Books like The Quality of Mercy — picked by fans

The word “visceral” comes to mind when I attempt to distill what this book is about. A not-so-fictional auto-biography opens in the slum called Paradise, where Chipo, Bastard, Sbho, Stina, and “I” are headed to the–relatively–more affluent area of Budapest to steal fruit. These dirt-poor kids don’t know it, but they are victims of the far-off, murderous regime of President Robert Mugabe–but that always remains hidden in the background. They are brutalized and never know it or know why.

Courtesy of an invite from an Aunt in the United States, the protagonist eventually escapes Zimbabwe. But once there, while things get materially much better, in reality, it is no less bewildering and bereft of meaning: she and her friends spend their afternoons watching hard-core porn while eating popcorn and discussing inane stuff, like “what the hell are they doing?!” It’s funny in parts, but it also hurts in parts. The… show more.

I picked up this book because of its haunting cover—a black-and-white photograph of a girl staring directly into the camera’s lens. From the very first line, I knew I’d encountered something special. Without giving too much away, this book follows a South African family—the Swarts—throughout their lives. What most stuck with me was Galgut’s narration: a slippery voice that fluidly moves between the first and third person. This novel is a masterclass in narrative deftness and possibility. I can’t recommend it highly enough.  

The fact that the author lives close to my own little boho surfing suburb on Cape Town’s False Bay coastline might have swayed me. But I assure you this is a very fine and engaging tale of a woman seeking insight into and escape from a childhood overshadowed by a brilliant but alcoholic father. The title, at least, should grab you.

The story is set about between Cape Town and England, from where the father hails. The crocodile tamer works in a circus, where and how the poor young man falls from grace. What sets this book apart from most is that the author weaves her own real and imagined misgivings about writing while she is writing. For any writer-reader, it’s one of the best aspects of the book. Example: “Catholicism taught me three things: I’ve done something wrong, I’ve done something wrong, I’ve done something wrong.” It really is… show more.

I loved this book because, although we have another, more celebrated writer in the genre of magical realism, I think this is better than the other, which garnered that author a Nobel Prize. And by the way, that is “Sir” Anthony Sher to me and you (and with good reason). Cape Town-born Sher–descended from Lithuanian religious refugees in the late C1–gained fame as a lead male actor in the Royal Shakespeare Company.

The book is an allegory of South African race relations, in which a Lithuanian refugee, Smous (Dutch for traveling salesman), is ordained to travel the South African wastelands with a San (Bushman) woman. Neither can speak the other’s language or English, which, of course, sets up any number of hilariously deplorable situations. It is comedy, tragedy, and farce, set in a mythological South African of the past. It is spell-weaving and spell-binding.

Locke does the thing I’m always chasing. 

She makes the law itself the source of suspense. Her Texas Ranger, Darren Mathews, carries a badge that protects him and endangers him in the same gesture, and every door he opens with it might be the one that gets him killed. I love that she refuses easy heroes. Everyone in that little town off Highway 59 is wired into the same old order, and justice has to be smuggled out past it. 

She taught me a murder mystery can be a way of asking who the system was built to serve, and that the quietest scene is often the most dangerous one.

This book is everything I love—an atmospheric setting, a fiercely independent heroine, and a slow-burning partnership filled with tension and intrigue. Charlotte Sloane’s sharp wit and refusal to conform had me hooked from the start.

I devoured this book in a single weekend, completely absorbed in the richly drawn world of Regency London and the dark secrets lurking beneath its surface. I love mysteries that blend history, strong characters, and intricate plotting, and this one delivered all of that and more.

I laughed out loud at some of the lines in this book. If you’re looking for something to brighten up your day, then this is the book for you. It’s masterfully clever and intricately woven in a rich tapestry of humour and fun.

Think Murder On The Orient Express but set in Australia with a train whose passengers are all crime writers, including Ernest Cunningham, a “lowly debut author” with writer’s block, who Stevenson uses as the narrator. Ernest hilariously explains the rules of writing a murder mystery novel while at the same time guiding us through the plot, unravelling a complex set of clues that eventually lead to the unveiling of the killer.

I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.

Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.

I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.

I love realistic heroes who are fallible yet, to their core, have a sense of morals. Throw in the verisimilitude of police procedurals (or military), plus a good mystery, and you’ve got me. Author Michael Connelly has juxtaposed an aging main character, retired LA Detective Harry Bosch, with a younger LA detective, Renée Ballard. In the old-school, patriarchal LAPD, Ballard had quite a challenge conducting the detective work she was passionate about.

I’m impressed with the three-dimensional characters of the two generations, each equally dedicated to getting justice in the cases they’re working on. Connelly's Bosch is far from perfect, and Ballard, the rising next-gen, are two characters I am compelled to follow.

I love all of Tana French’s taut, riveting detective novels, but this book is my favorite.

When Cassie Maddox goes undercover to investigate a murder, she finds herself enmeshed with the dead girl’s quirky group of housemates. As she’s drawn into their lives, she is increasingly emotionally involved with them in ways that charge the atmosphere with exquisite tension and regret.

I loved the way this novel drew me into the exuberant household so that, like Cassie, I fell in love with everyone, wishing fervently for things to turn out okay and knowing there was no way they could.