100 Books Like The Moth Girl

Right off the bat, Darius jumps off the page as a real teen with relatable problems.

He’s the quiet kid at school, who the others tease. And he suffers from clinical depression. What I loved was how well Khorram tackled depression’s subtleties.

I think there is a tendency for society to see depression as this overarching dark cloud that keeps us in bed 24/7. But the truth is, many people who are suffering, are functional.

From the outside, we don’t see the building up of little moments that act like a snowball gradually expanding as it rolls down the mountain face.

Be warned – the food descriptions are amazing, so you might get hungry during the read.

It was such a pleasure to read about a teen navigating high school with arthritis, as I had. Better yet, a sweet, awkward romance is the heart of this book rather than its focus being on Isabel’s chronic illness. In my experience, life with chronic illness is just that—life, with all its ups, downs, pleasures, absurdities, etc. Sasha is a swoon-worthy love interest, and neither character’s chronic illness is downplayed or mined for soapy dramatics. There’s an authenticity here, particularly in the often mundane hospital scenes, that signifies this is an author who’s sharing, to at least some degree, her own lived experiences. 

I loved Natalia Sylvester’s tender and gripping YA novel about a young woman living with hip dysplasia yearning to be a mermaid because it reminded me of the big dreams I had as a young teenage girl.

Verónica will do just about anything to get a job as a real-life mermaid at Mermaid Cove, however her parents are not having it. They want Verónica to be a “serious” young woman and pursue jobs and opportunities that will benefit her future and they think they know what’s best for her body and her disability.

I resonated with this deeply because I too pursued goals and dreams that my parents were often not in favor of and have had to advocate for myself and what my body needs.

Confession: I’m not a big fantasy reader. I was drawn to this book because there was a disability rep in it—and thank God!—as it ended up being one of my favorite books in recent years. Part steampunk dystopian war story, part feminist manifesto, We Rule the Night is riveting the entire way through. One of the dual protagonists, Revna, is an amputee whose prosthetic legs are made of sentient metal—one of two different kinds of magic in the utterly fascinating world Bartlett has created. Renva and her flight partner in the war effort, Linné, are both completely badass and unapologetic. 

This candid story follows a rape victim navigate life when she is not believed, offering a tragic view on how victims can be treated. The plot follows the case of a missing girl, highlighting how the female main character’s injustice isn’t just damaging for her, but has far greater consequences.

One line that really struck me in this book was “how do I know he is safe?”, which as a fellow survivor really resonates with me. The writing is raw and the characters painfully believable, all in a page-turning plot that will stick with you long after the last page. 

Kristina Gocheva-Newberry is a natural storyteller. Her narrators tend toward disarming authenticity. They tell it like it is, rather than censoring themselves out of politeness—a habit several of her characters see as problematic and uniquely American. What Isn’t Remembered features a plethora of characters of Russian and Armenian descent, both in the US and in Russia, and depicts their lives as citizens, immigrants, and the children of immigrants. Cultural tensions wind through the book and are tempered by startling moments of tenderness. At heart, the book is about messy relationships and the invisible histories that press and bind. What Isn’t Remembered is the perfect book to sink into on a quiet, rainy day. 

Shapeshifting lizard people. Oh. You want me to say something else?

How about... a world like no other, peopled by all manner of beings (but no humans, which is honestly a delight). The setting is so fantastic, but also so meticulously designed—every settlement and civilization feels organic, fully realized, and unlike anything else. But what about the story—?

Moon doesn't know where he's from, but he knows he's the only shapeshifter he's ever met, and the only person with wings...and worse, he thinks he's part of the terrible Fell, a species that seems to be invasive and hostile and looks a lot like him.

Then he meets another Raksura, and learns how wrong he's been about everything, including himself. 

Like the title suggests, this anthology is for those on the outside. It is a weird blend of strange works from well-known authors in the industry. I tend to like anthologies such as this because it creates work somewhat out of the norm for the writers. The standout story here is from Tanith Lee. I do not recommend it purely for the story as I do not consider it the best of this bunch. What did strike me was the prose. From her first words the reader knows they are in the hands of a master. It is simply impossible to stop reading once one starts because of the incredible descriptions and tone of the story. It is technically an excerpt from one of her novels but it does wow with the beauty of the words on the page. If someone believes horror cannot be literary they have not read… show more.

This novel has everything I love – a narrator who’s definitely not telling us everything, newly arrived in a remote house by a lake in Norway that is so clearly drawn I can see and feel it in my bones.

Trond has secrets and this is where he’s going to live now. There’s a man down the track whose window he can see when it falls dark. A river flows fast beyond the trees. Petterson’s beautiful, spare writing creates a filmic atmosphere in which past mysteries unfold as Trond begins to learn to live alone with his past.

Stunning story-telling, wonderful place-setting, and a character utterly unlike me that I loved reading in his solitude.

I love All the Names so much that I read it twice in a gap of ten years. I love it for two main reasons: how ordinary people can be immortalized by powerful writing and what decisions good people make in a moral dilemma. In his Nobel Prize award ceremony speech in Stockholm in 1998, Saramago said that his writings were to transform ordinary people into literary figures in order that he would not forget them.

He did exactly that in this book. An unknown woman was immortalized by the main protagonist, who was portrayed as an unloved, lonely clerk working at the Registry of Births, Marriages, and Deaths in Lisbon. As I was reading his story, I wondered what turned this unassuming, timid worker into a forger. Given the opportunity, would a good person turn into a tyrant?