Here are 39 books that The Monsters and the Critics, and Other Essays fans have personally recommended if you like
The Monsters and the Critics, and Other Essays.
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Today, I teach fantasy at the University of Maryland, but I’ve been hooked on Tolkien from a young age. As a kid, I was wary that serious study of Tolkien might “destroy the magic,” but decades spent in strange corners of Tolkien’s invented universe have only deepened my appreciation for the inexhaustible depth of his sub-creation—it’s simply steeped in a profound sense of untold stories. I hope you enjoy digging in as much as I have.
I love this one because it’s a fitting tribute to Christopher Tolkien’s monumental work of literary archeology. The essays in this collection feel as fresh today as they did 24 years ago. It’s hard to pick favorites from such a strong and wide-ranging collection, but I often return to the essays by the late scholars Charles E. Noad and Richard C. West on the making of the Silmarillion and on the concept of ofermod, respectively.
As a scholar of medieval languages and literature, J.R.R. Tolkien brought to his fiction an intense interest in myth and legend. When he died in 1973, he left behind a vast body of unpublished material related to his fictive mythology. Now edited and published as The History of Middle-earth by his son and literary executor, Christopher Tolkien, these 12 volumes provide a record of the growth of J.R.R. Tolkien's mythology from its beginnings in 1917 to the time of his death more than 50 years later. The material in these volumes offers an unparalleled insight into Tolkien's process of myth-making…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Today, I teach fantasy at the University of Maryland, but I’ve been hooked on Tolkien from a young age. As a kid, I was wary that serious study of Tolkien might “destroy the magic,” but decades spent in strange corners of Tolkien’s invented universe have only deepened my appreciation for the inexhaustible depth of his sub-creation—it’s simply steeped in a profound sense of untold stories. I hope you enjoy digging in as much as I have.
I love this book for its gloriously unfinished glimpses into three Ages of Tolkien’s sub-creation. It taught me just how important Túrin Turambar was to his author, took me to parts of Númenor I’d not dreamt of, and showed me Gandalf blowing smoke rings in Saruman’s face.
It also showed me Christopher Tolkien’s care as an editor and served as a first step towards the rich and unabashedly scholarly studies of The History of Middle-earth.
A New York Times bestseller for twenty-one weeks upon publication, J.R.R. Tolkien's Unfinished Tales is a collection of short stories ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and further relates events as told in The Silmarillion and The Lord of the Rings.
The book concentrates on the lands of Middle-earth and comprises Gandalf's lively account of how he came to send the Dwarves to the celebrated party at Bag-End, the story of the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and…
Today, I teach fantasy at the University of Maryland, but I’ve been hooked on Tolkien from a young age. As a kid, I was wary that serious study of Tolkien might “destroy the magic,” but decades spent in strange corners of Tolkien’s invented universe have only deepened my appreciation for the inexhaustible depth of his sub-creation—it’s simply steeped in a profound sense of untold stories. I hope you enjoy digging in as much as I have.
I loved this book because it illuminated Tolkien’s lifelong fascination with Beowulf, probably his greatest influence. The translation is good, but the commentary is better, and the inclusion of two short works, Sellic Spell and the Lay of Beowulf, showed me Tolkien’s delight in “re-tellings.”
His creative genius was seldom far removed from his scholarly work.
The translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication.
This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Today, I teach fantasy at the University of Maryland, but I’ve been hooked on Tolkien from a young age. As a kid, I was wary that serious study of Tolkien might “destroy the magic,” but decades spent in strange corners of Tolkien’s invented universe have only deepened my appreciation for the inexhaustible depth of his sub-creation—it’s simply steeped in a profound sense of untold stories. I hope you enjoy digging in as much as I have.
I love it for taking me on a wild ride through Frodo’s dreams and along the lost road back to Númenor. Flieger’s study of Tolkien’s abandoned time travel stories is particularly effective; it made me want to explore every nook and cranny of The History of Middle-earth.
Much of her work on Tolkien is justly famous, but this one in particular showed me that Tolkien criticism could be a work of art in its own right.
J.R.R. Tolkien's The Hobbit, The Lord of the Rings, and Silmarillion have long been recognized as among the most popular fiction of the twentieth century, and most critical analysis of Tolkien has centered on these novels. Granted access by the Tolkien estate and the Bodleian Library in Oxford to Tolkien's unpublished writings, Verlyn Flieger uses them here to shed new light on his better known works, revealing a new dimension of his fictive vision and giving added depth of meaning to his writing.
Tolkien's concern with time-past and present, real and "faerie"-captures the wonder and peril of travel into other…
While I’ve been a voraciously omnivorous reader my whole life, I’ve always been drawn most to stories that take me into the darkest of dark places, and that sometimes leave me there, alone and without a light. Horror, weird fiction, and the contemporary gothic all have a permanent home in my heart, and they’re the genres in which I most like to play as a writer. Most of all, I love those dark stories that stretch boundaries and defy conventions, that wield language as the beautifully vicious weapon it can be, and challenge me to do the same.
You don’t have to know Beowulfto enjoy this modern-day re-imagining – set in a gated community at the foot of a mined-out mountain with subterranean caves and lakes a plenty – but the novel serves up delicious layers for readers familiar with the Old English epic. Headley weaves a story that is horrific and beautiful in equal measure as she explores the gulf between the experiences of two very different mothers – Dana, an ex-soldier barely surviving in the wilderness with her son Gren; and Willa Herot, suburban royalty living a luxurious if socially pressurised existence, protected her wealthy husband’s power. With writing that oscillates between lyrical poetics and prose that is sparse, blunt, and direct, The Mere Wife is a darkly fabulous novel that I look forward to reading over and over again.
A fierce, feminist retelling of the classic tale Beowulf.
Gren and his mother, Dana, a war veteran, live on the side of a mountain, next to Herot Hall, a pristine gated community ruled over by Willa and her son, Dylan. Separated by high gates, surveillance cameras, and motion-activated lights, Dylan and Gren are unaware of the barriers erected to keep them apart. But when Gren crosses the border into Herot Hall and runs off with Dylan, he sets up a collision between Dana's and Willa's worlds that echoes the Beowulf story - and…
I’m an Irish writer and historian. I always enjoyed history, even in school, and I went on to study it at Maynooth University, receiving a BA. I became a history teacher and eventually head of the history department in Méanscoil Iognáid Rís. I began writing local history articles for the Dunlavin arts festival and the parish magazine. I went back to university and got a first-class honours MA from Maynooth, before being awarded a PhD from DCU. I’ve won the Lord Walter Fitzgerald prize and the Irish Chiefs’ Prize, and my students were winners in the Decade of Centenaries competition. Now retired, I continue to write and lecture about history!
I’ve always been interested in developments in Irish history during the under-studied seventeenth century. This was the period when many of the political, social, and economic foundations of modern Ireland emerged. The century began during the major upheaval of the Nine Years’ War and witnessed two more major conflicts—the 1641 Rebellion (which lasted until 1653) and the Williamite War of the 1690s. However, Gillespie’s book is unusual in that it focuses on the various efforts made to reach accommodations between natives and settlers, Catholics and Protestants, the Gaelic Irish, the Old English, and the New English, during the decades between these conflicts. All in all, a fascinating read which shows that things might have evolved differently had these efforts succeeded.
Well-established ideas of monarchy, social hierarchy and honour were under pressure in a fast-changing world. Political, religious, social and economic circumstances were all in flux. The common ambition of every faction was the creation of a usable focus of governance. Thus plantations, the constitutional experiments of Wentworth in the 1630s, the Confederation of the 1640s, the republican 1650s and the royalist reaction of the latter part of the century can be seen not simply as episodes in colonial domination but as part of an on-going attempt to find a modus vivendi within Ireland, often compromised by external influences.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a writer of novels set in Saxon England. I studied the era at both undergraduate and graduate levels and never meant to become a historical fiction writer. But I developed a passion to tell the story of the last century of Early England through the eyes of the earls of Mercia, as opposed to the more well-known, Earl Godwin. I’m still writing that series but venture further back in time as well. I might have a bit of an obsession with the Saxon kingdom of Mercia. I’m fascinated by the whole near-enough six hundred years of Saxon England before the watershed moment of 1066, after which, quite frankly, everything went a bit downhill.
Finally, one of my recommendations has lots of pictures in it. The Death of Anglo-Saxon England charts the closing century of Saxon England. This book was written for a general audience and is a thoroughly engrossing read. I can remember taking it with me on day trips so that I could find a corner and stick my head in the book, and my version is replete with many, many bits of paper sticking out from the pages. Complete with all the images and pictures, the author presents an easy-to-understand and chronological account of the events that led to the Norman Conquest of 1066. I’m not saying I agree with everything in this book, but it’s a very good starting point for those with a growing interest in the period.
Perhaps the best-known fact of English history is the Norman Conquest of 1066, which dispossessed the Anglo-Saxon royal house, marginalized English cultural values and began the near total exclusion of English figures from influence in the realm. The events of that year form the end-point of this study which focuses on royal succession and the descent of the crown during the last century of the Anglo-Saxon period. The text examines questions of factional conflicts, external raiders and warrior kings, and attempts to explain why the English dynasty proved vulnerable to usurpation during the 11th century. Of central importance is the…
Tom Licence is Professor of Medieval History at the University of East Anglia and a former Fellow of Magdalene College, Cambridge. He is a Fellow of the Royal Historical Society and a Fellow of the Society of Antiquaries. He teaches Anglo-Saxon History to undergraduates and postgraduates.
For readers who want an expert introduction to the origins of kingship, power, and government in the centuries before the Norman Conquest, Ann’s Kingship and Government is the place to go. A great strength of her book is that it explains key concepts, structures, and terminology as the need arises, and in a way that clarifies the story that is being told. This equips the reader to explore what can otherwise seem like a strange and incomprehensible world. If you want the nuts and bolts of how Anglo-Saxon society and its power structures operated, this is the book for you. It is also one of the best political surveys of the emergence of England in those centuries.
This book is a study of the exercise of royal authority before the Norman Conquest. Six centuries separate the 'adventus Saxonum' from the battle of Hastings: during those long years, the English kings changed from warlords, who exacted submission by force, into law-givers to whom obedience was a moral duty. In the process, they created many of the administrative institutes which continued to serve their successors. They also created England: the united kingdom of the English people.
Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood.
The characters in The Good Old Boys are real cowboy types involved in real-cowboy-type work and play. The novel’s opening line, “For the last five or six days Hewey Calloway had realized he needed a bath” is one of the most intriguing introductions ever. The story is lighthearted and fun, as is much of cowboy life. Elmer Kelton is among the best-ever Western writers and this is my favorite of his many outstanding books.
Hewey Calloway has a problem. In his West Texas home of 1906, the land of the way of life that he loves are changing too quickly for his taste.
Hewey dreams of freedom--he wants only to be a footloose horseback cowboy, endlessly wandering the open range. But the open range of his childhood is slowly disappearing: land is being parceled out, and barbed-wire fences are spring up all over. As if that weren't enough, cars and other machines are invading Hewey's simple cowboy life, stinking up the area and threatening to replace horse travel. As Hewey struggles against the relentless…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
I love books that chronicle the passing of time, going from dark and gloomy January, through the quixotic summer months and right into late December which I always think of as the fag-end of the year. The Ivington Diaries is a collection of Monty Don’s diary entries about his home and garden over several years. With charming honesty, he describes his gardening failures as well as his successes, the people he knows, and the vagaries of the changing seasons. Whenever I read this book it casts a spell over me and I feel as though I’m living in a secret corner of the garden at Ivington, watching all its comings and goings.
Monty Don and his wife Sarah moved into their semi-derelict farmhouse at Ivington in 1991, and their garden is the most tangible symbol of the spectacular way in which they have since thrived. Springing with amazing vigour from the soil behind the house, this space has been central to Monty's life; ever since he dug the very first border, he has obsessively written about it. The Ivington Diaries is a personal collection of Monty's jottings from the past fifteen years. Generously illustrated with his very own photographs, and beautifully packaged, this book promises to be one of the most delightful…
