Here are 83 books that The New Girl fans have personally recommended if you like
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Why do I love books set in cemeteries? Maybe it’s because I grew up living right next to one and still do. I spent hours as a child wandering around and even playing hide and seek among the tombstones. It’s a place where the living and dead meet, a place of mourning, memories, and peace. Cemeteries have so many superstitions and lore surrounding them. The stories written about them can be spooky, mysterious, sad, heartfelt, and any number of things, so the ideas are endless.
I loved this book from the first page. There’s something both eerie and comforting about a boy raised by ghosts in a graveyard. I was enamored by the atmosphere, soft fog, ancient tombstones, and strange creatures lurking just out of sight.
Gaiman has a gift for writing stories that feel like old folktales, but are still fresh and full of heart. I didn’t want it to end because I fell in love with the idea of this unconventional “family” protecting a boy as he grows up surrounded by the dead. It’s dark, magical, and unexpectedly warm.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
A hair-raising, side-splitting supernatural adventure!
In the idyllic town of Pine Port, Kelsey was on the cusp of realizing her dreams. In weeks, she'd clasp her high school diploma and beauty license. Or so she thought, until her life took a supernatural detour, far removed from the ordinary path she'd…
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
This is another book that really hit me right between the eyes as a kid, and revisiting it with my kids as an adult, it’s nothing short of just creepy weirdness.
Guillermo Del Toro once said that kids' stories should be frightening, and this definitely fits the bill. The best part about it is how short the stories are, too, so I was able to break it up with my kid into a number of sittings.
Scary Stories to Tell in the Dark is a classic collection of chillingly scary tales, in which Alvin Schwartz offers up some of the most alarming tales of horror, dark revenge, and supernatural events of all time, complemented in this paperback edition by spine-tingling illustrations by renowned artist Brett Helquist. Walking corpses, dancing bones, knife-wielding madmen, and narrow escapes from death-they're all here in this chilling collection of ghost stories. Make sure you read these books with the light ON!
As a middle grade horror writer, I attribute my love of everything spooky to my early obsession with reading. Of course, my little brain was twisted already, but I found a perfect home in the monsters and ghouls of the library. These are the five books that inspired me to become a writer who scares children in the best possible way.
Another Newberry Medal winner, this book is unlike the rest because the terror doesn’t come from the supernatural. It’s from the cruelty of mankind and scientific testing on animals.
What I love about this book, and the movie made in the “nineteen hundreds”, is it respected the readers. It told us a frightening story and trusted us to be able to process it. Like all the books on this list, the authors didn’t treat us like kids. They treated us like readers, and that’s the best thing a writer can do for their fans.
Some extraordinary rats come to the aid of a mouse family in this Newbery Medal Award–winning classic by notable children’s author Robert C. O’Brien.
Mrs. Frisby, a widowed mouse with four small children, is faced with a terrible problem. She must move her family to their summer quarters immediately, or face almost certain death. But her youngest son, Timothy, lies ill with pneumonia and must not be moved. Fortunately, she encounters the rats of NIMH, an extraordinary breed of highly intelligent creatures, who come up with a brilliant solution to her dilemma. And Mrs. Frisby in turn renders them a…
A hair-raising, side-splitting supernatural adventure!
In the idyllic town of Pine Port, Kelsey was on the cusp of realizing her dreams. In weeks, she'd clasp her high school diploma and beauty license. Or so she thought, until her life took a supernatural detour, far removed from the ordinary path she'd…
As a twelve-year-old, I read nothing but ghost books—not monsters, horror, or mystery, but ghosts. Though I debuted as an author in teen fantasy, a middle grade editor discovered my talent for spooky atmospheres, and I was once again drawn into the world of lost souls. In fact, when I was working on my first spooky novel, The Haunting, my editor requested the book to remind him of the works of Mary Downing Hahn—one of my favorite authors as a child. I’d found my calling. It just happened to be from beyond the grave…
Imagine finding a beautiful dollhouse where its occupants reenact the night of a murder from decades ago…creepy, right? Betty Ren Wright’s The Dollhouse Murders is a unique ghost story where the ghosts communicate their tragic tale through miniature doll versions of themselves.
Its mystery and old family secrets make this book one of my all-time favorites.
Dolls can't move by themselves. . . . Or can they?
This special anniversary edition of the hair-raising mystery that's kept readers up at night for thirty-five years features a foreword by Goosebumps creator R.L. Stine.
Amy is terrified. She hears scratching and scurrying noises coming from the dollhouse in the attic, and the dolls she was playing with are not where she left them. Dolls can't move by themselves, she tells herself. But every night when Amy goes up to check on the dollhouse, it's filled with an eerie light and the dolls have moved again! Are the dolls…
I’m passionate about the theme of this list because I’ve experienced a lot in life already, even though I’m only 24 years old, and I know about the different situations that these books describe well. I’ve experienced a few traumatic situations later in my life (after I read these books) that these books have, it has turned me into somewhat of a realist over time, and I like to use my own talent of writing and creating characters to create, teach, and make people aware of scary and traumatic situations that can happen to anyone in real life. I hope more people will see the valuable lessons in these books.
I love this book because even though it’s fictional, it delves into phenomena that actually happen to people in real life. There is such a thing as having repeated nightmares that are linked to a real-life incident and/or person, mainly when it directly happens to someone. Still, it also happens to people who either witnessed something and/or have an item with energy attached to it.
A lot of people refuse to believe in stuff like this. It’s like having a dream of a ghost or an entity one night, just to later figure out it was the thing haunting your house or it’s something that attached itself to you.
Every night Maggie Travers has the same horrible dream. Every night she is forced to watch the same murder. And every night the girl in her dream cries out for help. Maggie is afraid to go to sleep again. But when the terrifying dream starts to come true and the gruesome accidents begin, staying awake is the real nightmare!
When I was five my dad had to carry me, crying, out of the Salem Witch’s Dungeon. You’d think that would put a damper on my love of spooky things, but it absolutely did not! Bela Lugosi was my first crush. I set up Haunted Houses in my garage and read every single book my local library had on the Salem Witch Trials. I made my way from Bunnicula and The Halloween Tree, to books by Stephen King and Anne Rice. Halloween and horror will always have a special place in my heart, and yet…I still don’t let my legs dangle off my bed, lest the monsters get me.
Eastport is the most cursed city in the US and the residents are darn proud of it!
Unfortunately, Mallory hasn’t quite adapted to her new home and finds her parents’ spooky stories to their restaurant customers and the constant Halloween in the town embarrassing. None of this stuff is real, after all! But when Mallory sees the girl in white, things start happening that she can’t explain. Worse yet, she’s doing things she can’t explain. Dangerous things.
I loved this new take on the Lady in White urban legend, and as a huge fan of towns like Salem, where the Halloween vibe is year-round, I loved visiting Eastport, even if Mallory’s not a fan. This one has some truly scary scenes, but the story itself has a base that any kid will relate to, the struggle of fitting in.
For fans of Small Spaces and the Goosebumps series by R.L Stine comes a chilling story about a twelve-year old girl who must face down the most notorious ghost in her haunted East coast town to stop a centuries-old curse that threatens to destroy everything.
Mallory hasn't quite adapted to life in her new town of Eastport yet. Maybe it's because everyone is obsessed with keeping the town's reputation as the most cursed town in the US.
And thanks to the nightmares she's had since arriving, Mallory hardly sleeps. Combined with the unsettling sensation of being watched, she's quickly becoming…
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
I really love this book because I have been known to go on a “haunted” history tour now and again and I love a good ghost story. However, I realize that sometimes the true stories from our past are more scary than the fantastic ones.
This book particularly hit home because it covers quite a few ghost stories from New Orleans that I am very familiar with. However, those “spooky” ghost stories become truly frightening when contextualized by Miles.
In this book Tiya Miles explores the popular yet troubling phenomenon of ""ghost tours,"" frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. ""Dark tourism"" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
Stephen King has arguably perfected creating stories in which supernatural things happen to ordinary people. This set-up—what I loved so much about Rod Serling’s The Twilight Zone TV series—is irresistible. Across fourteen tales, King delivers mind-bending tales that draw you in. “1408” a story about a ghost skeptic/writer who stays in a haunted New York hotel room is especially gripping. King was a big, early influence on me and though I didn’t keep up with his work much past Misery, whenever I do dive into his later work, I invariably find him as good as ever.
A spine-tingling collection of stories from the No. 1 bestselling master of horror - now with a stunning new cover look.
Nothing is quite as it seems.
Expect the unexpected in this veritable treasure trove of enthralling, witty, dark tales that could only come from the imagination of the greatest storyteller of our time.
In this eerie, enchanting compilation, Stephen King takes readers down a road less travelled (for good reason) in the blockbuster e-book 'Riding the Bullet'. Terror becomes deja vu all over again when you get 'That Feeling, You Can Only Say What It Is in French'. 'LT's…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
These days, “folk horror” is a popular term for movies like Midsommer and The Witch.
In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.
The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).
When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt. But as Michael Chabon's marvelous introduction reminds us, the ghost story was once integral to the genre of the short story. Indeed, as he points out, it can be argued that the ghost story was the genre. Dickens's "A Christmas Carol," Henry James's "The Turn of the Screw"-most of the early short story writers wrote ghost stories as a matter of course.…
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
I once made the mistake of reading several of James’ ghost stories, one after another, while alone in the house.
I was making a cup of coffee when something started scratching stealthily at the inside of a cupboard door. I had to lower myself from the ceiling before I discovered that some scrunched carrier bags hung inside the cupboard had unscrunched, causing the ghostly scratching. But that’s why I love James’ ghost stories.
The second in a series of republished classic literature, The Ghost Stories of M. R. James collects the tales that best illustrate his quiet mastery of the ghost story form. Running through each of these stories is a slowly escalating sense of unease and dread, which ultimately shifts into the wildly uncanny. James' characters exist in a world of ancient objects whose atrocious histories begin to repeat when they are disturbed, and the blinkered repression common to James' narratives only amplifies the shock of the spectral appearance.
