Here are 98 books that Seed of Destruction and Wake the Devil fans have personally recommended if you like
Seed of Destruction and Wake the Devil.
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I have a passion for reading and telling tales. But I am a Christian first and foremost, and when I am not studying the Bible, I love to write when my mind is at rest and not too busy with life’s responsibilities. I love fantasy as it has a rich capacity for symbolism, and Jesus taught with parables. Symbolism in storytelling is such a potent way to convey truths and stimulate thought as thoughts work like seeds. It only takes one seed to germinate and sprout. It takes a humble heart to listen and consider something new we haven’t thought of before. And epic tales have a strong impact for touching hearts, for it had truly reached mine.
I would have thought to list another book here, and for sure, there are truly many books to be read that could easily be listed here, and despite that, this is listing Tolkien’s works for a third time; the truth simply stands in my library that his works are simply that great.
So far be it that the renowned book of The Lord of the Rings be not included. I had been introduced to Tolkien and fantasy’s more serious nature by my dad and grandfather with readings of The Hobbit, and by it, I was already enamored with the world of Middle-earth, as Bilbo was my hero.
I loved the classic animated cartoon adaptations back then by Rankin and Bass, and Bakshi, which at the time was my main exposure to The Lord of the Rings, along with commentaries from my dad, until I finally read it at the time…
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.
Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
I love fantasy literature, because it's the what-if literature of the human spirit. Magic animates fantasy, and in the real world, magic is difficult to define; it lies somewhere on the border of the unconscious mind, the lore of our grandparents, scientific hypothesis, what the priest tells us, and what we see in social groups other than our own. In recent decades, much fantasy literature has walked away from portrayals of real-world magic, replacing it with synthetic and sterile creations euphemistically called “hard magic.” Hard magic has the form of magic, but lacks the power thereof. These books are all strong inoculations against the scourge of hard magic.
Wellman roots the adventures of his hero, Korean War vet John “the Balladeer,” in Appalachian folktale and folk customs. His hero battles strange old evils in the mountains with his faith, his traditional American folk magic (he carried a copy of The Long Lost Friend), and the evil-repelling silver of his guitar strings. Silver John was a major influence on our hero in The Cunning Man, Hiram Woolley.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I love fantasy literature, because it's the what-if literature of the human spirit. Magic animates fantasy, and in the real world, magic is difficult to define; it lies somewhere on the border of the unconscious mind, the lore of our grandparents, scientific hypothesis, what the priest tells us, and what we see in social groups other than our own. In recent decades, much fantasy literature has walked away from portrayals of real-world magic, replacing it with synthetic and sterile creations euphemistically called “hard magic.” Hard magic has the form of magic, but lacks the power thereof. These books are all strong inoculations against the scourge of hard magic.
Drake’s old Nathan is explicitly identified as a “cunning man” throughout these tales. Inspired by Wellman’s Silver John, Old Nathan is a predecessor, an Appalachian wizard in the late 1700s and early 1800s, using real-world folk magic to ward off curses, heal wounds, and otherwise battle evil. Like Silver John and Hiram Woolley, Old Nathan is a war veteran—a veteran of the Revolutionary War. Nathan’s war wounds left him crippled and pulled aside from ordinary life, turning him into the course of becoming a magician.
FIFTH YEARS AFTER THE AMERICAN REVOLUTION, MAGIC IS LOOSE IN THE BACKWOODS
The forces of evil are poised to prey on the folk of the hamlets and hollows: witches, demons, and red-handed men—but first they'll have to overcome Old Nathan the Wizard.
He doesn't claim much for his magical powers, but they're real enough for what they are—and besides, he hasn't forgotten how to use his long flintlock rifle ....
Enter the gritty, realistic world of Old Nathan, a backwoodsman who talks to animals and says he'll face The Devil himself-and who in the end will have to face The…
Since reading the Harry Potter series (I know, how original! But bear with me), I’d been searching for books that awoke the same feelings of awe, curiosity, and inspiration in me. It’s been my mission—to be on the dramatic side—to find books that make magic feel just within reach of our world, which is why I set out to write my own urban fantasy story, The Wise One. My creation process involved years of extensive research on esoteric topics and Celtic folklore, including visiting most of my story’s locations during my travels across Ireland and Scotland. What I can boldly say after immersing myself in the landscape and culture is this: magic totally does exist.
I'm always reluctant to recommend occult books (there's definitely a weirdness factor that will turn some off), but this isn't like any other. Don't worry: you don't have to purchase a wand, crystals, salts, oils, or herbs. Scott Cunningham was a widely respected practitioner that always advocated for age-old tools of natural magic—like water from a spring. For those interested in exploring the Craft, this is the perfect starting point because it reminds us of the fundamentals: nature is magic. It doesn't get more complicated than that.
"A treasure trove of practical magic for both novices and more experienced practitioners...beautifully crafted spells that invoke the alchemy of possibility."—PanGaia
A leaf from an oak tree...a wildflower...water from a sparkling stream...dirt from a cool dark cave—these are the age-old tools of natural magic. Born of the earth, possessing inherent power, they await only our touch and intention to bring their magical qualities to life.
The four elements are powerful magical tools. Using their energies, we can transform ourselves, our lives, and our world. This much-loved, classic guide offers more than seventy-five spells, rites, and simple rituals you can perform…
Magical realism was created by Latin American writers, and I’m proud to continue the tradition today. I grew up reading magical stories – mostly fantasy – but there was always something missing in those books, that sense of reality that I experienced every day of my life thanks to my Mixed Latinx heritage. When I discovered magical realism, I felt at home. I’ve been studying magical realism since I was 21, so it comes as no surprise that most of the creative writing I do fall into the magical realism genre. I love helping others discover the beauty of magical realism because it is a phenomenal genre that helps readers understand their reality through magic.
My favorite thing about magical realism is that it is often used to discuss social and cultural issues, colonialism, the powerful and elite, environmental issues, racism, war, homophobia, genocide, and more. It can also be used to talk about social issues that are equally as important but maybe not as heavy. That’s why I love Melmoth by Sarah Perry – because magical realism is used to cover a gambit of social and historical issues.
In the novel, Perry focuses on a mythical figure called Melmoth the Witness who preys upon people in the darkest moments of their lives. Through this mythical figure, Perry discusses everything from Nazi Germany to fear, sins, loneliness, and self-loathing with a magical lens. I loved the grit and darkness of this magical realism story and I know you will too.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
Lumley is steeped in both the occult detective and the Lovecraftian tradition, and it shows most clearly in this set of pulpy occult detective stories featuring his cerebral-yet-tough Titus Crow, and involving wild flights of fancy in time and space that also arguably show some influence from Doctor Who. We get a lovely creepy origin story here, and several vignettes, but the highlight is the longer tale of the mysteries of the wyrm, and festering, crawling things in an ancient manor house and its library. It fairly oozes supernatural evil and is one of my favorite things.
Titus Crow is an occult investigator, psychic sleuth and cosmic voyager. In this book 11 short stories featuring Crow are brought together. These stories were written before the "Cthulhu Mythos" novels and follow Crow as he explores beyond the frontiers where mortal man is not meant to tread.
I discovered Indian Yoga and Western occultism as a teenager, and it turned into a lifelong obsession. I tend to relate to various forms of esotericism more naturally than to established religions; I find the lack of rigidity in the former’s metaphysical and ethical constructs more appealing. I obtained a Ph.D. in Asian Studies with a Thesis on the Nāth Yogis and pursued my interest in Aleister Crowley, his religious movement of Thelema, and Western occultism. What I find attractive in these systems is the vision of the human potential that promises to be able to transcend limitations associated with the consensus reality.
This book chronicles the changing landscape of Western spirituality as it encounters “the wisdom of the East,” primarily India’s religious heritage, alongside its fascination with and assumed similarity to the archaic and “pagan” European past.
The ideas of the primacy of solar worship are entertained side by side with the notions of the importance of phallic worship and fertility cults. The title of the book is a tip of the hat to Frances Yates’ study of Rosicrucian Enlightenment–in both cases, the suggestion is that the project of Enlightenment does not consist of the “cult of reason” exclusively but that it contains important undercurrents best described as esoteric, which in Godwin’s book have their focus on the Theosophical Society of Madame Blavatsky and its many associated propagators.
This is an intellectual history of occult and esoteric currents in the English-speaking world from the early Romantic period to the early twentieth century. The Theosophical Society, founded in 1875 by Helena P. Blavatsky, holds a crucial position as the place where all these currents temporarily united, before again diverging. The book's ambiguous title points to the author's thesis that Theosophy owed as much to the skeptical Enlightenment of the eighteenth century as it did to the concept of spiritual enlightenment with which it is more readily associated.
The author respects his sources sufficiently to allow that their world, so…
I started studying and practicing Witchcraft in high school. It was an honor to become trained in the Georgian tradition of Wicca by its founding Priestess, Zanoni Silverknife. From there, I branched out to study other branches of Western Paganism as well as metaphysical and mystical systems ranging from Hermeticism, Tarot, and esoteric Qabalah (Kabbalah) to traditions of Hinduism and Buddhism. Over 20 years and 10 traditionally published books later, I’m as Witchy as ever and am thrilled to share a list of essential books that aided in my early development as a Neopagan Witch. Enjoy!
This book is, hands-down, one of my top “Stranded on a Desert Island” books. Why? Let me count the ways! For one, the author himself is a walking encyclopedia—trust me, I’ve spent time with him! John-Michael is also a practicing Druid and is a member of various occult orders and fraternal lodges. Basically, he’s a genius.
I adore this monumental book’s approachability and depth of knowledge. The information is academic but easy to read. Regardless of a person’s mystical, metaphysical, or occult leanings, there’s a rabbit hole of wisdom waiting to be uncovered. The investigation of one topic quickly leads to another. In fact, I’ve found myself (on numerous occasions) researching one occult term, only to realize that hours had passed; studying one fascinating entry led to another, and another, and another!
This is an indispensable book for spiritual seekers of all ages and all varieties. Without question, I’ll continue…
With this one text, you will gain a thorough overview of the history and current state of the occult from a variety of Western European and North American traditions. Its pages offer the essential knowledge you need to make sense of the occult, along with references for further reading if you want to learn more. You will find here the whole range of occult tradition, lore, history, philosophy, and practice in the Western world.
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.