100 Books Like The Poetics of Space

At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.

This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.

We are coded as homo sapiens to look at each other. To observe, study, analyse our fellow creatures. One of the reasons I’ll never live in the country is that I’ll miss observing urban life. 

This is such a simple book with a simple premise. Perec recorded everything he saw while sitting at a café on a Parisian square over three days. When I lived in Paris in the 1990s, I had a dog-eared French version of this book and I dutifully went to the same place. Not to record my own observations but to try and see things that Perec might have seen twenty years prior.

A city-dweller regards their city. This book is at once nothing and yet it is everything about urban life. I found in Perec a comrade in arms. The romantic in me insists on believing that the seeds for my later urban observations lie… show more.

"Participatory democracy demands low-energy technology, and free people must travel the road to productive social relations at the speed of a bicycle."

Illich’s book - more of a long essay, really - remains astonishingly relevant almost fifty years on. It confirmed countless things that I sensed and suspected on the cusp of my career in urbanism many years ago. His rationality about transport, energy, and democracy is carved out of the finest literary granite. Criticism of this text merely runs off the rock like raindrops. It is my ultimate inspiration for working in urbanism and yet a constant source of dismay that our societies continue to neglect the wisdom within the words. The essay “The Social Ideology of the Motorcar” by André Gorz is a must-read companion to Illich’s visionary words.

I read Scarry’s city books as a child and I read them with my children when they were young. The detailed descriptions of the richness of urban life remain impressive. It’s all spelled out. Economics, food security, circular economy, neighbours, small businesses, diversity (of animals). For fun you can compare older versions with newer ones and see the number of female characters increase, rightly ousting the Patriarchy from various jobs as the publishers responded to societal developments.

It is still a relevant cautionary tale about our car-centric, fossil-fueled reality. All those drivers crashing - “silly motorists!” and creating havoc. Coal mines happily illustrated without comment. Pigs eating pork hotdogs. My kids both noticed the shocking lack of bikes, but then again, they’re Copenhageners. If you dig this recommendation, then watch one of the best films about urbanism: Who Framed Roger Rabbit.

This is a breathtaking exploration of how ideas of time and space changed between the 1880s and World War I. Stephen Kern’s mastery of all genres of the arts and literature and throughout the Western world—Europe, Russia, and the US—is beyond belief. No matter who is your favorite intellectual of this era, s/he is right in the narrative. We learn of the massive changes in culture that we owe to this momentous period of time, changes that are still very much with us today.

Even now, I can’t read this without getting goosebumps. No other writer matches L. M. Boston for creating an enchanting, intriguing atmosphere that leads the reader, along with the story’s main character, 7-year-old Tolly, to feel the ghost children long before they appear. When they do, the combination they bring of joy, playful behaviour, and wistfulness – there is a reason, after all, that they are all ghosts together – goes straight to the heart. 

Read this if you devour mysteries served with a side of science fiction. The main character, Rylie, moves back to Twentynine Palms in her grandfather’s old house in the Mojave Desert. Weird things are happening. Then Rylie finds out that her childhood best friend’s sister disappeared and her grandfather may be involved. Rylie keeps losing time. Who is the bad guy?? Nobody knows. Is it the grandfather? The guy on the news? The government Rylie’s mom works for? Her new stepbrother who may be too helpful? Her childhood bestie? Rylie herself? I couldn’t put this one down!

Silliness is one of my favorite things, and it doesn’t get much sillier than when a run-of-the-mill trip to buy milk turns into a madcap adventure.

There are dinosaurs! And pirates! And aliens! This book is a delightful escape, and Skottie Young’s illustration perfectly capture the romp of it all.

In February 2016, astronomers announced the discovery of gravitational waves, the last remaining prediction of Einstein’s General Theory of Relativity. Gravitational waves are produced by the collision of gigantic bodies—neutron stars, blackholes—and from exploding stars. This book details the trials and tribulations as scientists attempt to build the most accurate measuring devices known to humankind. The result of their success is the LIGO observatories in Washington and Louisiana. 

Since the first discovery, we now have listened to a multitude of gravitational waves—our universe sings with these songs as the waves flow across the universe. Waves that may allow us to hear the sounds of the Big Bang. The intragalactic ships in my own books utilize these gravitational waves to travel at faster-than-light speeds. I was awed by the scientific determination and rooted for the scientists as they overcame one hurdle after another.

Prepare to have your world turned upside down in this peculiar take on the faerie novel. We meet Cathy as a resident of modern England but learn she’s actually an escapee from “The Nether,” a faerie mirror world that’s stuck in the 19th century. As a historian, I absolutely love how Newman moves characters between the worlds—without time travel! And just imagine being in the shoes of a young woman forced to straddle the freedoms that come with modern life with a life with an arranged marriage. And above all, she must appeal to the whims of the faerie lord who controls her family’s fortunes. Come for the premise, but stick around for her deep world-building and richly-drawn characters (I mean, who doesn’t love a talking gargoyle?)