Here are 100 books that The Red House Mystery fans have personally recommended if you like
The Red House Mystery.
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When I was six, I wrote an eleven-page epic about an adventurous otter named "Ottiga." The causality between that early effort and my career as a novelist is uncertain, but it did establish a pattern. I was the perpetual new kid on the block, and novels provided a pathway to escape the difficulties of being young and introverted. I learned that fiction is an antidote to loneliness; that it has the power to transport us to entirely new worlds, or to show us the familiar world in entirely new and unexpected ways. The speculative novels on this list did that for me, and I hope they do the same for you!
This is a highly propulsive and emotionally engaging novel with a sympathetic protagonist at its core.
It could be considered a portal fantasy, but I'd categorize it, along with the other books on this list, as “speculative,” because it doesn’t fit neatly into either the fantasy or science fiction genres and is anchored in contemporary or near-future realism.
Piranesi’s beautifully executed theme, about how a dramatic change in perspective can lead to a deeper appreciation for the beauty and nobility abiding beneath the ugliness of humanity and our one and only world, is one for the ages.
This highly original and beautiful book is destined to endure as one of the classics of early twenty-first century literature.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not.
One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.
What’s not to love about this? I first experienced The Big Sleep by viewing the classic Humphrey Bogart movie, and while I thoroughly enjoyed the film, I admit I was a bit perplexed over some of the plot points.
Reading the book cleared up some, but not all, of my confusion, and yet it’s a book I would read again and again. The classic 1930s setting of Los Angeles and Hollywood, the noir elements, and the hard-boiled detective, Phillip Marlowe, are an unbeatable combination in my mind.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
I began this book aware that it was inspired by one of the most striking scandals ever (no need to mention which). So, I can’t say that the pivotal twist came as a surprise. Quite the opposite—it felt a bit like starting an Agatha Christie thriller knowing that the butler did it.
However, I was completely captivated by the character of Vincent (who is, I can safely reveal, a woman) and the way the story is intricately crafted around her. I enjoyed every line of this tale, in which I found a brilliant example of how a plot can skillfully put the events at the service of the characters, allowing their psychological traits to take center stage.
INTERNATIONAL BESTSELLER • From the bestselling author of Station Eleven and Sea of Tranquility, an exhilarating novel set at the glittering intersection of two seemingly disparate events—the exposure of a massive criminal enterprise and the mysterious disappearance of a woman from a ship at sea.
“The perfect novel ... Freshly mysterious.” —The Washington Post
Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby's glass wall: Why don’t you swallow broken glass. High above Manhattan, a…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I’ve always been drawn to locked-room mysteries, the baffling mysteries where the crime looks truly impossible. The mystery becomes not only who did it, but also how. It’s the ultimate puzzle. The best locked-room mysteries include gothic elements that make you wonder if something supernatural is responsible, but then are resolved with a satisfying rational explanation—like Scooby-Doo for adults. I’ve written more than a dozen mystery novels, but until now, I’ve only focused on locked-room mysteries in my short fiction. In my new Secret Staircase mystery series, I’m focusing on these puzzles in my novels. Here, I’m sharing some of my favorite locked-room mysteries that feature truly ingenious puzzles.
Set on a treacherous sea voyage in 1634, this impossible crime is cloaked by an atmospheric setting. Is a demon hiding on the ship—or is there a very real killer stalking victims in the claustrophobic setting? This was unlike any locked-room mystery I’d ever read, and it was impossible not to get swept up in the adventure on the high seas. With detective Samuel Pipps accused of a crime and imprisoned in cramped quarters on the ship, it’s up to his bodyguard to act on his behalf and prove a human hand—not a demon—is responsible for the murder and mayhem aboard.
'If you read one book this year, make sure it's this one' Daily Mail CHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, SUNDAY TIMES, DAILY MAIL, FINANCIAL TIMES, DAILY EXPRESS AND i PAPER WINNER OF THE BOOKS ARE MY BAG READERS AWARD FOR FICTION SELECTED FOR THE BBC TWO BOOK CLUB BETWEEN THE COVERS AND THE RADIO 2 JO WHILEY BOOK CLUB An impossible murder A remarkable detective duo A demon who may or may not exist It's 1634 and Samuel Pipps, the world's greatest detective, is being transported from the Dutch East Indies to Amsterdam, where he…
Since I was a child I’ve been drawn to mystery plots, because I love the sense of there being an agreement between author and reader, which leads to an ability to play with expectations. My most recent books have been Sherlock Holmes novels in the style of the classic Arthur Conan Doyle tales, though I’ve also written mysteries set on an isolated island and even on Mars! With each new story, I’ve found the act of plotting deeply satisfying. Of course, the next best thing to writing my own stories is reading another author’s novel that has a satisfying mystery, with a solution that in retrospect seems totally fair, but that I didn’t see coming.
This 1946 Japanese novel is a classic locked-room mystery concerned with fair play within the rules of the genre. The rural setting and flurry of elaborate clues are what sets it apart, and the detective Kosuke Kindaichi is truly memorable, as is the devious solution. The work of author Seishi Yokomizo has only recently begun to be translated for English-speaking readers, but I hope more will appear soon.
In the winter of 1937, the village of Okamura is abuzz with excitement over the forthcoming wedding of a son of the grand Ichiyanagi family. But amid the gossip over the approaching festivities, there is also a worrying rumour - it seems a sinister masked man has been asking questions about the Ichiyanagis around the village.
Then, on the night of the wedding, the Ichiyanagi family are woken by a terrible scream, followed by the sound of eerie music - death has come to Okamura, leaving no trace but a bloody samurai sword, thrust into the pristine snow outside the…
I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not.
One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.
I have long held a fascination with the Sherlock Holmes stories, and this one was no exception.
Set in England in the early 1900s, it captures the feel of that period perfectly. I found the story and the mystery to be gripping and compelling, and Holmes was his usual brilliant self, while Watson bumbled along.
I found it a delightful and quick read, and as is often the case, far better than any of the film adaptations because it goes into more depth than a movie ever reasonably could.
When Sir Charles Baskerville is found dead, his face distorted with shock and horror, Sherlock Holmes and Dr Watson are faced with a sinister and difficult puzzle. A fearsome creature stalks the wild and barren hills of Dartmoor. Is it a demon from the spirit world? Will it defeat their skill and courage? Who is the tall, mysterious figure seen lurking on the moor at night? Can Holmes save Sir Henry, the new owner of Baskerville Hall, from the ancient family curse? Or will the terrifying hound claim yet another victim?
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not.
One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.
I was intrigued to discover an Agatha Christie book I had not previously read. I found it instantly intriguing and puzzling, with Hercule Poirot in the center of things.
The way Agatha Christie described the settings with such wonderful detail, I was instantly transported aboard the train, seeing myself as a fellow passenger, watching the mystery unfold.
Agatha Christie's classic Hercule Poirot railway mystery, reissued in a beautiful new classic hardcover edition designed to appeal to the latest generation of Agatha Christie fans and book lovers.
'You could, perhaps, love a thief, mademoiselle, but not a murderer!'
When the luxurious Blue Train arrives at Nice, a guard attempts to wake serene Ruth Kettering from her slumbers. But she will never wake again - for a heavy blow has killed her, disfiguring her features almost beyond recognition. What is more, her precious rubies are missing.
The prime suspect is Ruth's estranged husband, Derek. Yet Poirot…
I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not.
One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.
From the first chapter, I was drawn in by the descriptions and setting of 1938 in Europe, on the brink of World War II.
So many interesting and multifaceted characters! The mystery was also intriguing to me, and I found the puzzles and clues well-placed and engaging, keeping me guessing until the final reveal.
A luxury train, stranded on a legendary viaduct in the Alps, with a murderer on board.The Bernina Express, 1938. As Europe holds its breath for the Munich Conference, a disparate group of passengers boards the legendary alpine train: a nervous English courier, a sharp Hungarian journalist, a formidable British aunt and her niece, a mysterious Italian Contessa and her new companion, and two German “art historians” who are clearly something else. When a sudden rockfall strands the train high on the breathtaking Alpine Landwasser Viaduct, the isolation turns deadly. A passenger is found stabbed in his compartment, an empty satchel…
My family did not take vacations when I was young. We went to a hotel in Connecticut once (from New York), but my father got sick and we went home. So I always had an idealized vision of the sorts of family vacations you see in movies, where people sit in glamorous locations and drink bottles of wine and share intimate thoughts. I wanted to tap into that fantasy in writing Merry and think about what happens when reality and fantasy collide.
First of all, The Red House is set in the English countryside, which I love. And it brings together a group of family members with legitimate grievances.
Some of them involving caretaking of an elderly mother, and I feel like the issue of caretaking is always underrepresented in literature, and yet it’s such a huge issue and can change the trajectory of a person’s life.
This is quite different than Mark Haddon’s better-known book, The Curious Incident of the Dog in the Night-Time, so you might just want to pretend someone else wrote it, or you’ll find the change in tone unsettling.
From the author of The Curious Incident of the Dog in the Night-Time comes a novel about families and secrets
Two families. Seven days. One house.
Angela and her brother Richard have spent twenty years avoiding each other. Now, after the death of their mother, they bring their families together for a holiday in a rented house on the Welsh border. Four adults and four children. Seven days of shared meals, log fires, card games and wet walks.
But in the quiet and stillness of the valley, ghosts begin to rise up. The parents Richard thought he had. The parents…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
My search for meaning didn't come when I hit midlife. Ever since I was a kid, I gravitated toward books and movies that offered lessons about living, which I'd try to incorporate into admittedly limited childhood opportunities. As I grew older and gained more agency, I was able to apply what I learned to more significant decisions, which often led me down a very different path than my peers. I suppose, in hindsight, this accounts for why my first three books were released by a publisher in the personal transformation space. I'm happy to share the 5 books that have helped me on my journey toward living a better life...so far.
I read this when I was in my early twenties, living in a loft apartment in Boston that was situated directly over a brew pub, and working a job divorced from whatever good I thought I had to offer the world.
There was very little Tao about that entire situation, but this book gave me a compass to navigate that period in my life. The narrator moves through his day interacting with characters from Winnie the Pooh, with remarkable observations tied to A.A. Milne's story. I still remember phrases and passages from this book, like "Bisy Backson."
You'll have to read it to find out what that means...and don't go Googling it. The power is in the actual story.