Books like The Quality of Mercy — picked by fans

The word “visceral” comes to mind when I attempt to distill what this book is about. A not-so-fictional auto-biography opens in the slum called Paradise, where Chipo, Bastard, Sbho, Stina, and “I” are headed to the–relatively–more affluent area of Budapest to steal fruit. These dirt-poor kids don’t know it, but they are victims of the far-off, murderous regime of President Robert Mugabe–but that always remains hidden in the background. They are brutalized and never know it or know why.

Courtesy of an invite from an Aunt in the United States, the protagonist eventually escapes Zimbabwe. But once there, while things get materially much better, in reality, it is no less bewildering and bereft of meaning: she and her friends spend their afternoons watching hard-core porn while eating popcorn and discussing inane stuff, like “what the hell are they doing?!” It’s funny in parts, but it also hurts in parts. The… show more.

I picked up this book because of its haunting cover—a black-and-white photograph of a girl staring directly into the camera’s lens. From the very first line, I knew I’d encountered something special. Without giving too much away, this book follows a South African family—the Swarts—throughout their lives. What most stuck with me was Galgut’s narration: a slippery voice that fluidly moves between the first and third person. This novel is a masterclass in narrative deftness and possibility. I can’t recommend it highly enough.  

The fact that the author lives close to my own little boho surfing suburb on Cape Town’s False Bay coastline might have swayed me. But I assure you this is a very fine and engaging tale of a woman seeking insight into and escape from a childhood overshadowed by a brilliant but alcoholic father. The title, at least, should grab you.

The story is set about between Cape Town and England, from where the father hails. The crocodile tamer works in a circus, where and how the poor young man falls from grace. What sets this book apart from most is that the author weaves her own real and imagined misgivings about writing while she is writing. For any writer-reader, it’s one of the best aspects of the book. Example: “Catholicism taught me three things: I’ve done something wrong, I’ve done something wrong, I’ve done something wrong.” It really is… show more.

I loved this book because, although we have another, more celebrated writer in the genre of magical realism, I think this is better than the other, which garnered that author a Nobel Prize. And by the way, that is “Sir” Anthony Sher to me and you (and with good reason). Cape Town-born Sher–descended from Lithuanian religious refugees in the late C1–gained fame as a lead male actor in the Royal Shakespeare Company.

The book is an allegory of South African race relations, in which a Lithuanian refugee, Smous (Dutch for traveling salesman), is ordained to travel the South African wastelands with a San (Bushman) woman. Neither can speak the other’s language or English, which, of course, sets up any number of hilariously deplorable situations. It is comedy, tragedy, and farce, set in a mythological South African of the past. It is spell-weaving and spell-binding.

In Book 11, Chief Inspector Andreas Kaldis, fresh from Athens to the picturesque Greek island, must find the perpetrators of a gruesome murder of a young woman found dead in a rural church. Siger, via his blunt investigator Kaldis, is an expert in sprinkling the beautiful Greek landscape with notes of suspense and mystery, and, like the earlier entries in this attractive series, Murder in Mykonos does not disappoint.

I was glued to every page of this book!

It’s a claustrophobic thriller with a startling visual image at its heart: an ultra-modern glass cabin in the middle of a deep, dark wood. At night, the light against the glass means you can’t see out – but anyone outside can see right in. I loved the way Ruth Ware turned the rickety old building cliché on its head, turning light from a source of comfort into a threat. 

Detective Renée Ballard is a woman I hate to love. She sleeps during the day in a tent on the beach–who needs a solid roof over your head when you’re working graveyard for the L.A.P.D.–and occasionally shags the lifeguard. She is a loner, super smart, super tough, touchy, relentlessly driven, bitchy. What’s not to like?

This book got pretty scary. I like to be scared, and there are three more in the series.

Agatha Christie isn’t called “the Queen of Crime” for nothing. She invented many of the tropes that have characterized the mystery genre since, plus contributed two of the best-known detectives of all time. But this book features neither of them. Instead, it drops Charles Hayward, fiancé of a murdered millionaire’s granddaughter, into the midst of a family that is happy on the outside and is anything but on the inside.

I put this book at the top of Christie’s many fine works because the mystery has such a chilling resolution. Very few mystery authors, I suspect, would go to the place she did with this work. 

Stephen King introduced the innocent, unfiltered but extremely observant Holly Gibney in the phenomenal Mr. Mercedes.

King himself says, “...she more or less stole the book, and she stole my heart.” I completely agree, so much so she was a massive influence on Tilly Bradshaw, the super-sheltered, super-intelligent nerdy sidekick from my own Washington Poe series. She’s the first of three sidekicks in this list who will go on to get a book of their own.

Holly is out September 2023 and it’s the book I’m most looking forward to this year.  

I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.

Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.

I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.