Books like A Study of History — picked by fans

This book (actually, this series of volumes) is of course an epic and a classic. And deservedly so—even though most scholars no longer find Gibbon’s account of the causes of Rome’s fall persuasive. 

Right or wrong, the book is a model of a study that is both immersed (sometimes admiringly and sometimes caustically) in individual characters and episodes and yet also intensely interested in the big picture. And the elegant, witty prose makes the book a pleasure to read. 

Analyses of modern Western decline often look for parallels in ancient Rome, and Gibbon’s study is almost a mandatory point of departure.

Barzun, who lived to be 104, was in his lifetime possibly the most erudite human being on the planet. 

And this book, published when he was much younger (as a spry 93-year-old) is an almost perfect history of the modern age: a superb, readable sort-of survey that is not surveyish but rather earnestly engaged with themes that were important in the 16th-century beginnings of our modern civilization and are important still. 

Barzun doesn’t seem to be a gloomy naysayer, and he admires and appreciates the achievements of Western civilization; but as his title suggests, he came to believe that the culture is exhausted and unraveling. An informative and provocative read!

I read this book every year. In my opinion, Walker Percy, along with Flannery O’Connor, is the premiere southern novelist of the last half of the 20th Century. I consider it one of the finest novels written and an example of the plotting, character development, use of language, and religious parody to which young novelists should aspire.

Percy’s novel blends Southern Gothic, science fiction, and comedy to create a world in which the racial divide in New Orleans blossoms into an apocalypse with hilarious and unpredictable results.

This book, which I read in my first year as an academic, has powerfully influenced my thinking ever since – more than any other scholarly book, probably.

It is the best treatment I know of that not only diagnoses and explains the futility of modern moral thinking – an ailment that is as apparent in public political debates as in academy philosophy – but also explains how we got here.

In addition, the book offers cogent insights into much else that is wrong with modern culture and politics. And although After Virtue is not exactly light reading, it is succinct, occasionally eloquent, and sometimes wickedly funny.

I first encountered Spengler’s theories in work by science fiction writers such as A.E. Van Vogt and James Blish, who were enticed by Spengler’s notion that there was no single history of human civilization. Instead, distinct “Cultures” were born and slowly decayed into mere “Civilizations” by roughly predictable stages. Each Culture began with a fresh way of seeing and conceiving the world and our place in it, expressed in new art, politics, technology, and even mathematics.

The original inspiration was then lost and replaced by merely imitative and rule-governed art and society. Spengler certainly got a lot wrong, but I remain inspired by the notion that there are really different ways of being human and that—even if “the West” is bound, as other writers of the time expected, to decay—new lives, new Cultures will still emerge and flourish.

“Out of the spent and unconsidered earth,” in the poet Kipling’s words,… show more.

As the great Asian renaissance gathers momentum in the 21st century, many young Asians will begin to rediscover their own cultures and civilizations, just as the West did in its first cultural renaissance in the 15th century. Few understand classical Indian civilization as well as Amartya Sen does.

Since Asian cultures are associated with despotism and Western cultures with individual liberties, Sen says, “The claim that the basic ideas underlying freedom and tolerance have been central to Western culture over the millennia and are somehow alien to Asia is, I believe, entirely rejectable.” Living up to the spirit of the title of his book, Sen demonstrates in this book that he’s an argumentative Indian and Asian. Argumentative Asians will eventually win the argument with the West. 

If you love Italy—and if you don't love it now, you definitely will—after reading this engaging, vibrant tribute to Italy! Knighted by the President of Italy for her writing about Italy, author Dianne Hales describes the native, inherent passion of Italians—la passione italiana— as the source and nurturer of our civilization's love for art, music, architecture, cars, ceramics, sculpture, design, literature, film, food, and wine. Bursting with talent and passion, the legacy of Italian passion for life in our culture is ubiquitous and all-encompassing. Italy and its passion itself have taken hold of our imaginations, and your imagination will take you directly to la bella Italia, as it did for me, while reading this engaging book.

Mailer published three nonfiction books near the end of his life to lay out his final take on issues he’d been pursuing his entire writing life and as a highly visible, often notorious, public intellectual: On God, Why Are We at War?—echoing his 1967 novel Why Are We in Vietnam?—and The Big Empty. I chose The Big Empty because the reader comes to understand where Mailer lands finally on so many issues he covered during his decades of political and societal journalism, with a special focus on democracy in America, its potential and its abiding threats.

The book is structured as a series of dialogues with his youngest son, John Buffalo Mailer, who in his introduction argues that such a dialogue with his father represents a necessary conversation among generations. Their topics include, among other pressing intergenerational concerns, the American presidency, endless war, American 21st-century politics,… show more.

This book is a pleasure to read. John Brewer shows us the birth of "high culture" in Britain, the many ways that a national public became aware that music, painting, theater, and poetry could bring people together and make them happy.

Low life and high life, Grub Street and royalty all come into play. And the book never forgets that the arts can be a source of fun, not only for those who create and follow them but for everyone who reads about them.

Didion's inability to make sense of America in the fracturing, turbulent mid-century years struck me as spookily familiar.

Many of the essays in this collection are personal, about herself; she was a cool and incisive observer, not a participant. But the pervasive atmosphere of disaffection and alarm she depicts drove many, including me, to take enormous risks for ill-conceived reasons.

She profiles one dreamer who found it shockingly easy to abdicate responsibility for making delusional choices: Linda Kasabian, who joined the murderous Manson Family, conned by its leader's charisma, and his promises of love and some vague idyllic future, into forgetting that actions can have fatal consequences.