Here are 100 books that The Pope of Physics fans have personally recommended if you like
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By the time I was a high-school junior I knew I wanted to be a physicist. As a graduate student in 1950, as the Cold War was heating up, I joined the relatively small team that designed the first hydrogen bomb and got to work with some of the giants of 20th-century physics. It’s been a pleasure to read about this subject as well as to write about it.
Jeremy Bernstein is both an accomplished theoretical physicist and a skilled writer. He has published numerous scientific papers, written insightful articles in the New Yorker, and written many books that engagingly explain technical matters. He knew Robert Oppenheimer at the Institute for Advanced Study when Bernstein was a junior scholar there, and “Oppie” was the Institute’s Director.
It is an illuminating portrait, although not an in-depth biography. I know Bernstein as a fellow physicist and have served as a developmental editor on two of his books (although not this one).
As a former colleague of Oppenheimer's, Jeremy Bernstein has written a biographical profile that is both personal and historical, bringing the reader close to the life and workings of an extraordinary and controversial man. Without Oppenheimer's totally remarkable leadership at Los Alamos, the atomic bomb would not have happened, and World War II would have ended very differently. Bernstein, combining the grace of a New Yorker writer with the insight of a theoretical physicist, draws a fine and fascinating portrait. -Arthur Schlesinger, Jr.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
By the time I was a high-school junior I knew I wanted to be a physicist. As a graduate student in 1950, as the Cold War was heating up, I joined the relatively small team that designed the first hydrogen bomb and got to work with some of the giants of 20th-century physics. It’s been a pleasure to read about this subject as well as to write about it.
This follow-up to his definitive The Making of the Atomic Bomb covers it all—the people, the physics, and the politics. Richard Rhodes does his research, no question.
The book’s very breadth makes it less engrossing than some books with a narrower focus. Nevertheless, it’s a must for an “H-bomb library.”
Here, for the first time, in a brilliant, panoramic portrait by the Pulitzer Prize-winning author of The Making of the Atomic Bomb, is the definitive, often shocking story of the politics and the science behind the development of the hydrogen bomb and the birth of the Cold War.
Based on secret files in the United States and the former Soviet Union, this monumental work of history discloses how and why the United States decided to create the bomb that would dominate world politics for more than forty years.
By the time I was a high-school junior I knew I wanted to be a physicist. As a graduate student in 1950, as the Cold War was heating up, I joined the relatively small team that designed the first hydrogen bomb and got to work with some of the giants of 20th-century physics. It’s been a pleasure to read about this subject as well as to write about it.
Until 1939, plutonium, element number 93, was just a spot on the periodic table. Then, it became the core of the bomb tested at Alamogordo and of the bomb dropped on Nagasaki. It is not what provided most of the “yield” of the first H bomb, but it played an essential role in that device.
The skilled science writer Jeremy Bernstein examines the chemistry, physics, and history of plutonium.
When plutonium was first manufactured at Berkeley in the spring of 1941, there was so little of it that it was not visible to the naked eye. It took a year to accumulate enough so that one could actually see it. Now so much has been produced that we don't know what to do to get rid of it. We have created a monster.The history of plutonium is as strange as the element itself. When scientists began looking for it, they did so simply in the spirit of inquiry, not certain whether there were still spots to fill on the…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
By the time I was a high-school junior I knew I wanted to be a physicist. As a graduate student in 1950, as the Cold War was heating up, I joined the relatively small team that designed the first hydrogen bomb and got to work with some of the giants of 20th-century physics. It’s been a pleasure to read about this subject as well as to write about it.
From the birth of the Manhattan Project in 1942 until the first test of an H bomb in 1952, Edward Teller was central to the development of a thermonuclear weapon.
He is called the father of the H bomb with good reason. Yet, he is controversial. He made more enemies than friends. His own account of that period is fascinating. I worked with Teller and was a friend.
The fascinating recollections of one of the most brilliant and controversial scientists of the 20th century. . The story of Edward Teller is the story of the twentieth century. Born in Hungary in 1908, Teller witnessed the rise of Nazism and anti-Semitism, two world wars, the McCarthy era, and the changing face of big science. A brilliant and controversial figure whose work on nuclear weapons was key to the American war effort, Teller has long believed in freedom through strong defense, a philosophy reflected in his stance on arms control and nuclear policy. These extraordinary recollections at last reveal the…
I’m an emeritus professor of modern American diplomatic history at the University of California, having previously taught at Oberlin, Caltech, and Yale. I’ve also been chairman of the Division of Space History at the Smithsonian’s National Air & Space Museum, where I was the Curator of Military Space. I’ve been fascinated—and concerned—about nuclear weapons and nuclear war since I was 12, when I saw the movie On the Beach. Then, as now, nuclear weapons and the (currently-increasing) danger of nuclear war are the most important things on the planet.
As it turns out, the Germans never got close to building an atomic bomb—largely because of some major mistakes at the outset (one of them made by their top nuclear chemist because of a crisis in his love life). Powers, a Pulitzer Prize-winning journalist, created some controversy because of his portrayal of the man who didn’t build the German bomb. That controversy continues.
I once had to physically separate the author from his critics and threaten to remove disruptive protesters from the audience when I moderated a session on the history of the German bomb at the Smithsonian.
One of the last secrets of World War II is why the Germans failed to build an atomic bomb. Germany was the birthplace of modern physics it possessed the raw materials and the industrial base and it commanded key intellectual resources. What happened?In Heisenberg's War , Thomas Powers tells of the interplay between science and espionage, morality and military necessity, and paranoia and cool logic that marked the German bomb program and the Allied response to it. On the basis of dozens of interviews and years of intensive research, Powers concludes that Werner Heisenberg, who was the leading figure in…
I’ve read more than a hundred biographies over the years, mostly because I want to know what makes great people great. In doing so, I have sifted through some real crap along the way. I don’t typically read many stories about losers. Sad to say, and most people don’t want to hear it, but losers are a dime a dozen and unmotivating downers. My book list gives others the benefits of my 40-plus years of work in identifying books about brilliant, accomplished people written by first-rate historians and narrated by the ”cream of the crop.”
I loved this book first and foremost for the completeness of the research done including supplemental materials such as sketches, artwork, etc.
How he was able to gather so much information about the roamings, seemingly on a daily basis, of a man that lived 500 years ago is beyond me. I also thought the choice of Alfred Molina to narrate was brilliant as his Italian phrasing and enunciation made all the difference in the world.
In the end, I felt I knew da Vinci on a personal level, which surprised me.
The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is "a study in creativity: how to define it, how to achieve it...Most important, it is a powerful story of an exhilarating mind and life" (The New Yorker).
Based on thousands of pages from Leonardo da Vinci's astonishing notebooks and new discoveries about his life and work, Walter Isaacson "deftly reveals an intimate Leonardo" (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
In sixth grade, I got into an argument with my neighbor, Billy. We were in his backyard, looking at the stars through his new telescope. “I see Orion,” said Billy. “What do you see?” “A bunch of stars.” “I aimed it at Orion. See him?” ”I see a bunch of stars.” “Don’t you see his belt? His sword?” Billy got more agitated. “Everybody knows that’s Orion. I can’t believe you can’t see him.” “It’s not actually Orion – it was just a bunch of stars until someone told a story about it and gave it meaning.” That compelled me to write, to construct a meaning for what I experienced, and try to make sense of it.
I love books that cause me to view things in ways I never had before. Connections did that over and over again.
Burke views history through the lens of technical innovation. What his book revealed to me was that everything has its antecedents; things that came before that were the building blocks of what was to come. The more I read, the more I noticed that I was looking at things differently, not only seeing links but thinking about what could come next based on where something came from and the direction our culture was moving. This is a transformative book.
How did the popularity of underwear in the twelfth century lead to the invention of the printing press? How did the waterwheel evolve into the computer? How did the arrival of the cannon lead eventually to the development of movies?
In this highly acclaimed and bestselling book, James Burke brilliantly examines the ideas, inventions, and coincidences that have culminated in the major technological advances of today. With dazzling insight, he untangles the pattern of interconnecting events: the accidents of time, circumstance, and place that gave rise to the major inventions of the world.
My expertise is in Russian history. My passion is understanding the unleashing of human creativity. Only in the past several hundred years have we learned to comprehend and harness nature, organize democratic and rule-based societies, and, more than ever before, enable ordinary people to realize their talents and inner yearnings. Brilliant, creative individuals have existed in every society. Only in the modern era have so many geniuses, who in past ages would have wasted their talents in obscure drudgery, found the means and opportunity to contribute radically more to the benefit of humankind. The books I recommend all reflect this fascinating development.
I wanted to read this book to learn how Enrico Fermi could be the “last man who knew everything.”
It turns out he didn’t know “everything” about “everything,” but rather knew nearly everything in physics. Especially noteworthy was Fermi’s genius for both theoretical and applied physics. It was he, after all, who planned and carried out the first successful atomic chain reaction in a squash court at the University of Chicago and co-invented the nuclear reactor.
I loved learning about a relatively shy boy and a late bloomer (albeit with a photographic memory!) who became a brilliant, extremely supportive teacher and a scientist, about whom more positive things were said after his death than about any other twentieth-century scientist.
In 1942, a team at the University of Chicago achieved what no one had before: a nuclear chain reaction. At the forefront of this breakthrough stood Enrico Fermi. Straddling the ages of classical physics and quantum mechanics, equally at ease with theory and experiment, Fermi truly was the last man who knew everything-at least about physics. But he was also a complex figure who was a part of both the Italian Fascist Party and the Manhattan Project, and a less-than-ideal father and husband who nevertheless remained one of history's greatest mentors. Based on new archival material and exclusive interviews, The…
I am an award-winning historian and philosopher of the human sciences. But I got here by means of an unusually varied path: working for a private investigator, practicing in a Buddhist monastery, being shot at, hiking a volcano off the coast of Africa, being jumped by a gang in Amsterdam, snowboarding in the Pyrenees, piloting a boat down the canals of Bourgogne, playing bass guitar in a punk band, and once I almost died from scarlet fever. Throughout my journey, I have lived and studied in five countries, acquired ten languages, and attended renowned universities (Oxford, Harvard, and Stanford), all while seeking ways to make the world a better place.
The late French philosopher Bruno Latour was infamous for his iconoclastic work in the history and sociology of science and technology.
If you read only one of his books, I’d say go for We Have Never Been Modern because it cuts to the heart of things by disrupting the conventional understanding of modernity as a clear separation between nature and culture. Latour argues that even as “moderns” have been rhetorically invested in this particular bifurcation of the world, nature-culture hybrids are continually proliferating.
So if you’ve ever asked yourself, why are cities not considered natural landscapes? Or why are animals always presumed to be without culture? Or what does it even mean to be modern? Then this is the book for you.
With the rise of science, we moderns believe, the world changed irrevocably, separating us forever from our primitive, premodern ancestors. But if we were to let go of this fond conviction, Bruno Latour asks, what would the world look like? His book, an anthropology of science, shows us how much of modernity is actually a matter of faith.
What does it mean to be modern? What difference does the scientific method make? The difference, Latour explains, is in our careful distinctions between nature and society, between human and thing, distinctions that our benighted ancestors, in their world of alchemy, astrology,…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I’m a historian with a strong science background who paid my way through college and grad school as a network engineer and Perl programmer. My most recent work, like Nation of Deadbeats and my new book Oceans of Grain, are international financial histories of the world that look at the world through the lens of commodities, international trade, and labor.
Felix Gilman’s The Half-Made World is a brilliant steampunk allegory about what philosopher Jürgen Habermas calls the colonization of the life-world for a faithless utilitarian reason. Gilman imagines a war that pits defenders of wonder, magic, and voodoo against soulless drones seeking gain through environmental degradation. This is a common enough trope in science fiction but what brings it to another level is Gilman’s personification of wonder and magic in a sleazy, violent anti-hero who is frequently possessed by demons. Gilman embodies the colonizers of the world as monstrous, dragon-like railway engines who order men around using telegrams. The innocent reader who will decide the fate of the world is a brilliant, female doctor who is trying to cure herself of her opium addiction. Gilman’s understanding of the rhythm of nineteenth-century language is amazing. His characters each have unique voices and his beautiful prose suggests that Gilman has spent years…
The world is still only half-made. Between the wild shores of uncreation, and the ancient lands of the East lies the vast expanse of the West---young, chaotic, magnificent, war-torn.
Thirty years ago, the Red Republic fought to remake the West---fought gloriously, and failed. The world that now exists has been carved out amid a war between two rival factions: the Line, enslaving the world with industry, and the Gun, a cult of terror and violence. The Republic is now history, and the last of its generals sits forgotten and nameless in a madhouse on the edge of creation. But locked…
