gravitated towards books with strong women protagonists in my reading selections.
I cannot resist beautiful, elegant writing, and Hoffman achieves this every time. Set in the Old Testament on the refuge of Masada in Judea, you come to know the lives of four women intimately.
I love substantial, complicated narratives that bring you directly into people’s lives. Each woman is strong and steadfast in what they will do to survive and save their children in lives full of danger. It is a stunningly truthful story and one of my all-time favorite books.
The Dovekeepers is Alice Hoffman’s most ambitious and mesmerizing novel: “striking….Hoffman grounds her expansive, intricately woven, and deepest new novel in biblical history, with a devotion and seriousness of purpose” (Entertainment Weekly).
Nearly two thousand years ago, nine hundred Jews held out for months against armies of Romans on Masada, a mountain in the Judean desert. According to the ancient historian Josephus, two women and five children survived. Based on this tragic and iconic event, Hoffman’s novel is a spellbinding tale of four extraordinarily bold, resourceful, and sensuous women, each of whom has come to Masada by a different path.…
Men have always been attracted to young women, who possess a glow that their mothers have possibly lost. Girls are more vulnerable and impressionable and are more likely to believe what they are told. Their passionate desire to be loved, combined with their conviction that no one understands them, makes them uniquely vulnerable to predators. But there is another side to the story. Girls do not passively wait to be seduced or exploited. They thrill in actively testing their own sexual power and often put themselves in physical and emotional danger with no understanding of the long-term consequences of relationships where the power dynamic leaves them exposed to exploitation and abuse.
A nonfiction book that tells the story of three unrelated women and
their unique but universal struggles; I loved it because of the author’s
incredible talent for articulating the everyday lived experience of
being female, the subtle and overt judgments, and the fact that women
are held to different standards, even by other women.
"‘Even when women
fight back, they must do it correctly. They must cry the right amount
and look pretty but not hot." Many times while reading, I recognised
myself, my sister, my mother, and my friends.
All three stories are highly
engaging, but the truly compelling story is Maggie’s, a troubled girl
from a difficult family who is preyed upon by her teacher, a married man
with a family. The subsequent effect on her life is just devastating
(remember, folks: this is nonfiction.)
The International No. 1 Bestseller
A BBC 2 Between the Covers Book Club Pick
'Cuts to the heart of who we are' Sunday Times
'A book that begs discussion' Vanity Fair
All Lina wanted was to be desired. How did she end up in a marriage with two children and a husband who wouldn't touch her?
All Maggie wanted was to be understood. How did she end up in a relationship with her teacher and then in court, a hated pariah in her small town?
All Sloane wanted was to be admired. How did she end up a sexual object…
I am passionate about in-depth character development because it’s something I strive for in my own writing. Humans are very complex creatures who are capable of a full range of responses on any given day, moment, or set of circumstances. Offering readers an opportunity to consider what motivates characters to behave in the ways they do makes a story worth sinking your teeth into. I think making these kinds of considerations about characters who are not real also opens up our collective ability to exercise our empathy muscles in real life. These days, we need that more than ever.
I cannot say enough about this book. I’m a huge fan of anything written by Buck, but this is probably my favorite, primarily for the empowering feminist themes. I love how Buck allows the characters in this story to interact with one another in ways that are subtle but powerful.
This book invites readers to come along with the main character, Madame Wu, as she challenges a rigid set of societal expectations with a clarity that is as unapologetic as it is downright refreshing. Humans are complex creatures, capable of a full range of desires and thinking, and I love it when writers explore this deeply.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’ve always been interested in our past and the way life has been lived since biblical times. Since I started writing historical fiction myself, my interest has grown, especially due to the vast amount of research which has to be carried out to render any book as authentic as possible. Increasingly, writing historical fiction has made me view the present in a different light, almost as though ancient buildings, for example, could suddenly rear up and take shape in today’s streets and countryside. Therefore, reading well-written and well-researched historical fiction has become a must for me. I hope you enjoy the books I’ve chosen.
I love this book because it is well-written and utilises characters from some of Jane Austen’s novels without having a wildly improbable plot, as so many Austen variations do.
The characters are fleshed out and very realistic. It impressed me that the characters chose to perform a play by a playwright of the era whom I’d never heard of. The book is well-researched, and the language used by the characters and in the book’s narration is very authentic to the era, without trying to ape Jane Austen’s writing, which is impossible today, and when authors attempt it, it isn’t enjoyable.
I enjoyed the pace and style of the book and could imagine myself back in the Regency era, having to deal with Lady Catherine de Bourgh and the Reverend Collins.
A Jane Austen devotee since third grade, inspired by subtlety, wit, and clever banter, neck deep in richly evocative Regency research and sensory detail, I've authored 17 Jane Austen-style novels, (3 Christmas) and 4 novellas (3 Christmas) published by NAL/Penguin. Fascinated by lyrical language, budding love matches, and honorable, moral, and ethical themes, I'm particularly fond of historically accurate warm-hearted Christmas novels. I'd love to see a Christmas Regency Classic added to the ranks of beloved Holiday films, so I was thrilled to come up with a list of favorites! Awards: Golden Quill, Holt Medallion, Bookseller’s Best, Waldensbook Bestseller of the Year, Romantic Times Top Pick, Reviewers Choice, Best Regency Novel, a Lifetime Achievement Award.
A RITA Award winner, this sweet, character-driven Regency comes alive with playful Hepburn/Tracy style banter in a May/December romance. An impertinent younger sister, who takes in strays and the wounded, wins the attention of a scarred, slightly singed diplomat. She decides he must be reunited with his family for the holidays. With her rascal brother’s dubious assistance, the three embark on a surprisingly dangerous quest to fulfill heartfelt Christmas wishes.
Miss Marian Wynswich is a rather unconventional young lady. She plays chess, reads Greek, and is as educated as any young man. And she’s certain falling in love is a ridiculous endeavor and vows never to do such a thing. But everything changes when she receives a Christmas visit from someone unexpected—a young and handsome English lord.
I was born in Ukraine and moved to the Midwest in the early 1990s. I am the author of two novels: At the End of the World, Turn Left, which was called “elegant and authentic” by NPR and named by Booklist as one of the “Top Ten Crime Debuts” of 2021, and the domestic thriller Breakfall (April 2023). Perhaps one of the oldest literary tropes, affairs up the ante in literary works while simultaneously exploring human nature. Throw an affair into a novel, and most likely, some characters will be blowing up their lives; add it into a mystery novel, and murders are likely to happen.
This 2022 psychological thriller was a fun read in so many ways. Like Maum’s novel, it takes a slightly unique approach to the typical affair story, following a young woman whose life is torn apart when her married lover and his wife die, and she is blamed for it (despite not knowing the man was even married!)
In this book, Collins explores the most archaic notion known to man: that people have been blaming women for things since the dawn of time. Literally, since Eve’s consumption of an apple in the Garden of Eden, through the twentieth century, women paid consequences, and men went on their merry way. Flora Collins gives this notion a modern twist. Yes, some things never seem to change—but technology has increased both the risks and the consequences of any relationship.
Vera’s entire life is destroyed by what happens to her; she can’t even return to…
“Money, romance, and murder are always key ingredients for a delicious thriller. And in the latest from Flora Collins, they're used expertly.” —Town & Country, The 30 Must-Read Books of Winter 2023
A young woman’s life is torn apart when her wealthy ex-lover is found dead—along with his wife.
Vera is ruthlessly ambitious, beautiful, and knows how to get exactly what she wants—no matter who stands in the way. When she meets a wealthy older man on an exclusive dating app, she thinks nothing of the wife he tells her he’s separated from. But days later, when the man and…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I’ve loved Scotland ever since I spent a year studying abroad at the University of Edinburgh. In fact, I loved it so much that I returned to the University a couple of years later to complete my master’s degree in creative writing. Between the rugged dramatic landscapes, the stunning Gothic architecture, and the dark cold weather, Scotland was the perfect place to inspire a young aspiring suspense author such as myself—and the ideal setting for a creepy, atmospheric thriller like my debut novel. Although I’ve since moved back to the U.S., I’m always on the lookout for a Scottish-set thriller to take me back to the country where I left my heart but—blissfully—found my husband.
I have not infrequently fantasized about running away to a remote Scottish island, so the premise and American protagonist of this novel immediately spoke to me.
Add to that a big creepy house, unexplained ghostly occurrences, and elegant literary writing, and this is a big winner for me. I loved the brooding, sensitive atmosphere of this novel, and it kept me guessing until the end.
A PACY, CHILLING PSYCHOLOGICAL THRILLER YOU WON'T BE ABLE TO STOP READING!
'Intensely atmospheric' Mail on Sunday
A house full of secrets... The McBride house lies on a remote Scottish island, isolated and abandoned. A century ago, a young widow and her son died mysteriously there. Last year a local boy, visiting for a dare, disappeared without a trace.
A woman alone at night... For Zoe Adams, the house offers an escape from her failing marriage. But when night falls, her peaceful retreat is disrupted-scratches at the door, strange voices-and Zoe is convinced she is being watched.