Books like The Prime of Miss Jean Brodie — picked by fans

I reread this book recently and was fascinated to see how accurate (if perhaps overly optimistic) Egan was about the rise of social media and its role in our lives.

Egan resisted calling this book either a novel or a short story collection; in a June 2010 interview in Salon, she said, “You might say that discontinuity is the book’s organizing principle.” One of the book’s most commented-on chapters, “Great Rock and Roll Pauses by Alison Blake,” is presented as slides in a PowerPoint presentation.

Though Alison Blake’s mother, Sasha, and her record company executive boss Bennie Salazar appear at various points in the book, the chapters, or stories, stand alone, moving back and forth in time from the 1970s to a near future.

Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.

The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.

I’m full of admiration for this book. Morrison is a fifty-something bloke, but this narrative is told in the first person by a teenage girl, Haley, and the voice is totally perfect: opinionated, funny, sulky, naïve. The novel’s full of dark humour, and a real page-turner. Haley is kidnapped by her father to join a group of apocalyptic pandemic survivalists. Are they barking mad or the only people clear-sighted enough to see the danger the world is in from Virus X? You’ll veer from one viewpoint to the other throughout. You’ll also learn how to use a crossbow and what to put in your survival pack. (Warning: I could only read the bit about amputation through my fingers.) 

Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.

It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.

It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same… show more.

I loved the main character Paddy Meehan’s voice in this series. Paddy is a lowly copygirl at a Glasgow newspaper with dreams of becoming an investigative journalist during a time when girls are expected to marry out of high school and have babies, not unlike the way things were when I entered the work world. Paddy is intelligent and driven and so outside the mold that her family and boyfriend, indeed the Scottish community, cannot understand her drive to be more than what society demands she should be. She’s someone I rooted for every step of the way as she navigates the old boys’ club in the 1980s and 1990s. Combine Paddy with Mina’s brilliant writing, realistic dialogue, and compelling plotlines, and this series is one to be savored. 

This historical novel is based on quite horrifying fact. In Edinburgh in 1732, Lord Grange was apparently mourning the death of his estranged wife Rachel. Except he’d actually had her kidnapped and marooned on the remote and desolate island of St Kilda. Lawrence isn’t only a historical novelist: she’s a respected cookery and food writer, and former winner of the BBC’s MasterChef. She first heard of Lady Grange when she was researching her cookbook on Scottish islands. And she discovered that Rachel’s life had been recorded by male writers in the 18th and 19th centuries, all of whom blackened her reputation. So this book, for the first time, gives Rachel a voice. 

When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.

He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.” 

It’s nearly impossible to talk about time in literary fiction without evoking Marcel Proust, whose seven-volume exploration of involuntary memory is the most comprehensive attempt to bring readers into one narrator’s head I’ve encountered.

Memory, rather than traditional plot, drives In Search of Lost Time. While the prose—translated scrupulously over decades from French—is stylized and often indulgent, Proust’s commitment to the narrator’s inner life brings a singular authenticity to the novel. It’s a book that didn’t just change the way I think about fiction; it changed the way I think about my own mind.

I love atmospheric novels that tantalize the reader with a slow, creeping sense of dread.

I love novels with dark, moody, rain-lashed settings, especially Scottish ones. I also love novels that are smart and beautifully written, with a literary style all their own. Madam had all of that for me.

With its boarding-school setting and feminist themes, it reminded me of The Stepford Wives meets The Prime of Miss Jean Brodie—two of my all-time favorite novels.

A painful truth about the times we live in is that people often throw judgement when they hear about something terrible: Why didn’t they do something? How could they let that happen? My suspicion is that people judge because they cannot fathom—or bear to fathom—that such tragedy occurs. Others of us know it does.

In this story, Kate Elizabeth Russell profoundly illustrates how a perfect storm of people not-doing-their-best can guide an innocent and well-meaning person right into the arms of a monster. And how those events haunt her until she’s able to face the truth of what happened.

Most importantly, we see how that same person, with the help of honorable people, puts one foot in front of the other and walks herself back out to wholeness.