100 Books Like The Mirror & the Light

I had my doubts about reading this because, well… Tudor history.

I love Mantel’s work but…another trot through Henry VIII’s marriages and murders? I wasn’t sure it was for me. But within moments of opening the book, I was away with Mantel and Thomas Cromwell.

Even the title, Wolf Hall, demonstrates her gift. It was the name of the Seymour family’s seat, and the book never takes us there—but it was Jane Seymour who replaced Anne Boleyn and gave monstrous Henry his heir. The title hangs over the action, echoing, Man is wolf to man.

Mantel’s Cromwell is complex, often kind as well as ruthless, but Mantel herself said that she presents only one possible view of him. Read it and make up your own mind!

Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.

Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.

Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.

Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.

When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.

It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page. 

This book provides a different angle on Jane Seymour. I’ve never particularly ‘liked’ fictional Janes because they are usually so one-dimensional but this author delves more deeply. Jane’s character is subtle. On the surface she seems meek but beneath the façade she is quite determined to get what she wants. Often, the modern ideal of strong women doesn’t sit well on historical figures but J. Wertman has understood that subterfuge was often the only way for a female, even a queen, to get her own way. Janet Wertman has written other engaging Tudor books but this is my favourite.

This story made me fall in love and then hate my lover all in the same breath. The mixture of history and fiction led me on a roller coaster of emotions.

I loved how Anne was so strong and knew how to get what she wanted and work her way through a world built by men for men, yet, in the end, her inability to birth a male heir was her downfall. The king framed her in order to remove her from the throne and move on to the next youngest thing. I was enraged!

This book makes me so angry, but I couldn’t stop reading Gregory’s work after this one. It totally hooked me and forced me to buy all her books written about this specific timeframe. 

This book is considered by many to be ‘the bible’ for all Anne Boleyn fans and I imagine it is the number one go-to book. Covering her life from birth to death, it is so scholarly that I use it constantly as a reference book. 

What is good is that it fully exposes the circumstances that led to Anne’s death, and you can clearly see how it came about – and why the king had to get rid of her. But it is not a dry textbook. Everyone can enjoy it as it’s easy to read, hard to put down, and immaculately researched.

If you are thinking about writing about Anne Boleyn this must be your first reference book. In fact, if you buy only one book about Anne, this is it. 

I read this book many years ago as it covers the imprisonment and execution of Queen Anne Boleyn.

With its immense detail, it is one of the few books you need to read on this later period of Anne's life. Best of all, the author has reassessed the evidence and done away with romantic misconceptions. It is therefore an utterly reliable resource. The storytelling is superb, easy to read, and, again, hard to put down.

I return to it again and again for reference material but it still makes a gripping holiday read.

I can not express how moved I was by this book. I have read extensively on Henry VIII but this book truly brought him to life. We see him not as the obese king with a fondness for the axeman, but as a smart, emotional, however somewhat egotistical, young king. We watch Henry age, fall in and out of love, and become an old man with many health problems. The characters in this book are so very real and George did a tremendous job bringing the court of Henry VIII alive for her readers.

Katherine was Sir Walter Raleigh’s mother, and this is her story. The slender thread of history flows through the book, and I particularly like the way Rosemary Griggs draws from fascinating details of Elizabethan life, weaving them with vivid descriptions of the Devon countryside to create an evocative narrative. Although I’ve had a lifelong fascination with Walter Raleigh, I never imagined I’d be present at his birth, and there is enough history here to help me appreciate something of his background and upbringing.

Peter Brears takes us ‘below stairs’ at the court of Henry VIII and into the kitchens that fed and waited on up to 1000 people a day. Structured around the different rooms that made up the kitchen, he details the food and drink that was being produced and gives a snapshot of the ordinary people working there. The book is nicely illustrated with sketches of Tudor implements and methods of cooking. For anyone who wants to try eating like a Tudor, the book concludes with a selection of recipes, all of which have been trialed in the kitchens at Hampton Court and adapted for the modern kitchen.