Here are 100 books that The Resurrectionist fans have personally recommended if you like
The Resurrectionist.
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I always want to be where I am not. This was why I read sci-fi and fantasy as a child. This was why I left the country of my birth and became a professional nomad. This is why I am spellbound by mountains I will never climb and oceans I will never dive into. Imagination can take you everywhere. It took me to the academy, where speculative literature became my scholarly field, and to the publishing world, where I am now getting ready for the launch of my eighth novel. When you are at home nowhere, you are at home everywhere–including on the summits of impossible mountains.
I am not frightened by Cthulhu, the tentacled monsters waiting in the depths of outer space or the ocean. I am mesmerized by them. Lovecraft, often labeled a horror writer, is one of the greatest literary fantasists. His imagination is boundless, and he is as adept at describing strange new environments as he is at evoking a sense of cosmic dread.
This classic novel combines Lovecraft’s signature monsters with an incredible dreamlike atmosphere that grips you and does not let you go. When you stand at the summit of the Mountains of Madness and glimpse what lies on the other side, you are torn between fear and fascination. For me, at least, fascination always wins.
At the Mountains of Madness is a science fiction-horror novella by American author H. P. Lovecraft.
An expedition to Antarctica goes horribly wrong as a group of explorers stumbles upon some mysterious ancient ruins, with devastating consequences. At the Mountains of Madness ranks among Lovecraft's most terrifying novellas, and is a firm favourite among fans of classic horror.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.
When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.
I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.
Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.
Everybody is a book of blood; wherever we're opened, we're red.
In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the…
I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I loved this book because it is an exploration of sexual temptation and religious faith.
One of the reasons I love gothic literature is that it is not horror in that it is not written solely to frighten. Instead, it is a vehicle to explore human psychology–the human condition–and so in addition to exploring things like fear of the unknown, it can delve into other areas like faith and temptation. That is exactly what this novel does and why I love it so much.
Matthew Lewis's Gothic masterpiece, depicting a holy man slowly becoming entangled in a web of sin, The Monk is edited with an introduction by Christopher MacLachlan in Penguin Classics.
Savaged by critics for its blasphemy and obscenity, particularly since the author was a Member of Parliament, The Monk soon attracted thousands of readers keen to see if this Gothic novel lived up to its lurid reputation. With acute psychological insight, Lewis shows the diabolical decline of Ambrosio, a worthy superior of the Capuchins of Madrid who is tempted by Matilda, a young girl who has entered his monastery disguised as…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.
To me The Narrative of Arthur Gordon Pym of Nantucket by Edgar Allan Poe was a brilliant, terrifying discovery.
Like everyone, I was aware of Poe’s famous short stories. But this full-length novel flung me into its deadly world in a way no short story, even one by Poe, ever could. Reading it, I was disoriented, at sea, with no control. So much so that, even now, just remembering the story makes me feel stranded. And struggling vainly for freedom. And the ending...[I won’t tell.]
Poe found the germ of the story he would develop into ARTHUR GORDON PYM in 1836 in a newspaper account of the shipwreck and subsequent rescue of the two men on board. Published in 1838, this rousing sea adventure follows New England boy, Pym, who stows away on a whaling ship with its captain's son, Augustus. The two boys repeatedly find themselves on the brink of death or discovery and witness many terrifying events, including mutiny, cannibalism, and frantic pursuits. Poe imbued this deliberately popular tale with such allegorical richness, biblical imagery, and psychological insights that the tale has come…
I’m a certified crime junkie beginning with Helter Skelter and, more recently, FBI profiler Jack Douglas’ Mindhunter. This genre is a passion, but here’s the kicker, I started my writing journey in Western historical romance. I know, right? Then I had this wild idea: a psychologist who’s got a secret – her mother is a notorious serial killer on death row, and someone is imitating her crimes. Just like that A Killer’s Daughter was born! Now I’m always reading and listening to thrillers and true crime podcasts. Check out my newsletter to see what’s grabbing me.
I attended an author event at the coolest bookstore in Tampa in The Exchange building, and Lisa Unger was being interviewed by Colette Bancroft, the book editor for the Tampa Times.
Well, the book sounded wonderful, and it really is. The heroine in this story is smart, clever, and managed to keep one step ahead of the unusual, troubled boy she is hired to babysit. I loved this story and now have a signed copy on my keeper shelf.
A Best Book Nominee in the Goodreads Choice Awards
A CBC Morning Show Top Book Pick
An Amazon Best Book of the Month
An Indie Next Best Books of the Month Pick
"A brisk, crafty and fascinating psychological thriller... In The Blood is a complex mosaic as well, one that's tricky, arresting and meaningful." (The Washington Post)
Liar, liar, pants on fire . . .
College senior Lana Granger has told so many lies about her…
I love a good, clean mystery/suspense story that's light enough to be escape fiction but has enough heart that I engage with the characters. Let me root for them and watch them grow. Give me hope and a happy ending. Bonus if there are some quirky ones who make me smile or some snappy dialogue. Double bonus if it's Christian fiction with an organic, non-preachy faith element and characters who grow spiritually. Why leave faith out of our fiction if it's part of our lives? I hope you'll make some new imaginary friends in the books I've listed!
I really bonded with Tess. She's loyal and brave and won't back down when a friend's in need. I like the puzzle of the mystery and trying to figure out if there's a supernatural element or not.
Tess's vulnerability catches my heart, though: her troubled childhood leads her to see herself as less than her true worth compared to the healthy, faith-filled family she's married into. I'm passionate about recognizing our true, God-given worth and breaking free from the lies that hold us back.
Child of the Appalachian mountains, Tess Spencer has experienced more than her share of heartache. The Glock-wielding, knife-carrying housewife knows how to survive whatever life throws at her.
But when an anonymous warning note shows up in her best friend Miranda’s mailbox—a note written in a dead woman’s handwriting—Tess quickly discovers that ghosts are alive and well in Buckneck, West Virginia. Hot on a cold trail, she must use limited clues and her keen insight into human nature to unmask the killer...or the next victim might be Tess herself.
Tinged with the supernatural and overshadowed by the mountains' lush, protective…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I’m an archivist, really, masquerading as a writer. For my day job, I am in charge of archives from across England’s Royal County of Berkshire, spanning from the twelfth century to the present day. I have care of collections from Reading Gaol – of Oscar Wilde fame, the conservators of the River Thames, and also Broadmoor Hospital. The latter was built in 1863 as the first criminal lunatic asylum for England and Wales. It’s a place where true crime and social history interact. My book tries to paint a picture of individuals who did dreadful things but also had a life beyond their mental illness.
I like to write about public Victorian asylums – where the bulk of English people with mental illnesses were admitted. But the counterpoint is the private system, where the poor, rich mad spent their time in nice surroundings with wacky treatments. Sarah Wise captures this perfectly through a real-life investigation of the people in the attic – think Jane Eyre, or The Woman in White – and how the law sought to protect them.
“A must-read for those who work in the mental health industry, I think most people will find it both eye-opening and provocative.” ―The Guardian
The phenomenon of false allegations of mental illness is as old as our first interactions as human beings. But it took the confluence of the law and medical science, mad-doctors, alienists, priests and barristers, to raise the matter to a level of “science,” capable of being used by conniving relatives, “designing families” and scheming neighbors to destroy people who found themselves in the way, people whose removal could provide their survivors with money or property or…
I am a professor emeritus of History and Arctic & Northern Studies at the University of Alaska Fairbanks. A mostly lifelong Alaskan, my research interest has been northern, especially Alaska, history. I’m deeply interested in northern peoples and cultures and both their resilience and adaptation in the face of rapid socio-economic and cultural change. As I write, I strive to create a narrative that will fascinate and inspire; that will resonate deeply, so the reader continues to think about the book well after finishing it. Such narratives attract me as a reader.
Terese Marie Mailhot’s raw account of her traumatic childhood and its enduring consequences took my breath away. A nearly lifelong Alaskan, I am acutely aware of the social problems afflicting Indigenous communities; in fact, I’ve done research on the topic.
Yet, I have never read a more honest, painful, and beautifully written testimonial by an Indigenous person about her experience with childhood poverty and neglect, substance abuse in the home, sexual abuse, and resulting poor self-esteem and self-doubt. Mailhot, who was raised on Seabird Island in British Columbia, began writing her memoir as mental health therapy and it became a process of self-discovery.
Her experience highlights the effects of historical trauma on Indigenous individuals and communities, as well as the prevalence of maltreatment of Indigenous women.
A NEW YORK TIMES BESTSELLER Winner of the Whiting Award for Non-Fiction Selected by Emma Watson as an Our Shared Shelf Book Club Pick
'I loved it' Kate Tempest 'Astounding' Roxane Gay 'A sledgehammer' New York Times
Heart Berries is a powerful, poetic memoir of a woman's coming of age on an Indian Reservation in the Pacific Northwest. Having survived a profoundly dysfunctional upbringing only to find herself hospitalised and facing a dual diagnosis of post-traumatic stress disorder and bipolar II disorder, Terese Marie Mailhot is given a notebook and begins to write her way out of trauma.
I’ve been either studying, researching, or teaching psychology since I was 16 – but before that, I was a reader. I have always been drawn to books that pose fundamental questions about the mind,and to this day I still go back to fiction and non-fiction that can generate ideas and hypotheses for new experiments. I’ve even used fictional stories in brain-scanning experiments to explore how the mind represents voices and characters: our findings show that we are experts at automatically simulating both the sound and the intention of other people when they talk in a story (even when the stories are very simple ones).
My book starts with a series of conversations with people who have psychosis and hear voices. Some people described to me a particularly unusual experience: the feeling of a voice being there, even when it wasn’t speaking.
As an undergraduate student one of the books that first got me thinking about these topics was Richard Bentall’s Madness Explained. It really opened my eyes to the possibilities of the mind and how we can think about experiences like hallucinations without necessarily pathologizing them.
This book was my gateway to then learning about things like the International Hearing Voices moment, which argues against an overly medicalized understanding of unusual experiences like voice-hearing. My book is quite wide-ranging, but I’ve tried to retain some of the ethos ofMadness Explained in how I’ve approached the world of uncanny presences.
THIS BOOK WILL EXPLAIN WHAT MADNESS IS, TO SHOW THAT IT CAN BE UNDERSTOOD IN PSYCHOLOGICAL TERMS, AND THAT BY STUDYING IT WE CAN LEARN IMPORTANT INSIGHTS ABOUT THE NORMAL MIND. THE BOOK WILL ARGUE THAT TRADITIONAL APPROACHES TO MADNESS MUST BE ABANDONED IN FAVOUR OF A NEW APPROACH WHICH IS MORE CONSISTENT WITH THAT WE NOW KNOW ABOUT THE HUMAN MIND. OVER THE LAST CENTURY OR SO IT HAS BECOME SO COMMONPLACE TO REGARD MADNESS SIMPLY AS A MEDICAL CONDITION THAT IT HAS BECOME DIFFICULT TO THINK OF IT IN ANY OTHER WAY. BENTALL ARGUES INSTEAD THAT DELUSIONS, HALLUCINATIONS…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I’m Mona Simpson, the author of seven novels. I grew up with a mentally ill parent who struggled to support me, her only child, as a single mother. I saw firsthand the toll living in the world cost her. One of my first experiences of adulthood was a sense of relief in discovering that staying above water was manageable, even easy. Walking home from my first real job, seeing all the other people’s backs and legs hurry ahead of me, I liked being one of the many. I wondered if my mother could have ever felt that ease if there had been an alternative.
In 1995, in the attic of a decommissioned mental hospital in New York State, a curator of New York State Museum, a local volunteer, a psychiatrist/ documentarian, and a photographer found a trove of suitcases, doctor’s bags, steamer trunks with Chinese motif, housekeys, photographs, earrings, belts, upright ladies Saratoga trunks (“so named because they could hold enough clothes for an entire summer season in the resort town of Saratoga Springs.")
The researchers ventured further into the hospital's now vacant sites, an abandoned bowling alley, and its burial grounds. Finally, they obtained permission to get a few hours with the medical records, which were stored in an abandoned hospital building contaminated with asbestos and lead, requiring them to don protective gear and booties.
Their hope was to bring the forgotten patients who’d spent years in the institution back to life. This book and its intricate details haunted me. There are so…
"The Lives They Left Behind is a deeply moving testament to the human side of mental illness, and of the narrow margin which so often separates the sane from the mad. It is a remarkable portrait, too, of the life of a psychiatric asylum--the sort of community in which, for better and for worse, hundreds of thousands of people lived out their lives. Darby Penney and Peter Stastny's careful historical (almost archaeological) and biographical reconstructions give us unique insight into these lives which would otherwise be lost and, indeed, unimaginable to the rest of us." --Oliver Sacks "Fascinating...The haunting thing…
