89 Books Like The Pictish Symbol Stones of Scotland

A doomed king, the last of his kind: a final shepherd of a race fallen into such depravity and barbarity that most no longer see the Picts as human; a man driven to deliver his kin from Roman oppression, to lift his people out of squalor. I was floored by Howard’s iron-hard writing in this all-too-brief sequence of heroic stories. The razor descriptions cut to the core of a man willing to give his all in a doomed quest. I read and re-read the few tales of Bran, but I always find something new and ferocious in the brooding king’s tragedy and bitter triumph. These tales rekindled my love of sword and sorcery, and helped me hone the edge in my own stories. I recommend them to any fantasy fan!

This book is not just about Scotland, despite the title. It is a very rich and imaginative study that is both helped and hindered by its remit being modern Scotland, which was never a single political or cultural entity in the early Middle Ages. That means the author has to look at several distinct groups: the English of Northumbria, the Britons of Strathclyde in the southwest, and the Vikings of the north and west, as well as the ‘Scots’ themselves of central Scotland (whose collective identity as Scots was taking shape at this time). All of this is done with insight, imagination, and command of the complicated sources. It is a lesson in how wide-ranging histories of Britain should be written.

I picked up this book for its Scottish setting and gothic vibes (which did not disappoint!), but I devoured the book because of the characters who I was rooting for from page one.

It’s such a surprise and pleasure to read a large cast of (queer) women, each uniquely-drawn and with their own distinct desires and personalities. The setting of the book is brilliant as well–I cannot resist a book set in a Scottish forest. The story is threaded through with folklore, adding another layer to the gothic atmosphere. 

When Ishabel Stewart’s life falls apart she returns to the tiny island off the west coast of Scotland to recover only she doesn’t plan on meeting Brodie, a sexy American who turns her world upside down. This is a fun book with quirky secondary characters, lots of romance, and laughter. I could hear the beautiful accent as I read and see the stunning setting of the western isles.

Known best for his Waverly novels as well as Ivanhoe and Rob Roy, Sir Walter wrote many of the greatest short tales ever told. “The Highland Widow” is perhaps the greatest short tale ever. A subdued Scotsman living in a foreign London (at that time) and the foremost writer of his time he railed against our English overlords whilst pragmatically trying to maintain the status quo. (The letters of Malachi Malagrowther are a good example, marvellous reading, where he impugns the bank of England with great wit and Scalding rhetoric.)

He gave birth to many volumes of short tales, many under Pseudonyms (such as Malachi Malagrowther) as the English authorities were aware of his influence over the populace of London and his gift for romanticising the “Highland gentleman”. As a writer, he was unsurpassed in his time both in terms of sales by volume and in the quality of… show more.

This is another series: The Blackstone Dragon series. I've loved Dragons since: forever! If you enter my house, you'll see just how much I love them (I have statues all over, including in the bedroom!) so this series, was a given. There are many others written by Alicia and I have a few books of hers waiting to be enjoyed. 

Neil Munro’s Scottish tales, especially the Para Handy stories, were very popular in his lifetime, but I prefer his historical novels. In my opinion, the best is The New Road. The title refers to the military road into the Highlands, made in the 1730s by General Wade, which was a major reason why the Highlanders were defeated, since it enabled the army to bring artillery to bear at the Battle of Culloden in April 1746. But the road also brought the possibility of greater prosperity, through trade, to the benighted Highlands. Munro came from Inverary in Argyll, and so does the hero in this thriller, who sets out to find the killer of his Jacobite father years before, during the uprising in support of Bonnie Prince Charlie’s father, James. It is an exciting story but with underlying serious themes, for example about progress and change in traditional societies.

This novel reminds the reader that humans have carried certain truths from the dawn of time. It tells the story of Phaedrus, a slave from birth. When he gains his wooden-foil of freedom in the gladiatorial arena, he finds his life suddenly empty, and without purpose. This results in him agreeing to assume another’s identity. Not simply ‘another’s identity’ but to become a ‘king’ of the Dal Riada people of Scotland. Phaedrus, to his surprise, discovers leadership gives his life true purpose, friendship, and love. But the time comes when he must show himself worthy of the Mark of the Horse Lord. Beautifully told, the novel speaks of how sacredness and self-sacrifice intertwine for those who truly rule. 

I’ve never read anything like The Living Mountain. A book that is, at once, an autobiography of a remarkable yet under-celebrated woman writer and an exploration of the ecstasies of experiencing the world through the body and its senses.

In gorgeously vivid prose, Shepherd invites us to pursue depth over breadth and to rely upon our felt experience as a way of knowing in the world. This book challenges dominant “hero’s journey” narratives in both content and form and suggests that all we yearn to experience and know can be found right where we find ourselves, wherever that may be. 

This is the debut novel by Ely Percy, and tells the story of Kirsty Campbell, an ordinary Scottish girl as she navigates her way through high school in Renfrewshire.

An extremely relatable novel, it is told in short, buzzy chapters, and I love it for relating the best of what a Scottish working-class childhood can give you – resilience, humour, and the will to succeed. The book covers issues like teen pregnancy, drugs, and violence, but it does so without lecturing; rather, it celebrates what it means to be brought up in contemporary, working-class Scotland.