Books like Behind the Red Door — picked by fans

Oh my goodness, first of all: this book will make you so hungry. So, be prepared for that.

Taking place in a warm, intimate Filipino restaurant outside Chicago, Arsenic and Adobo forces recently dumped Lila Macapagal into action after a brutal restaurant critic (who just so happens to be her ex-boyfriend) drops dead while eating her aunt’s food.

She and Tita Rosie are the main suspects, so Lila has to put on her amateur sleuth hat and figure out what really happened to stay out of jail and save her aunt’s business. Arsenic and Adobo is funny, charming, and layered with enough sweetness and spice to keep you devouring it until the last crumb. 

As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.

To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.

I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.

I was lucky enough to read an early copy of this book, and I am blown away at how Jesse Sutanto continues to smash both her novel concepts and character voices out of the park!

Vera Wong herself is the ultimate amateur sleuth, but she is not reluctant whatsoever. When a dead body turns up in her tea shop, Vera Wong—the most wonderfully grandmotherly non-grandmother—decides the police aren’t up to the task of realizing the young man was murdered, obviously, and so she decides to hunt down the suspects and interview them herself.

Vera is at turns heartwarming and hilarious, infuriating, and delightful. Told through the perspective of Vera and all her murder suspects, this book will keep you guessing until the end—and might just charm your socks off.

I love a book where you as the reader are wondering if the main character is—or is starting to go—completely mad.

After a recent move into suburban DC, Allie is setting up her photography business and making a name for herself when a hidden flicker of her past threatens to ruin it all. A local dad winds up dead, and suddenly the police are at her door, questioning her about the apparent relationship she had with him.

Only problem? The mountain of digital evidence of their affair is new to her. Someone has hacked her life, intent on destroying it, and Allie has to figure out who. If you’re looking for a book about the dark, back-stabby, insidious world of successful white moms in a wealthy suburb, hoo boy—this is the one!

I thoroughly enjoyed this book. Regina Everette has never been a risk taker. She has always gone with the flow and done what everyone else wanted her to do. I admired the author’s work, especially how she described in great detail how this need-to-please mentality took over Regina’s life.

One day, she decided to risk it all and step out on faith, leaving her comfort zone behind. During this turning point, I couldn’t get enough of the new Regina and how she went from a people-pleaser to an independent woman, no longer depending on her husband, mother, and friends.

It was inspiring to read about a woman getting out of her own way and living out her dreams. She left her husband, stood up to her mother and friends, quit her job, and opened up her own bookstore. She even met a new man along the way. This book inspired… show more.

Let’s imagine the English people have decided to abolish the monarchy. We are back in the eighties, and the Windsor family, expelled from Westminster, is relocated to a poor neighborhood of London and is required to work. The ex-Queen tries to cook, Philip is depressed, Diana wonders about her wardrobe and Charles discovers gardening talents...The Queen and I is a book that plays wonderfully on the human and linguistic gap between high society and common people. Funny situations and the satirical tone made me laugh on each page. I recommend it to all the people who are struggling to make a living—they’ll think it could be worse. 

Susan Wooldridge’s Poemcrazy is a vibrant collage in which she shares her poetry-writing journey in rich detail. From evocative chapter titles, quotes by poets, and poems from a variety of lesser-known voices, each element plays a part in setting up and illustrating an approach or addressing the topic at hand. My favorite part of this book is the “Practice” opportunities Wooldridge crafts for us. Get out your pencil! This book, informed by Wooldridge’s expressive arts practice, is one in which we, the readers, are invited to play. You’ll be surprised and delighted by what Poemcrazy will inspire you to write.

Another excellent book about plot and the importance of making sure you have a good one. The difference between a good plot and a great plot is a bestseller. If you want your story’s plot to speak of mastery, do not miss out on reading this insightful book. Add it to your personal library for good measure. It’s always a good idea to have it there, so you can reference it in the future even after finishing it.

This book gives an excellent introduction to women’s involvement in theatre in the age of Shakespeare by making 6 of their texts easily available for the first time.

It publishes Queen Elizabeth I’s translation of a section by Seneca; The Tragedy of Antony (1595), a translation of a French play about Antony and Cleopatra by Mary Sidney Herbert, (aunt to Lady Mary Wroth).

It also publishes three original plays by women: Elizabeth Cary’s The Tragedy of Mariam (1613), The Concealed Fancies (1645), by the sisters Elizabeth Brackley and Jane Cavendish, and a valuable edition of Love’s Victory (but in a short section on p. 122 misprints the order of pages in the manuscript).

Cupid’s Banishment (1619) by Robert White is an entertainment, written to be performed by schoolgirls. 

If I asked you whether you fancied reading the entire history of British television from its beginnings on the BBC in the 1930s to its position today, you’d probably tell me to get lost.

But the evocative writing of Lez Cooke makes this a far more pleasurable experience than it otherwise ought to be. I guarantee you will be stimulated yet entertained as you are walked through the key creatives, technologies, dramas, and genres that captured the imaginations of millions of avid British telly addicts each decade. You will put down this book as an immediate expert in the field, guaranteed.