Here are 100 books that The Quiet at the End of the World fans have personally recommended if you like
The Quiet at the End of the World.
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As a UK registered lawyer, I have spent most of the past 35 years writing about my work. But what has always excited me, from my childhood, is the science fiction worlds which state a truth which is yet to happen, The worlds of H.G Wells; Huxley; Aldous; Orwell; Bradbury; and Atwell. An individual's struggle against overwhelming odds. Not always somewhere where you would want to go. But from which you will always take something away.
What intrigues me about this book is the way the author, Margaret Atwood, took the (Genesis 30) story of Jacob, who impregnated his wife's handmaiden to produce the children which his wife could not conceive.
She then puts herself in the place of that handmaiden and asks some serious questions. Was that handmaid even given a choice in the matter? What would have happened to her if she had refused? She then rolls the same idea forward 4,000 years to a pseudo religious society in which the sole purpose of handmaidens is to use their bodies to conceive and gestate the next generation for those whom they serve.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.
The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
I’m a professor and YA author. Books helped me navigate the difficult choices I faced growing up. I gravitated to characters that I could picture myself befriending and looking up to because they had the bravery and strength that I wanted to have. As an author, I believe we need more stories about people who leave a positive mark on the world. I try to write characters that I can both relate to and would want to be friends with: characters who, in facing difficulty, discover the strength of their humanity because they have a light and goodness that shines somewhere deep inside.
Jonas is our youngest protagonist on the list. He is destined to be the receiver of memories in a futuristic utopian society. Those memories are to be passed down to him by an old man, the Giver.
Jonas lives in a society where people are innocent—innocent of emotion, pain, and suffering. He must lose his innocence to experience the joys and pains of humane experience.
That’s a heavy responsibility. And it’s Jonas’ thoughtfulness and curiosity that draws me to him. He faces difficult ethical choices. His awakening is unique to the fictional world he inhabits, but it is universal in theme. His quest to gain knowledge, his willingness to question authority to get to the truth, and his ability to make tough choices to experience the depth of what it means to be human make him someone I would want in my corner.
THE GIVER is soon to be a major motion picture starring Jeff Bridges, Katie Holmes and Taylor Swift.
Now available for the first time in the UK, THE GIVER QUARTET is the complete four-novel collection.
THE GIVER: It is the future. There is no war, no hunger, no pain. No one in the community wants for anything. Everything needed is provided. And at twelve years old, each member of the community has their profession carefully chosen for them by the Committee of Elders.
Jonas has never thought there was anything wrong with his world. But from the moment he is…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I used to be afraid of the thriller section, assuming it was synonymous with horror. It took me until my 30s to register that I’d been reading thrillers for years without realising it. Tomorrow When the War Began, the Hunger Games, A Wrinkle in Time, The Darkest Minds, Mortal Engines: they’re all big loves. I’ve come to realise that thriller basically just means heart-pumping. There’s something about a book keeping you on the edge of your seat, desperate to turn the page and find out what happens next.
I loved this star-crossed lovers story. It was dark, mysterious, and achy. In a weird way, it reminded me of the Harry Potter series, in how it was a mystery forever unfolding and I love that about it. It certainly kept me guessing and on the edge of my seat and I’m not ashamed to admit it.
Legend is the much-anticipated dystopian thriller debut from US author, Marie Lu.
THE must-read dystopian thriller fiction for all teen fans of The Hunger Games by Suzanne Collins and Divergent by Veronica Roth. A brilliant re-imagining of Les Miserables, the series is set to be a global film sensation as CBS films have acquired rights to the trilogy. The Twilight Saga producers, Marty Bowen and Wyck Godfrey, will produce.
Los Angeles, California Republic of America
He is Day. The boy who walks in the light.
She is June. The girl who seeks her brother's killer.
Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.
This is the book which most inspired Frances’ voice in The Island. 15-year old Anais is troubled, loving, brilliant, and creative. She is also at a young offenders’ institution named the Panopticon after being found covered in blood at a crime scene. A birthday present from my brother, this book is so powerful, moving, and evocative. It’s written in spiky Midlothian. It’s raw. It’s warm. It’s brutal.
No matter what life throws at her (and there is a lot) Anais finds a way to survive with humour and defiance. I just loved it.
Named one of Granta's Best of Young British Novelists
Anais Hendricks, fifteen, is in the back of a police car. She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais is covered in blood. Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counterculture outlaw, she knows that she can only rely on herself. And yet despite the parade…
Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.
I just love this book. Again, it’s set against such an evocative landscape – this time in Western Australia. It tells the story of a tentative love affair between a reckless poacher and the wife of a wealthy landowner – and the inevitable fall-out. There’s even a soundtrack to go with it – Winton’s a musician too.
The writing’s so pitch-perfect that I had to keep stopping to scribble phrases down. It’s that good. Why is it about survival? As well as Luther Fox, the poacher, struggling to get over the tragedy of his past, the last third of the book focuses on his walkabout up north to Coronation Island, where he deliberately shipwrecks himself. Cue the wilderness: scavenging, hunting, sheltering. True, haunting, survival in its rawest sense as he battles to redemption.
Georgie Jutland is a mess. At forty, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Her days have fallen into domestic tedium and social isolation. Her nights are a blur of vodka and pointless loitering in cyberspace. Leached of all confidence, Georgie has lost her way; she barely recognises herself.
One morning, in the boozy pre-dawn gloom, she looks up from the computer screen to see a shadow lurking on the beach below, and a dangerous new element enters her…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
The child’s immersion into nature is a most relevant theme for me as an environmental educator, but it is critical to America as a whole. Our future depends upon it. We continue to live in a culture that shoves nature into the background, something viewed as pleasant scenery but not truly interactive in our lives. The “store” has become the source of things to many young people. The current generation of American parents is not equipped to teach children about nature and its indelible place in our survival as a species; therefore, books must become surrogates in this mission.
For a character to be stranded alone in the wilderness almost forces the reader to slip into the shoes of the protagonist.
There is no human-to-human interaction, but there is the age-old relationship of human-to-nature. This struggle taps into the atavistic side of man. Such a story contains only one source of thoughts (a boy, in this case), but the countless connections between the boy and all the aspects of wilderness present a plot of myriad give-and-take scenarios.
The protagonist deals with hunger and food, cold and fire, danger and safety, solitude and epiphany. Hatchet is one of the great young adult books that serves adults wonderfully.
This award-winning contemporary classic is the survival story with which all others are compared—and a page-turning, heart-stopping adventure, recipient of the Newbery Honor. Hatchet has also been nominated as one of America’s best-loved novels by PBS’s The Great American Read.
Thirteen-year-old Brian Robeson, haunted by his secret knowledge of his mother’s infidelity, is traveling by single-engine plane to visit his father for the first time since the divorce. When the plane crashes, killing the pilot, the sole survivor is Brian. He is alone in the Canadian wilderness with nothing but his clothing, a tattered windbreaker, and the hatchet his mother…
Growing up in the seventies in the UK was a fertile time for lovers of the uncanny, with memorable children’s dramas like Children of the Stones, The Changes and Ace of Wands. Like many others, I keenly collected junkshop editions of Herbert Van Thal’s horror anthologies. Occultism was in the air in the troubled, economically stagnating Age of Aquarius, and though too young to see them, we schoolboys all knew of The Exorcist, Rosemary’s Baby, and The Omen. A friend gave me a Lovecraft biography for my 18th birthday, and though I’d read none of his work, I went on to become fascinated by him and his Weird Tales compadres.
What one reads as a child often makes a powerful impact. While not exactly a haunted house novel, I first encountered this tale of a bedridden young girl who finds that she dreams of what she draws (with a magic pencil) through the legendarily creepy 1972 adaptation, Escape into Night, (of which only black and white videotapes remain) and afterward read it and thought it very atmospheric.
Every attempt by Marianne to ‘correct’ her defective artwork somehow makes the situation more nightmarish, and the house she initially draws is particularly disturbing in the way naïve drawings can be, as are the sinister, crude stone entities that gather around it, imprisoning the boy who she has drawn–and trapped–inside; and the landscape, literal and psychological, is eerily memorable.
'I could get in,' Marianne thought, 'if there was a person inside the house. There has got to be a person. I can't get in unless there is somebody there. 'Why isn't there someone in the house?' she cried to the empty world around her. Marianne is no child prodigy at drawing. Confined to her bed with an illness she finds a pencil in her great-grandmother's workbox, but the house she draws is as unsatisfying as always - like a shaky doll's house with grass as unlike anything growing as ever. But that night she dreams and rediscovers her drawing…
I am an academic and a passionate reader of women’s fiction. My job title, Reader in Contemporary Women’s Writing, is also, fortunately, my hobby. I love to think about how women’s writing explores women’s lives today. I chose the theme of dystopian fiction because The Handmaid’s Tale has been so central to my work. Still, other potential topics that came to mind were motherhood, home and domestic labour, reproductive politics, and feminist protest. It strikes me now that each of the books on my list also cover these topics. This is the element of my work I love – drawing out the connections and political convictions that make today’s women’s writing so powerful.
This is another book I came to via teaching; looking for new ecofictions, I put out a call on twitter and this title kept being mentioned by people I trust. When I read it, I was blown away by Hunter’s slim, powerful novel.
With the South of England underwater, Britons are forced to flee north to displacement camps, suddenly finding themselves fighting in supermarkets for supplies and walking the roads with their children.
I first read it for its depiction of eco-catastrophe and refugee crisis and its fascinating echoes of the fuel and food shortages of the pandemic. But as I reread it each year, I more insistently see it as a book depicting new motherhood as a crashing, overwhelming flood from which one emerges perhaps a year later, a haunted, dazed survivor.
A startlingly beautiful story of a family's survival, The End We Start From is a haunting but hopeful dystopian vision of a familiar world made dangerous and unstable.
'Engrossing, compelling' - Naomi Alderman, author of The Power 'I was moved, terrified, uplifted - sometimes all three at once' - Tracy Chevalier, author of Girl With a Pearl Earring
Megan Hunter's honed and spare prose paints an imagined future as realistic as it is frightening. Though the country is falling apart around them and its people are forced to become refugees, this family's world - of new life and new hope…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I’m an English writer based in Sheffield. I started reading dystopia when I was around 19 and in a very bad place mentally, it became an escape for me and I would read everything in the genre. It got to the point where I was writing in the notes on my phone (not very well, I might add). Somehow dystopia ignited my passion for writing and so I went to university to study it. Almost everything I wrote for both my undergrad degree and my master's was set in a future dystopian UK. It is where my passion still lies and I hope to create more futuristic worlds like those I have listed.
Kerry Drewery is an author that came in for a Masterclass when I was studying my undergrad in Creative Writing at Sheffield Hallam University. As this book series was right up my alley, I decided to buy every book on kindle (and most recently in paperback). This series reminded me a lot of 1984 with the dark setting and horrific outcomes. Set in a future London, the reality show format of the book gives an insight into human nature. How far will we go for entertainment?
A heart-stopping thriller. Shortlisted for the Lancashire Libraries Book of the Year 2018.
An adored celebrity has been killed. Sixteen-year-old Martha Honeydew was found holding a gun, standing over the body.
NOW JUSTICE MUST PREVAIL.
The general public will decide whether Martha is innocent or guilty by viewing daily episodes of the hugely popular TV show Death is Justice, the only TV show that gives the power of life and death decisions - all for the price of a premium rate phone call.
