Here are 78 books that At the Mountains of Madness fans have personally recommended if you like
At the Mountains of Madness.
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My great interests have been ships and space travel, and if one takes time to consider the similarities the parallels stand out. Ships, especially submarines, travel in a medium and through an environment that is hostile to human life. In space travel, the ‘ship’ becomes the only habitat in which we can survive for any extended period, leaving it without a space suit is a fatal move. I cannot claim to be an expert in closed environments, but it's a subject that has fascinated me throughout my life. Every ‘biosphere’ is unique and incredibly complex and depends on the symbiosis of an enormous number of living creatures right down to bacteria and even viruses.
This is the story that first got me interested in science fiction. Of course, we now recognise some of the flaws in the science, but consider that at the time of its writing steam propulsion was still in its infancy, most ships were still built of timber, and Verne envisaged a ship capable of indefinite travel beneath the ocean surface – something not even possible until the advent of nuclear power almost a century later. Even today Verne’s vision and the story he wove around it can inspire.
First serialized in a French magazine from 1869-1870, Twenty Thousand Leagues Under the Sea is an incredible adventure story that popularized science fiction throughout the world.
Professor Aronnax, a marine biologist, joins harpoonist Ned Land in search of a mysterious sea creature in the open ocean, only to discover that the beast is actually a submarine piloted by the enigmatic Captain Nemo. They are taken captive, thus beginning a strange undersea voyage from Antarctic ice shelves to the subterranean city of Atlantis, hunting sharks along the way.
With its sprawling, exotic plot and vivid descriptions, Jules Verne's epic underwater adventure…
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will…
My grandfather dictated a number of oral histories shortly before he died and left a series of sketchy diaries of his education at Sul Ross University (then Sul Ross State Teachers' College) in Alpine, Texas. Many years later, I got interested in his life and went to Sul Ross University to the archives, where the librarians gave me countless oral interviews from the 1930s and documents about the Civilian Conservations Projects in the area, namely the establishment of Big Bend National Park and the Balmorhea State Park Swimming Pool. This ignited my interest in the 1930s Depression and the New Deal—how, in a very short time, the U.S. federal government established work relief programs to help thousands out of work.
When I first read The Grapes of Wrath in high school, I was moved by the story of the Joad family’s poverty and desperation, and the lack of sympathy they encountered when they arrived in California.
It is a very gritty description of their journey to California, and details how their dreams sour when they arrive, working as slaves for big orchard owners. This was the fate of thousands of farmers who fled the Dust Bowl.
'I've done my damndest to rip a reader's nerves to rags, I don't want him satisfied.'
Shocking and controversial when it was first published, The Grapes of Wrath is Steinbeck's Pultizer Prize-winning epic of the Joad family, forced to travel west from Dust Bowl era Oklahoma in search of the promised land of California. Their story is one of false hopes, thwarted desires and powerlessness, yet out of their struggle Steinbeck created a drama that is both intensely human and majestic in its scale and moral vision.
As a computational sociologist, I’m fascinated by the patterns people create, the signals they miss, and the stories they build when the world doesn’t make sense. That’s also why I’ve always been drawn to grounded horror: not monsters crashing through windows, but the quiet dread of a room, a street, a sound, or a thought that won’t behave. As a writer, I love books that make fear feel intimate and human, the kind that crawls under your skin because it’s real. These are the stories that stay with me: books where reality tilts, trust gets shaky, and everyday life becomes the scariest place imaginable.
I love this book because it turns reading itself into a haunted space.
House of Leaves doesn’t just tell me something is wrong; it makes me physically experience disorientation on the page. I admire books that take big formal risks and still keep a human pulse underneath the invention.
This one made me feel trapped in a maze made of rooms, footnotes, fear, and obsession, and I mean that as high praise.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
An adventure of both science fiction and fantasy—one of the great love stories—this is William Hope Hodgson's masterpiece, rewritten for the modern reader.
The story opens in the 19th century, but quickly moves to the far future, where the sun has gone out, casting the world into a darkness broken…
I started collecting science fiction as a teenager. As a collector, as opposed to just a reader, you come in contact with stories that considerably predate what you find for sale in stores. This led me to books from the 1930s and much earlier. John Taine was one of only two SF writers I encountered from the 1920s and 30s whom I still found enjoyable (and exciting) to read (the other was E.E. “doc” Smith).
To take a break from his day job as Professor Emeritus of Higher Mathematics at Caltech, Eric Temple Bell (John Taine was his pen name) wrote a series of science fiction novels that dealt, not with mathematics, but largely with biology. Any of these are still quite readable today, and notable for their discussion of biology and related fields when most writers of science fiction were focused on physics and space travel.
The Greatest Adventure deals with mutated dinosaurs in Antarctica, which sounds like something out of a 1950s horror film but which Bell uses as the basis for an investigation into science and not schlock. I suspect he utilized the pen name John Taine so as not to embarrass his supercilious colleagues in the math department (or possibly himself).
I'm a lot of things. I design games. I study literature and theater. I write novels that are messy fusions of literary and genre fiction. I'm endlessly curious. Each of my books starts with when I hear in my head, the voice of a character asking a question. It's always a silly question, and it's always the one that matters more to them than anything else in the world. "Why does being superintelligent make you evil?" became Soon I Will Be Invincible. "What are people who play video games obsessively really looking for?" became You. Answering the question isn't simple, but of course that's where the fun starts.
This is the book that forever changed how superheroes were written.
In Watchmen, masked vigilantes started as a craze in the 1930s, and history got slightly bent in the process. We won the Vietnam War, Nixon stayed president, and...you'll have fun picking out all the bits of altered history in the background.
The heart of the book is its unforgettable characters - slightly over-the-hill superheroes brought out of retirement by the murder of one of their own, to face an ever-deepening mystery and their own midlife crises.
A hit HBO original series, Watchmen, the groundbreaking series from award-winning author Alan Moore, presents a world where the mere presence of American superheroes changed history--the U.S. won the Vietnam War, Nixon is still president, and the Cold War is in full effect.
Considered the greatest graphic novel in the history of the medium, the Hugo Award-winning story chronicles the fall from grace of a group of superheroes plagued by all-too-human failings. Along the way, the concept of the superhero is dissected as an unknown assassin stalks the erstwhile heroes.
This edition of Watchmen, the groundbreaking series from Alan Moore,…
I’ve been a fan of dinosaurs and other mega-monsters ever since I watched the original Godzilla movie as a kid. It scared me half out of my wits! There’s something about big, scaly, dangerous beasts that makes for a great adventure story. Add fascinating human characters and you’ve got my full attention. I started writing my Dinosaur Wars books precisely to fill the void where there are far too few stories of this type in current literature. Challenges between human heroes and giant beasts have been part of literature from the start, featuring dragons, titans, and ocean leviathans. I see my writings as efforts to continue that tradition.
In addition to his Sherlock Holmes mysteries, Sir Arthur Conan Doyle’s dinosaur adventure story delivers world-class excitement and deeply satisfying reading. Doyle’s story of explorers who find living dinosaurs in the Amazonian rainforest can hardly be matched for its originality.
I read it long ago and found it so memorable it was worth another read more recently. And I’m glad I did. The dinosaurs are portrayed dramatically, to say the least, but I was also impressed by rereading that the characters were quite ingenious. Professor Challenger, the expedition leader, is a gruff, highly irascible fellow, given to brawling as much as to debate. Ned Malone, newspaper reporter, and central “I “ character is a riveting taleteller and keen observer of dinosaurian and human nature.
Originally published serially in 1912, “The Lost World” is Sir Arthur Conan Doyle’s classic tale of discovery and adventure. The story begins with the narrator, the curious and intrepid reporter Edward Malone, meeting Professor Challenger, a strange and brilliant paleontologist who insists that he has found dinosaurs still alive deep in the Amazon. Malone agrees to accompany Challenger, as well as Challenger’s unconvinced colleague Professor Summerlee, and the adventurer Lord John Roxton, into the wilds of South America and the Amazon in search of Challenger’s fantastical beasts. There, cut off from the rest of civilization and high atop an isolated…
I was born in 1957, the year the Space Race started when the USSR launched its first satellite and grew up with astronauts and cosmonauts on the TV. Yuri Gagarin and Gordon Cooper were familiar names to me as a child but I only really started to take notice as the Apollo programme ramped up. Science fiction influenced me at an very early age with books like Kemlo and Tom Swift and, having pestered my English teacher with my embryonic works decided at seventeen to write my own novel. Some years later and just short of sixty I finally wrote Sirkkusaga and now have seven published works out there - as well as two anthologies.
I read these as a young teenager and loved them, they’re star-spanning, rip-roaring tales of civilisations pitted against each other across the universe. Triplanetary is the first book of the Lensman series but we have to wait until book two; First Lensman, for the arrival of the titular characters.
The good guys (Hooray! Including Earth, of course) have an advantage in that certain of them have been selected by the Arisians to wear a device called the Lens - which allows them to harness their mental powers against the Boskonians (the bad guys - boo!), who are assisted by the evil Eddorians.
It’s all good fun, and I admit to the stories having influenced me slightly.
Triplanetary is a space opera by E. E. Smith. This is the original version first serialized in Amazing Stories magazine in 1934. Smith later reworked the story into the first of two Lensman prequels which was then published in 1948. Triplanetary covers an eons-long eugenics project of the super-intelligences of the Arisians an alien race breeding two genetic lines to become the ultimate weapon in their cosmic war with the Eddore.
My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.
When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.
I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.
Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.
Everybody is a book of blood; wherever we're opened, we're red.
In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the…
My father wanted to be an astrophysicist, and as a kid I caught his passion for the future from the many science fiction books he’d left throughout our house. As an adult, the advances in technology have brought the future envisioned in those books closer than ever. My passion for what awaits us led me to write The Price of Safety, which contains innovations that are right around the corner—and have already started to come true (which is freaky), between Elon Musk’s cranial implants to DNA tracking. The world we live in is becoming more like the world in my books. I hope we’re ready!
The oldest book on the list, Lucifer’s Hammer seems to be an end-of-the-world tale. And it is to a degree: the world is forever altered after a comet enters the earth’s atmosphere and breaks apart, the huge pieces slamming into the West Coast.
It’s the aftermath, though, where things get interesting. How do people survive? How much of their humanity survives with them? This is the story Niven and Pournelle tell, with a level of realism that echoes people’s attitudes and actions witnessed during the COVID pandemic.
With a clash between rival forces leading to a showdown that dictates the survivors’ future, Lucifer’s Hammer has continued to resonate with me years after reading it.
“The first satisfying end-of-the-world novel in years . . . an ultimate one . . . massively entertaining.”—Cleveland Plain-Dealer
The gigantic comet had slammed into Earth, forging earthquakes a thousand times too powerful to measure on the Richter scale, tidal waves thousands of feet high. Cities were turned into oceans; oceans turned into steam. It was the beginning of a new Ice Age and the end of civilization.
But for the terrified men and women chance had saved, it was also the dawn of a new struggle for survival—a struggle more dangerous and challenging than any they had ever known.…
As a computational sociologist, I’m fascinated by the patterns people create, the signals they miss, and the stories they build when the world doesn’t make sense. That’s also why I’ve always been drawn to grounded horror: not monsters crashing through windows, but the quiet dread of a room, a street, a sound, or a thought that won’t behave. As a writer, I love books that make fear feel intimate and human, the kind that crawls under your skin because it’s real. These are the stories that stay with me: books where reality tilts, trust gets shaky, and everyday life becomes the scariest place imaginable.
I love this book because it feels like panic whispered directly into my ear.
Samanta Schweblin writes with such control that the smallest details start to feel radioactive. I admire how lean it is. There is no wasted space, no decorative wandering, just mounting dread.
It gave me the sensation of trying to solve a nightmare while still inside it, which is one of the hardest feelings for fiction to create well.
SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2017
'The book I wish I had written' Lisa Taddeo, author of Three Women and Animal
A young woman named Amanda lies dying in a remote Argentinian hospital. A boy named David sits beside her.
She's not his mother. He's not her child.
At David's ever more insistent prompting, Amanda recounts a series of events from the apparently recent past, a conversation that opens a chest of horrors. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family.
