Here are 100 books that The Postman fans have personally recommended if you like
The Postman.
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I love 'Show, Don’t Tell' because it really brings a novel to life for the reader. It’s something so many writers struggle with, but it can turn a so-so novel into one readers can’t put down. Losing yourself in a story is the sign of great writing, and when a writer can show me what’s in their head and do it in a way that makes me forget I’m reading, well, that’s a book that keeps me turning the pages until it’s done. And that’s my favorite part of reading, writing, and teaching writing.
This book is one of my all-time favorites, because even though I knew it was fiction, it felt like nonfiction as I was reading it. It was that authentic, and that alive. I truly felt like I was reading an actual history book about an event from my own world.
The narrative structure was also amazing, telling the entire story through interviews with survivors of the zombie war, and I was riveted by those stories. They showed me what it was like to face that zombie horror, which made me desperate to know what happened, how they survived, and how they managed. Although I was reading, it felt like I was watching actual people tell their tales.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
What kind of minds get to vote? Microbial aliens, or a world-sized AI?
In Minds in Transit, Chrysoberyl is an artist whose brain hosts a million microbial minds. Chrysoberyl’s microbes design fantastic buildings and a whole new city for her AI patron. But her design blows up with a…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.
I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
The first manned mission to Mars doesn't go as planned. Or does it?
Shadows of Medusa describes the unexpected tempest unleashed by a private mission to explore Mars. Though written twenty years ago, the novel puts a decidedly mystery/sci-fi twist on current space science and mission planning efforts. The socio-political…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this amazing fantasy book series because of the profound morality and love of the earth that pervades the world of the story, even though the civilization it portrays is struggling for its life against an implacable and ruthless enemy.
Magic is woven into the fabric of the world, not in the form of chanting and spells, but rather as part of the structure of reality itself. The language of the novel is lyrical and immersive, and the descriptions of nature are unforgettable. When I read, I hear the wind whistling through the empty backcountry; I feel the spray of the mountain streams and the biting cold of the winter mornings.
In a land where wizards have long since vanished, Morgon, Prince of Hed, is confronted with a challenge much different from that faced by his land-bound predecessors. Although he wants only to rule and work the land of his birth, Morgon must search out a very different destiny - one dictated since birth by the mark of three stars imprinted on his forehead.
He must wander strange, foreign lands full of untamed magic in the form of riddling wraiths, mysterious harpists, a lost crown, a magical sword and an all-knowing High One who rules over all. In his quest for…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this book because although it seems at a casual glance to be written in the mold of 50s and 60s science fiction, with earthmen fighting bug-eyed aliens, it’s, in fact, a profound exploration of the morality of war, of chances, lost and motives misunderstood and of the ruthless use of children as combatants.
The training regimen of the children is gripping, as is the climactic space battle, but it’s the ending of the novel that gives the story its deep spiritual resonance.
Orson Scott Card's science fiction classic Ender's Game is the winner of the 1985 Nebula Award for Best Novel and the 1986 Hugo Award for Best Novel.
In order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut―young Ender is the Wiggin drafted…
I’ve always had a longstanding interest in space, and particularly in aliens. In researching my breakthrough novel Not Alone, I extensively read as much nonfiction content on the topic as I could find, including governmental-backed scenario analyses of how things might actually play out in a contact or invasion scenario. Naturally, I have also read widely in the sci-fi genre for my own pleasure, with most of my interest in this specific topic.
This was the first major alien arrival novel I read. I recall being awestruck by Arthur C. Clarke’s masterful mixing of incisive storytelling and a deep sense of grandeur.
The Overlords are hugely memorable, but it was the exploration of human identity that had the biggest effect on me. The story endures as a classic for a very good reason.
Arthur C. Clarke's classic in which he ponders humanity's future and possible evolution
When the silent spacecraft arrived and took the light from the world, no one knew what to expect. But, although the Overlords kept themselves hidden from man, they had come to unite a warring world and to offer an end to poverty and crime. When they finally showed themselves it was a shock, but one that humankind could now cope with, and an era of peace, prosperity and endless leisure began.
But the children of this utopia dream strange dreams of distant suns and alien planets, and…
Imperium is the most expensive structure ever created. Once an orbiting laboratory, it is now a space hotel for the fantastically wealthy. But as the station preps for its first group of space tourists, Dr. Chloe Bonilla, Imperium’s resident biophysicist, finds herself questioning whether babysitting a passel of space glampers…
As a graduate in computer science and electronics, I have had a successful career in the tech sector. I am interested in writing about the pattern of evolution that manifests in both humanity and machines. My books are based on science and contemplate the long history of human spirituality and how the two must someday converge.
Set in Earth's future, humanity has been reduced to an ideal population. Living in domed cities humans live and die by the hand of the city's central computer. In this world, humanity has staved off the perils of overpopulation by surrendering human existence to the central computer's machine mind.
With an enforced life span of only 21 years and every possible need and desire supplied and maintained by a central artificial intelligence, humanity has stagnated. Are we, today, in the real world, exploring the same path Nolan and Johnson presented in this book? We seem incapable of the political and social will to curb population or to limit our decadence. If we remain unable and unwilling to decide what a stable human world culture would look like, I foresee a time when we will delegate our future to machines. And, like Logan's world, we will stagnate.
The bestselling dystopian novel that inspired the 1970s science-fiction classic starring Michael York, Jenny Agutter, and Richard Jordan.
In 2116, it is against the law to live beyond the age of twenty-one years. When the crystal flower in the palm of your hand turns from red to black, you have reached your Lastday and you must report to a Sleepshop for processing. But the human will to survive is strong—stronger than any mere law.
Logan 3 is a Sandman, an enforcer who hunts down those Runners who refuse to accept Deep Sleep. The day before Logan’s palmflower shifts to black,…
I am a lifelong fan of all things post-apocalyptic. Books, movies, television, games – I have enjoyed all of it. I knew I wanted to write post-apocalyptic fiction before I was ten years old. I had to wait almost three decades before life gave me the opportunity to do it. I’ve always been fascinated by the many different ways people can survive these kinds of catastrophes. As dark and visceral as the genre can sometimes be, I will always look for the elements of hope.
I read this novel decades before I ever heard the term “prepper.” I particularly enjoyed the survival elements of the story. I can’t help noticing that the plot holds up, even today. The idea that someone could predict that war was coming from simply paying attention to the news and things going on around them fostered my own interest in keeping up with current events. Ultimately, the story is all about making the best of a bad situation. Even today, I still enjoy the inherent optimism of that sentiment.
I am a lifelong fan of all things post-apocalyptic. Books, movies, television, games – I have enjoyed all of it. I knew I wanted to write post-apocalyptic fiction before I was ten years old. I had to wait almost three decades before life gave me the opportunity to do it. I’ve always been fascinated by the many different ways people can survive these kinds of catastrophes. As dark and visceral as the genre can sometimes be, I will always look for the elements of hope.
This might be the ultimate post-apocalyptic road trip. I enjoyed the fast pacing and irreverent humor. The urgency of the task at hand is there from start to finish. I liked the plot and the pacing. This story made me appreciate the lighter side of the genre. Even though the world has gone to pot, people are still people, and fun is part of the human experience.
Hell Tanner isn't the sort of guy you'd mistake for a hero: he's a fast-driving car thief, a smuggler, and a stone-cold killer. Facing life in prison for his various crimes, he's given a choice: Rot away his remaining years in a tiny jail cell, or drive cross-country and deliver a case of antiserum to the plague-ridden people of Boston, Massachusetts. The chance of a full pardon does wonders for getting his attention. And don't mistake this mission of mercy for any kind of normal road trip-not when there are radioactive storms, hordes of carnivorous beasts, and giant, mutated scorpions…
Professor Yonatan Brand dreamed of unlocking time itself. When he’s found dead inside his sealed study, he leaves behind an impossible crime—and a machine that might have killed him. Two unlikely detectives—Bunker and Abigail—must solve a mystery where the question isn’t…
I am a lifelong fan of all things post-apocalyptic. Books, movies, television, games – I have enjoyed all of it. I knew I wanted to write post-apocalyptic fiction before I was ten years old. I had to wait almost three decades before life gave me the opportunity to do it. I’ve always been fascinated by the many different ways people can survive these kinds of catastrophes. As dark and visceral as the genre can sometimes be, I will always look for the elements of hope.
This is the first volume in the long-running Deathlands series, penned by many ghostwriters. If you can find all of the volumes, you’ll be treated to the most extravagant post-apocalyptic story arc that I’ve ever seen. I enjoyed the larger-than-life heroes and heroines, who blazed their trails across a detailed landscape. This series inspired me to think bigger about life and the things that I could do with it.
On a crisp January day, a Presidential inauguration day, a one-megaton blast ripped through the Soviet embassy in Washington, D.C.
Subsequent explosions around the globe changed the face and the shape of the earth forever. Out of the ruins emerged Deathlands, a world that conspired against survival.
In the blasted heart of the new America, a group of men and women plan desperately to escape the eerie wastes and mutated life forms of their nuclear hell. Three warriors—the tough, intelligent Ryan Cawdor, an enigmatic beauty called Krysty Wroth and the armorer J.B. Dix—set out on a harrowing journey to find…
