Books like The Mirror — picked by fans

As a person with strong ties to biology, I love that in this book, vampires and werewolves are no more magical or supernatural (and therefore also no more immortal) than any human; they just came from different branches down the evolutionary tree.

What I really liked were the dialogues–the sarcasm, verbal power games, and dry humor. And the character development, where an isolated person learns that opening up and accepting friendship and the feeling of belonging requires courage because it also makes one more vulnerable.

I’ve always wanted to write a book about an underwater town. Sea Change is as close as I’ve come, though there are no actual residential structures beneath the waves in my story.

But in The Girl Who Fell Beneath the Sea there is a whole, vibrant, beautifully-detailed underwater city, where various kinds of beings carry on with the business of their lives—working; eating; socializing with friends; making love, and making war. Nobody has gills or underwater breathing gear, but you come to this place after jumping into the sea, and schools of brightly colored fish swim through the air, while whales float like clouds in the sky above.  

Aside from people, spirits, and sea animals of various kinds, there are the magnificent sea dragons. They have scales of a vibrant, dazzling blue and move freely through the (underwater) air—buoyant, joyous. They have whiskered mouths, and eyes so large and dark… show more.

This heartfelt but bitingly satiric novel explores the ridiculousness informing how tech companies operate.

This novel hit me in a surprisingly deep way. It follows a young woman trying to maintain her connection to humanity—and stay employed—in an increasingly technologized world. The joke is that she’s the driver of an autonomous taxi. Yeah, it’s about a tech company with a fleet of autonomous vehicles and human drivers hidden inside.

It felt so true to me, the perfect symbol for the uselessness of so much tech, the desire of tech bros to replace humans with machines, and the toll on those of us who want to live lives of meaning and connection.

I loved everything about this book: the dreamy New York co-op apartment setting, the relatable main female character Clementine (a book publicist!), the lovable main male character Iwan (a chef!), and the fact that they lived seven years apart. I found it had the perfect balance of witty banter, romantic yearning, depth of feeling, and a sense of place. It also deals with tougher issues, such as grief in Clementine’s loss of her beloved aunt and a sense of self in Clementine’s search for her future path and the aunt’s own background. 

And, like every true romance novel should have, that incandescently happy ending! This is my favorite book I’ve read so far this year.

This novel had to go to the top of my list because it’s brilliant and delivered through an indigenous perspective.

Authored by the Swedish Sámi journalist Ann-Helén Laestadius, the book tells a story–based on real events–involving reindeer, an essential part of culture and identity for many Sámi. It takes place in a part of the world where I spent many years, Sápmi, which is the Sámi region that contains parts of, and predates, the modern borders of Sweden, Norway, Finland, and the Kola Peninsula of Russia.

Laestadius brings a compelling voice to the still prevalent issue of prejudice against this cultural minority. A film adaptation of the book will air on Netflix in April 2024, and I’m excited to see it because so many friends from that part of the world worked on it.  

This novel tells the story of Maise, a devoted wife and mother of four children.

It takes place over the course of a single day in October that begins with Maise nursing her infant and leads to a family outing to an orchard the following afternoon. It beautifully captures the daily emotions that a mother feels, ranging from anxiety to grief to deep love, and explores the feelings around the unpaid labor of motherhood and the financial anxiety that being a parent brings to us all. 

Rouge is at its heart an exploration of a daughter’s grief for her troubled mother and the bizarre turns that grief can take.

Rouge tells the story of a young woman obsessed with cult-like beauty culture. When her mother mysteriously dies, she is forced to return home and confront the complicated relationship she had with her also beauty-obsessed mother. Fairy tale surreal and viscerally disturbing, Rouge delves into obsession, grief, and the dangers of beauty culture taken to the extreme.

Like all of Awad’s books, this is a story that will stick with me a very long time.

I like fan fiction that respects the boundaries of established fact, which is why I adore both this one and the next—each of which imagines an utterly compelling story between the lines of bare biographical facts. Reading this was like getting a chance to meet some of Austen’s family members and early readers.

Jane Austen’s seafaring brother Frank was her longest-lived sibling, and he eventually rose in the navy to the post of Admiral. Like Cassandra, Frank lived long enough to witness a sea-change (excuse the pun) in his sister’s reputation as a novelist. Exciting stuff for Janeites! If anyone wants to make a movie out of this one, I also have strong casting preferences!  

I was completely absorbed by Beautiful Ugly, where nothing is quite what it seems.

I love stories that play with perception, and this one does it so elegantly, weaving grief and obsession into something hauntingly beautiful. The isolated Scottish island provides a fabulously claustrophobic and creepy backdrop that I couldn’t get enough of.

It’s dark, atmospheric, and exquisitely written—I raced through it.

I’m a fan of characters who have messy lives that need fixing, and that’s Dahlia “Doll” Devine (lead singer of a country band).

Instead of the record side of the industry, this one gives us the grimy dive bar version with a house all-girl band. I easily pictured being up there on stage with Dahlia (drums, maybe? tambourine?). There’s a strong character growth arc, too, which was satisfying.