Books like The Pirates of Penzance — picked by fans

Hold on! Anton Chekhov? Not that giant of Russian literature who gave us some of the most poignant, brooding, melancholy views of family life in dramatic works like The Seagull and The Cherry Orchard? Probably the biggest surprise on this list, Anton Chekhov wrote comedy for years and as a young adult supported his family by writing humorous sketches about Russian life for the magazine Oskolki. While most famous for his plays, Chekhov was an incredibly gifted short story and humor writer. In one of his tightest yarns, “An Avenger,” confused young Fyodor Sigaev goes shopping for an appropriate revolver to mete out justice after he discovers his spouse cheating on him. But once at the shop, the sheer number of firearm choices he’s presented with quickly overwhelm him. 

“. . . I would advise you, M'sieur, to take this superb revolver, the Smith and Wesson pattern, the… show more.

Growing up, I only read humour.

I just love to laugh and when a book has you making the pictures in mind for yourself and laughing out loud, there really is nothing better. And Three Men in a Boat sends me directly to the floor every time I read it, and I will never stop reading it as long as I live.

It is rightly a classic and still in the shops nearly 140 years later. My book is a homage to Three Men in a Boat. I followed the style and form, and acknowledge Jerome K Jerome in my front-matter.

My book is really 15 Men in a Boat, and if it is even 10% as good as Three, I will rightly be very proud of myself (if not my mathematics).

Mark Twain is my writing idol. Before Roughing it, I’d never read a book written during the Civil War era which didn’t take sides and grind axes. From it, I learned detachment, that personal adventures can live side-by-side with even the most earth-shattering events. And that hilarious stories like “Bemis and the Buffalo” are the best antidote for the chaos and pain of war.

I love this book, which is also a play, for its witty banter and mistaken identities. Oscar Wilde is a master of acerbic wit and putting his characters in situations that fully shine the light on their humanity and also their faults and foibles.

I read this book with a smile pasted across my face from the first to the last page.

MacLeod gives us one of the most delightful and intriguing couples with art investigators Sarah Kelling and Max Bittersohn. Although the plots are fun, with a kind of loopy charm, the real joy is the delightful characters, mostly from the widespread and eccentric Kelling clan. The Kellings are in fine form backstage of a Gilbert & Sullivan operetta. Every character here is indelible.

I lived in Australia for several years and loved visiting historic buildings with their wrap-around verandas, pressed-tin high ceilings, and old-world grandeur. Greenwood’s books, set in 1920s Melbourne, remind me of those buildings. Her heroine, investigator Phryne Fisher, epitomizes 1920s glamour.

She’s wealthy, educated, sexy, and self-assured, and conducts her investigations in a dazzling array of sumptuous outfits. But what I like most about Phryne is her ability to talk to anyone, whether that’s the grandest society hostess or the roughest docker.

In this book, she’s investigating a series of murders in a theatre and also finds herself drawn to Melbourne’s Chinese community. She moves easily between worlds, often kind, always shrewd, never flinching.

I’m surprised I don’t see Dark Shores talked about more often, because this is one of my favorite reads, especially when it comes to seafaring adventures.

Most of the time the pirates in stories are men, but not in this book. This time it’s the female main character who takes up that role, although I confess, the term ‘pirate’ is loosely based here.

She doesn’t go around commandeering ships and getting into sword fights, but she does live on the high seas and is responsible for finding lost relics (even if it means stealing them back.)

On top of that, the story has a world is based on Ancient Rome, has unique magic including teleportation crystals, has a morally grey broody love interest, and a beautiful written slow burn enemies to lovers romance. 

Set at the dawn of the Regency era, the story begins on a British naval vessel on its way to Australia, transporting a famous prisoner—American privateer, Justin Phillips—as well as civilian passengers, including shy, 17-year old Christina Marks, in mourning for her father’s death and going to live with her uncle.

Justin and Christina share a love for books and ideas but are terribly different personalities. Were it not for the unusual circumstances in which the shy, unselfish girl speaks through a small window to a prisoner she can’t see, they never would have formed the bond they did. 

Horsman has brilliantly crafted this tale of a sheltered vicar’s daughter and a hardened man. Despite all against them, the two fall quickly and desperately in love.

OK.OK. I’m only supposed to recommend one book per slot, but really, these 22 volumes truly work as a set, depending on the specifics that hold your interest.

The books in this series are expertly edited and researched, so they appear to have come from one pen. (I went through six of them.) They are all highly informative and approachable, as in a child can read them, but they don’t talk down to adults doing serious research.

The books have a wonderful “you are there” quality, and I loved them.

Lilius, a Finnish-Russian journalist and adventurer, describes his first-hand account of sailing around the Pearl River Delta in the 1920s with the female pirate chieftain Lai Choi-san. It’s a swashbuckling page-turner, featuring cutthroats, cannons, and opium dens. It’s a wonder he survived unscathed. Yet even though he includes photos, there is reason to believe that he made up the whole thing, since there are no other records of Lai Choi-san. Worth reading anyway, for the details about ships, boat people culture, and coastal life in the late 1920s, were properly researched and all ring true. First published in 1930, it was reissued in 2009.