Here are 100 books that The New and Improved Romie Futch fans have personally recommended if you like
The New and Improved Romie Futch.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care.
As someone who considers her brother her creative muse, I would describe this novel as one interested in siblings.
Between Leonie and Given, and Jojo and Kayla is an indescribable, utterly unique bond, held within and beyond both family and friendship.
I was utterly consumed by this heartbreaking novel. From the opening scene where Pop and Jojo kill and skin a goat, to the heat in Leonie’s car and the scene of Jojo’s police cuffing, Ward delivers a pace, language, and viscerality that means you can’t look away.
Somewhat surprisingly, I was even compelled by the book’s ghostly elements. I found they enhanced the magnitude of the characters’ burdens, especially for thirteen-year-old Jojo, who already shoulders so much.
I highly recommend this book, as a pleasure and as a duty to your fellow human beings.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018
WINNER OF THE NATIONAL BOOK AWARD 2017
ONE OF BARACK OBAMA'S BEST BOOKS OF 2017
SELECTED AS A BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW STATESMAN, THE FINANCIAL TIMES, THE NEW YORK TIMES BOOK REVIEW, TIME AND THE BBC
Finalist for the PEN/Faulkner Award for Fiction
Finalist for the Kirkus Prize
Finalist for the Andrew Carnegie Medal
Finalist for the National Book Critics Circle Award
'This wrenching new novel by Jesmyn Ward digs deep into the not-buried heart of the American nightmare. A must' Margaret Atwood
'A powerfully…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a human being who struggles with feeling human. When I was 17, I got my brain pretty shaken up after a traumatic event, causing a swathe of memory loss and mental health problems. How do you regain a sense of yourself when chunks of your childhood memories, your skills, and your sense of self have disappeared? Here are some books that grapple with that question, and others.
I grew up with and write horror stories, so it’s very difficult for a book to unnerve me; this is one of the only books I can think of that earns the honor. It is half an ecological text and half a horror story, with its romantic prose balanced by intense natural research to create a surreal, unnerving description of the natural world.
This book made me hyper-aware of everything from the grass outside my window to the cells that make up my body, and I love how it uses both existential horror and the real, biological horror of being a living creature to leave a lasting unease. Are you aware you’re breathing? Can you feel your tongue in your mouth? Your heart’s nonstop beating? You can, now.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
This book haunted me for days after I finished reading it. I felt like someone I loved had died. Few works of art have stuck with me the way O’Connnor’s book did. Its main characters—Hazel Motes and Enoch Emery—are the epitome of outsiders. I grew up in a religious family in Kentucky, so I can understand Motes’ struggle with faith. The way that Motes and Emery are so severely separated from the rest of humanity is affecting them.
The book caused me to passionately take their side, rooting for them and their cause, sharing in their anger towards the rest of mankind. This book had such a powerful emotional impact and influence on me, leaving me with a palpable feeling of hopelessness and catharsis over several weeks—unlike I’ve experienced with any other work of art.
Wise Blood, Flannery O'Connor's first novel, is the story of Hazel Motes who, released from the armed services, returns to the evangelical Deep South. There he begins a private battle against the religiosity of the community and in particular against Asa Hawkes, the 'blind' preacher, and his degenerate fifteen-year-old daughter. In desperation Hazel founds his own religion, 'The Church without Christ', and this extraordinary narrative moves towards its savage and macabre resolution.
'A literary talent that has about it the uniqueness of greatness.' Sunday Telegraph
'No other major American writer of our century has constructed a fictional world so energetically…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This gothic fairytale is a favorite. Exploring the universal themes of good and evil, William Gay’s prose poetically weaves a sinister tale of Fenton Breece, an undertaker who abuses the dead.
This novel takes the reader on an eerie backwoods odyssey lush with peril and a grotesque cast of characters. I am inspired in my writing by Gay’s assignment of myth to place as he has done with the wilderness he calls the Harrikin.
Suspecting that something is amiss with their father's burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods…
I’ve been a huge fan of D&D and RPG games since I’ve been old enough to play them. The idea of grooming a character, growing it in terms of strength and levels until it becomes powerful enough to take on gods always captured my imagination. LitRPG is a relatively new book genre, and reading it (the good ones at least) makes you feel like you’re playing those games yourselves. Following a new protagonist growth and journey, often illustrated by actual numeric values you can easily keep track of (like skills and levels) is so much fun, and I think more people should be aware it exists.
This is a great, innovative new type of storytelling – that from the side of a monster protagonist. He’s more than just an antihero, he’s a certified, evil, people eating, gold grabbing, demon rising monstrosity – that you can’t help but route for. Prepare for having the meaning of the words ‘shinny’ and ‘tasty’ change forever in your eyes. This is a very different type of story told from the perspective of a greedy, evil, man-eating monster, and you can't help cheer for him along the way. Boxy is the funniest, most uncomplicated-complex character I've ever read, and as he meanders through life, causing a cataclysm event in his wake – all he really wants is shiny and tasty things.
Large chests are said to encompass all manner of hopes and dreams. Men covet them. Women envy them. But one fact holds true - everyone wants to get their hands on some big ones.
The same holds true for one intrepid adventurer - a strapping young lad by the name of Himmel. Armed with his grandfather’s trusty longsword and the dream of being the strongest, he sets out on the journey of a lifetime! It is sure to be a long and dangerous road, fraught with danger! And it all starts with a simple test - reach Level 5 in…
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
Gotta love a hero/antihero with a great wit and a fast mouth. Most Wanted is the first book in a sci-fi series that may remind you a bit of Firefly, and I don’t use that comparison lightly. The narrator’s wit definitely puts this book on this list, but “that’s us, out here on the raggedy edge” is the soul of the book that makes the series for me. Not the best, not the brightest, not the richest or strongest, but a group doing what they can to get by and be there for each other. Maybe accidentally right some wrongs along the way.
They’ve plundered their way across the galaxy and just found the score of a lifetime.
All they have to do is steal from the most ruthless crime lord in the galaxy. What could possibly go wrong?
Yan and his band of rogues are intent on plundering their way to fame and fortune. When they stumble across the score of a lifetime, they quickly go all in for one last job. With everything on the line, there’s no way they can fail. At least that’s what they’re hoping. In the end, they just might have gotten into something bigger than they…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
I love this book because it made me laugh when I probably shouldn’t have.
The way sickness seeps into ordinary moments, the way your mind can twist itself into something unrecognizable. I remember laughing at the absurdity of some scenes and then realizing how close they were to the way fear really works.
It’s incredibly elegant, disturbing, and oddly funny in the absolutely best ways. That combination is addictive for me, and I still talk about it.
Virginia Feito's Mrs. March was hailed as "a brilliant debut . . . [by] a writer who keeps pace with the grandees she invokes" (Sarah Ditum, Guardian)-from Daphne Du Maurier and Shirley Jackson to Patricia Highsmith. Now, Feito returns with her "silver-polish sentences and her eerie psychological acumen" (Constance Grady, Vox) to unleash an entirely new antihero on us all.
Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess-she'll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate's…
I’ve always been drawn to portal stories where a character is magically transported to another world. As a child, I loved Where the Wild Things Are. Now, as a parent, I can see how cleverly Maurice Sendak builds a fantasy around a core emotional truth. This fascination stayed with me through books like The Phantom Tollbooth and Alice in Wonderland. I believe there’s something very powerful about using fantasy worlds to explore the inner lives of characters.
This is a dark portal fantasy I discovered in high school.
The setup is utterly unique, featuring a protagonist who is a leper in the real world and a reluctant anti-hero in the fantasy realm. Stephen R. Donaldson builds an intricately detailed world, both beautiful and treacherous, populated by original and complex characters.
It is a morally ambiguous series with psychological depth, which creates a stark contrast between the Covenant’s identity across the two worlds.
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
I picked up a copy of Sally Rogers-Davidson’s book Polymer in a bookshop in Glebe. I admit I took it from the shelf because of the chance resemblance between our names. It entertained me royally on a long bus ride and I instantly wanted to write to the author. I later met Sally R-D and found we had more in common than our names and our penchant for writing science fiction.
Polymer is one of the most wonderful lively, romantic, adventurous space operas I’ve ever read. It’s sharply written, and Polly Meridian herself is a heroine I wish I’d invented. Her hero is an antihero at first, but the story persuades the reader to give him a chance, as Polly does.
Polymer never wanted to get involved in an intergalactic war. Nor did she ever expect to fall for a member of the enemy forces. But when her idyllic existence on Delta Station is shattered by the invading Gloman Empire, Polymer discovers that there is more to life than long, hot baths. Torn from the only home she has ever known, Polymer is forced to re-evaluate her own beliefs and convictions as she joins the battle against the seemingly unstoppable Glomans. Hunted across the galaxy by a ruthless suitor, Polymer finds herself at the centre of a terrible conspiracy and has…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’m a writer of all genres that’s found a lot of love, particularly in fantasy and thrillers. My love for epic fantasies first began when I was young, and like all young readers, was introduced to Harry Potter and the Magic Tree House series. The idea of being whisked away to a magical world captivated me, and so, I started to create my own stories to keep that magic alive.
In Grey, Gabrian doesn’t believe in magic. She’s a psychologist, and proud to be one. She bases her life on logic, but when things start to happen that she can’t explain, she finds herself in a whirlwind of magic. The way that Gabrian slowly comes to the truth is probably my favorite part of this book. As a Borrower, she’s considered not just a magical being, but a dangerous one. At first, she doesn’t handle this well and takes on the role of an anti-hero, nearly villain which was an interesting way to not only build Gabrian’s character but to introduce the truth of the magical world as well.
And skeletons—all dressed in their finest secrets—will come out to dance.
Raised in urban downtown New York, Gabrian holds no grand illusions of how life really works. And legends of magic and vampires, nothing more than a bunch of hocus pocus stuffed within book pages or painted on the big screen.
But when a woman, no one else can see, enters her office and delivers a riddle filled warning about her intended fate, Gabrian's grip on sanity takes a big hit—terrified she is falling into madness.