Here are 12 books that The Mountain Crown fans have personally recommended if you like
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I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
It’s the voice that gets me with We Have Always Lived in the Castle.
Merricat Blackwood is such a strange, chilling young narrator. Mysterious and vaguely unsettling, I could never be sure whether to believe her version of events. Or not.
Plus, it has some of my favourite story ingredients: a family tragedy, a murder trial, an unwelcome visitor, and a little bit of magic.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A family on a remote island. A mysterious woman washed ashore. A rising storm on the horizon.
Dominic
Salt and his three children are caretakers of Shearwater, a tiny island
not far from Antarctica. Home to the world's largest seed bank,
Shearwater was once full of researchers. But with sea levels rising, the
Salts are now its final inhabitants, packing up the seeds before they
are transported to safer ground. Despite the wild beauty, isolation has
taken its toll on the Salts. Raff, eighteen and suffering his first
heartbreak, can only find relief at his punching bag; Fen, seventeen,
has…
Who can really claim that they know everything about the human heart, the mind, the soul? The infinite mysteries and complexities of what makes someone who we can call “human.” I'm betting no one. Certainly not me. But what's important is the passion to keep exploring, to keep digging through the mind in an effort to understand myself. That effort, along with what I discover, is one of the most tangible things that not only enriches my living life, but also gives me comfort facing the inevitable end. These books were passionate companions, inspiring me, for however long, to further my efforts in self-discovery.
The book resonates with me on many levels. Firstly, of course, I’m a combat veteran, so the military and living through the hell of war are part of my identity. The author and I share an innate connection there.
But on a different level, it delves into the intangible burdens that resonate for years after the experience – the grief, the guilt, the terror, even the longing to return because it’s what you know.
The title is explicit, and I share the load with all my fellow veterans.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As an equipment operator for the Army Corps of Engineers, I didn’t serve in a “combat” role, per se, but the engineers go wherever the military needs things built, so we were often repairing IED damage, hauling supplies outside the wire, or fortifying bases so the infantry, cavalry, etc. could do their job effectively. Coming home, I owe a lot of my successful reintegration to my writing and the many people who encouraged me to share it with the world. Now with my Master of Arts in English, I’ve taught college courses on military culture, and I present for veteran art groups, writing workshops, and high schools and colleges around the country.
Grossman is a former Army Ranger who digs deep into the psychological impact of taking human life through countless interviews with fellow soldiers of all kinds. Combining these accounts with thorough psychological research, Grossman comments on society's collective aversion to killing while helping us understand its complicated acceptance—and even encouragement—of wartime killing. What was most surprising to me was that historically, only about 4% of soldiers even fire their weapon during war, and how obviously that skews from the “norm” of combat portrayed in popular media. It’s an honest, eye-opening, and important piece of work that should be required reading for every service member, police officer, or anyone tasked with carrying society’s heaviest burden.
The good news is that the vast majority of soldiers are loath to kill in battle. Unfortunately, modern armies, using Pavlovian and operant conditioning have developed sophisticated ways of overcoming this instinctive aversion. The psychological cost for soldiers, as witnessed by the increase in post-traumatic stress, is devastating. The psychological cost for the rest of us is even more so: contemporary civilian society, particularly the media, replicates the army's conditioning techniques and, according to Lt. Col. Dave Grossman's thesis, is responsible for our rising rate of murder among the young. Upon its first publication, ON KILLING was hailed as a…
I am at heart a storyteller, with a special interest in archiving and weaving the tales of my people to give you insight into a culture that is quite different from yours. Like an archaeologist digging a forgotten world, I want to bring these stories to life in the form of words. After a long day of animal herding and chores, my family and I would sit by the fire in a vast, open desert covered in blackness, and share century-old stories. My big ears consumed these stories like a thirsty desert after a long drought, so I could one day share this library of wisdom with others.
This memoir captures the journey of child soldiers during the civil war in Sierra Leone, and shows how once-innocent children with ordinary lives became killing machines in the hands of a ruthless rebel leader. Beah doesn't shy away from the gruesomeness of civil war, but there is beauty in how he weaves this memoir that reads like a novel. Though I am not usually a fan of books with a lot of violence, I was drawn to this one and could not put it down. I believe history is best learned from those who have first-hand experience. This is a one-of-a-kind book and to Beah’s credit, well-written as well.
This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this…
I played rugby union for Durham University and at Rosslyn Park FC in London. Then I became a reporter and editor, for Rugby News magazine and on Fleet Street sports desks. In March 2002, six months after 9/11 and a year before the invasion of Iraq, my Park team played against the cadets of the United States Military Academy. Years later, settled in New York, I decided to find out what happened to those West Point rugby players in the 9/11 wars, and what their experiences might tell us about sports, war, brotherhood, loss, and remembrance.
Junger wrote War, about Afghanistan. But as I found the West Point rugby players’ stories wouldn’t leave me alone, so Junger stayed with those he found in Kunar province.
In Tribe, he considers the ties that bind – notably a focus on the “energy of male conflict and male closeness”. Junger “once asked a combat vet if he’d rather have an enemy or another close friend”. The vet looked at Junger like he was crazy. “‘Oh, an enemy, 100%,’ he said. ‘I’ve already got a lot of friends.’
He thought about it a little longer. ‘Anyway, all my best friends I’ve gotten into fights with – knock-down, drag-out fights. Granted we were always drunk, but think about that.’ He shook his head as if even he couldn’t believe it.”
From the author of THE PERFECT STORM and WAR comes a book about why men miss war, why Londoners missed the Blitz, and what we can all learn from American Indian captives who refused to go home.
Tribe is a look at post-traumatic stress disorder and the challenges veterans face returning to society. Using his background in anthropology, Sebastian Junger argues that the problem lies not with vets or with the trauma they've suffered, but with the society to which they are trying to return.
One of the most puzzling things about veterans who experience PTSD is that the majority…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.
I read this book many years ago and it was a time when I dreamed of being a war correspondent. It made me realise that I wasn’t cut out for it. Loyd’s unflinching account of the Bosnian War in the 1990s was so vivid that it made me physically recoil. I’d have become traumatised if I had seen the things he saw. I admired his powers of description and raw honesty. He is also addicted to smack, which takes him to dark places.
My War Gone By, I Miss It So is a uniquely powerful piece of writing, unparalleled in the genre. Ex-infantry officer Anthony Loyd arrived in the Balkans hoping to become a war correspondent. He wanted to see `a real war', and in Bosnia he found one. The cruelty and chaos of the conflict both appalled and embraced him - the adrenaline lure of the action perhaps the loudest siren call of all. In the midst of the daily life-and-death struggle among the Serbs, Croatians and Bosnian Muslims he was inspired by the extraordinary human fortitude he discovered. But returning home,…
I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
I love books that start in the world we know and gently transport the reader into the supernatural. The magic in The Scribe is ancient and the war is underground, but everything feels so natural and real. And how the hero and heroine interact—the reluctance, the tension, the life-or-death alliance. This isn’t instalove, it’s the inescapable love that connects them soul to soul. And when it’s not just the hero who’s haunted but also the heroine, there’s an added dimension to the story that feeds what I crave. The dialogue feels true to life, and the characters come alive on the page. The blend of these elements—fantasy, adventure, and romance—is perfect here, and how they play off one another is like magic.
"Sexy, well-written, and suspenseful." Hidden at the crossroads of the world, an ancient race battles to protect humanity, even as it dies from within.
To the outside world, Ava Matheson is a successful travel photographer from a privileged background. But Ava's spent a lifetime battling voices in her mind she can't understand, and her fractured family has convinced her she'll never belong.
Malachi is an Irin scribe, descended from an angelic race and sworn by blood and magic to defend humanity from the Grigori, the sons of fallen angels who could ravage the world. A chance meeting in Istanbul will…
I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
Song of Scarabaeus is sci-fi, not fantasy, but it definitely has that perfect blend: just enough adventure, just enough sci-fi/fantasy, just enough of a love story. The relationship between the two characters, a scientist and her bodyguard, creates instant on-page tension. I can’t spoil why, but it’s an interesting life-and-death situation that kept me turning pages. With this captivating plot, great characterization, realistic dialogue, and expert worldbuilding, I wish I could erase my memory of this book and experience it all over again.
“A powerful debut….Gripping characterization, non-stop action, fascinating biological speculation, and a dash of romance. Don’t miss it!” —Linnea Sinclair
Remember the name: Sara Creasy. With Song of Scarabaeus she takes her place alongside Ann Aguirre and Linnea Sinclair, staking her claim as one of the most exciting new writers currently rocketing across the science fiction universe. Seamlessly blending action, romance, intrigue, technology, and a tough, complex, and unforgettable heroine in the vein of Elizabeth Moon, Creasyboldly goes where few have traveled before. No wonder author Vonda N. McIntyre declares that “Sara Creasy is a new writer to watch, and Song…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
The Gaslight Dogs is a powerful story with expert prose and characters that moved into my heart. Their troubles, their reluctant unions, how human and authentic they feel... despite at times not being very human at all... built such sympathy I had to take breaks from this book just to breathe. This is not a romance, but a different kind of human relationship—one of the most interesting I’ve ever read. The characters’ journey from the comfort of their known worlds into each other's moved me deeply. The blend of adventure in this very unique fantasy world, with these two amazing characters, makes this one of my favorite books of all time.
At the edge of the known world, an ancient nomadic tribe faces a new enemy-an Empire fueled by technology and war.
A young spiritwalker of the Aniw and a captain in the Ciracusan army find themselves unexpectedly thrown together. The Aniw girl, taken prisoner from her people, must teach the reluctant soldier a forbidden talent -- one that may turn the tide of the war and will surely forever brand him an outcast.
From the rippling curtains of light in an Arctic sky, to the gaslit cobbled streets of the city, war is coming to the frozen north. Two people…
