Books like The Queen Who Came in from the Cold

I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire. 

I've found the creep of authoritarianism to be very disquieting. One would have to be willfully blind to not see its manifestations both here and abroad. I wanted to better understand how this phenomenon cast its shadow over the world and I found the '33 Chicago World's Fair an ideal lens to view this through. I've been fascinated by world's fairs since I was a child and the '33 Fair was the first to consciously feature the future. I'm also strangely drawn to this period – if I believed in reincarnation it might provide answers, but I don't. The Zeitgeist just before the full, brutal ugliness of fascism broke over the world, fascinates me.

Tim Tate is a multi-award-winning documentary filmmaker, investigative journalist, and the author of 18 non-fiction books. The Cold War shaped – and continues to shape – the world we live in today. Although the collapse of the Soviet Union theoretically ended the conflict between East and West, in reality, the struggle between the Cold War superpowers of America and Russia rumbles on. Nor have the espionage agencies on either side of the former Iron Curtain fundamentally changed. Their actions during the Cold War run deeply beneath modern tensions. I spent years researching the hidden history of the most important Cold War spy; his extraordinary life and activities provide a unique lens with which to understand Cold War espionage.

Growing up in a globe-trotting diplomatic service family, I listened avidly to my parents’ tales of their romance in Moscow at the height of the Cold War in 1958, how they were trailed by the KGB and ripped listening devices out of apartment walls. They spoke thrillingly of the constant threat and the dangers they faced. There were other stories, of other places, including Peking at the start of Mao’s Cultural Revolution, a few scenes of which I was just old enough to witness. So I have always been curious about this era and read Cold War intelligence histories, many of them recommended by my remarkable mother.

I’ve always been drawn to the small-town milieu, which might seem strange given I’m a product of suburbia. But as a professional travel writer, I’ve visited scores (maybe hundreds) of country towns, so I know what makes them tick—and they come prepackaged with all the ingredients needed to create an unnerving horror experience. The author simply dreams up a charming little village with humble and lovable residents, then either peels back the bucolic veneer to expose the corruption beneath or introduces a hostile outside force. Voilà! An effective horror novel. I love reading those sorts of stories, and I love writing them.

I started telling Sea Stories around February 1992, when I reported to the Recruit Training Center, Great Lakes, Illinois. Since then, I’ve been entertaining anyone who would listen with my hyperbolic storytelling, a loose relationship with the facts, and a total disregard for modesty. Writing these stories really showcases my experiences not only in the Navy but as a student of history and international relations. I couldn’t possibly write the whole story without having received my BA in International Relations from the University of California at Riverside and my Law Degree from Southern Methodist University.  

I have read most of the books written about Apollo, especially those ostensibly written by my fellow participants. I have read these books for pleasure, to find out about parts of the moon effort that I did not see first-hand, and to learn what I could from the authors’ mistakes and successes — with a view to the writing of my own book. The books I have come to value the most are the books that seem to have been created for some other reason than commercial gain, the books unmarred by ghostwriting or heavy-handed editing, the books where the author’s authentic voice speaks from the page.

I began my career as a foreign correspondent in Cold War Eastern Europe, under communist domination. I lived in Greece, a Cold War battleground, in the 1980s, from where I made regular forays into the Balkans and Central Europe. Those journeys left a vivid, lifelong impression on me.

I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie. 

Growing up in a globe-trotting diplomatic service family, I listened avidly to my parents’ tales of their romance in Moscow at the height of the Cold War in 1958, how they were trailed by the KGB and ripped listening devices out of apartment walls. They spoke thrillingly of the constant threat and the dangers they faced. There were other stories, of other places, including Peking at the start of Mao’s Cultural Revolution, a few scenes of which I was just old enough to witness. So I have always been curious about this era and read Cold War intelligence histories, many of them recommended by my remarkable mother.