Here are 100 books that The Midwife of Venice fans have personally recommended if you like
The Midwife of Venice.
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Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
In prose that is engrossing and rich in color, culture, and voice, Dunant’s historical fiction novel incorporates stories of two of the women that I included in my own book.
The courtesan Fiammetta, loosely based on the life of Veronica Franco, and her healer La Draga, inspired by Elena Crusichi, pulled me into eighteenth-century Venice and its opportunities and dangers for enterprising women. Paired with reading Franco’s actual poems and letters, edited and translated by Ann Rosalind Jones and Margaret F. Rosenthal, I developed a deep admiration and compassion for Franco and Crusichi during Venice’s heyday.
Dunant has again written a page turner that I read more than once.
My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.
Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to…
Venice, 1612. A notorious courtesan and the scholarly daughter of the chief rabbi meet and form an unlikely friendship when their portraits are to be painted for a “Gallery of Beauties”.
Dangerous passions are stirred by the portraits, and one by one, the beautiful subjects of the paintings are poisoned.…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
Mary Laven’s readable academic bookVirgins of Veniceis the definitive resource on the topic of nuns in Renaissance Venice. She explores every aspect of what it was like to be and live as a nun during a roughly two-hundred-year period, when most convents were filled with high-status women of no religious calling, forced to live there by their fathers and the strict social conventions of the time.
A portrait of 16th and 17th century Italian convent life, set in the vibrant culture of late Renaissance Venice. Early 16th century Venice had 50 convents and about 3000 nuns. Far from being places of religious devotion, the convents were often little more than dumping-grounds for unmarried women fron the upper ranks of Venetian society. Often entering a convent at seven years old, these young women remained emotionally and socially attached to their families and to their way of life outside the convent. Supported by their private incomes, the nuns ate, dressed and behaved as gentlewomen. In contravention of their…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
This accessible academic work brings to life the inner workings – and breakdowns – of marriages at a time when annulment was the only option. Through court and ecclesiastical proceedings and petitions written by both sexes, the lives of ordinary women – including sexual relations, domestic abuse, cheating, and financial problems – are made even more real by the voices of friends, neighbors, and in-laws.
Based on a fascinating body of previously unexamined archival material, this book brings to life the lost voices of ordinary Venetians during the age of Catholic revival. Looking at scripts that were brought to the city's ecclesiastical courts by spouses seeking to annul their marriage vows, this book opens up the emotional world of intimacy and conflict, sexuality, and living arrangments that did not fit normative models of marriage.
Venice, 1612. A notorious courtesan and the scholarly daughter of the chief rabbi meet and form an unlikely friendship when their portraits are to be painted for a “Gallery of Beauties”.
Dangerous passions are stirred by the portraits, and one by one, the beautiful subjects of the paintings are poisoned.…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
A beautiful little book that showcases the paintings of early Renaissance painter Vittore Carpaccio, we see many women in his works. Some of saints, some bordering on the fantastical, a few quite realistic – all the women in Carpaccio’s art would have been inspired by real women living and working in Venice in the late 1400s and early 1500s.
In the course of writing Venice, her 1961 classic, Jan Morris became fascinated by the historical presence of a sometimes-overlooked Venetian painter. Nowadays the name of Vittore Carpaccio (1460-1520) suggests raw beef, but to Morris it conveyed far more profound meanings. Thus began a lifelong infatuation, reaching across the centuries, between a renowned Welsh writer and a great and delightfully entertaining artist of the early Renaissance. Handsomely designed with more than seventy photographs throughout, Ciao,Carpaccio! is a happy caprice of affection. In illuminating the life of the artist and his paintings, Morris throws in digressions about Venetian animals, courtesans, babies,…
I grew up reading books that featured strong women, including Little Women and Anne of Green Gables so it only made sense that I would go on to write a book featuring four strong women. As much as I love reading fiction, since I am a professor, my writing is mainly academic and/or non-fiction and I aim to make research translatable and interesting to all – including mainstream audiences. Currently, I am working on a new book about evangelical Christian women and politics, which I started in 2020 right before the presidential election. No matter where I live or work, exploring the various facets of women’s lives will remain my driving pursuit.
I don’t usually enjoy reading historical books – especially not academic historical books, which can tend to be quite dry, but Johnson’s book had me riveted.
She (re)introduces us to four key women in the US Christian Right’s history yet presents their stories in a way that makes the historical feel incredibly present. Moreover, by sticking close to the women’s own voices, she avoids simplistic characterizations.
Over the past 50 years, the architects of the religious right have become household names: Jerry Falwell, Pat Robertson, James Dobson. They have used their massively influential platforms to build the profiles of evangelical politicians like Mike Huckabee, Rick Perry, and Ted Cruz. Now, a new generation of leaders like Jerry Falwell Jr. and Robert Jeffress enjoys unprecedented access to the Trump White House.
What all these leaders share, besides their faith, is their gender. Men dominate the standard narrative of the rise of the religious right. Yet during the 1970s and 1980s nationally prominent evangelical women played essential roles…
Sam Dagher is a Lebanese-American journalist and author with more than 15 years of experience reporting on the Middle East and its people. He has lived in Baghdad, Beirut, and Damascus and worked throughout the region. Sam has been committed to telling the region’s stories from the ground up and in the process shedding new light on the root causes of war, extremism, and migration.
The Shell is a peek into both the horrors and absurdities of totalitarian regimes told in the form of a prison diary kept by the author. Khalifa, a Christian by birth and an atheist, was mistaken (or perhaps not, given what I learned about the Assad regime in the course of my work) for a radical Islamist, arrested and locked up in the notorious Tadmor desert prison, more accurately a death camp. The book reveals the horrific consequences of the logic and methods of the Assad family and other dictators in the Middle East and beyond: Anyone suspected of harboring a hint of opposition to the ruler will be labeled a terrorist and traitor, crushed and turned into an example to instill fear in the wider population.
The work of a moder-day Sozhenitsyn that exposes acts of violence and brutality committed by the Syrian regime. This compelling first novel is the astonishing story of a Syrian political prisoner of conscience—an atheist mistaken for a radical Islamist—who was locked up for 13 years without trial in one of the most notorious prisons in the Middle East. The novel takes the form of a diary which Musa keeps in his head and then writes down upon his release. In Tadmur prison, the mood is naturally bleak and yet often very beautifully captured. The narrator, a young graduate, is defiant…
We are sisters and the co-founders of Girl Defined Ministries, where our goal is to help modern girls understand and live out God’s timeless truth for womanhood. Through Girl Defined we talk about such topics as biblical womanhood, relationships, love, marriage, sexuality, identity, and much more.
A wonderful must-read about femininity and womanhood as God defines it. Elisabeth Elliot (a woman worth reading about herself) wrote this as a wedding gift to her daughter. Thankfully we can all learn from the wisdom in those pages now! Drawing from the Bible, Elisabeth addresses many different topics related to marriage, masculinity and femininity, and what it means to be a woman. If you want to know more about God’s design for women, definitely give this a read!
“In order to learn what it means to be a woman, we must start with the One who made her.” Working from Scripture, well-known speaker and author Elisabeth Elliot shares her observations and experiences in a number of essays on what it means to be a Christian woman, whether single, married, or widowed. Available in trade softcover and as a Living Book.
I’ve had other Sisters in Christ, but it wasn’t until God introduced me to an amazing woman that I truly started to understand what it meant to be a Sister in Christ. A Sister in Christ is someone who encourages you, speaks the truth in love, and always points you back to God’s truths. She laughs with you, cries with you, and simply loves to do life with you. Sisters in Christ was born from this amazing friendship. To have this type of relationship is truly a blessing from God that needs to be shared in a community of fellow believers.
This book is amazing. I love how the author not only explains the reasons behind mentoring and the importance of mentoring and how God instructs older women in Titus 2 to mentor younger women, and older men to mentor younger men, but the reason behind mentoring.
This book reminded me a lot of Sisters in Christ especially how the author broke down Titus 2 as talked about above. I loved the stories and quotes shared by real mentoring relationships woven throughout the book. This made it more personal and also got me more excited.
I have been following this author’s blog for years and this book just felt like a giant hug from a friend.
Realize the value and blessings of participating in mentoring relationships during all stages, ages, and seasons of life.
Women often don't think they know enough to be a mentor, or fear rejection if they ask someone to mentor them. Others don't think they need mentoring. However, throughout the Bible, God calls spiritually younger and older women to learn from and teach one another.
Mentoring for All Seasons helps answer questions like these: - What is mentoring? - How do I find a mentor? - Why does God want us to mentor one another? - What are the blessings of mentoring?
I am a linguist and a Christian (a Catholic), with a lifelong passion for clear understanding. I have spent my life, over many decades, searching for the shared human concepts because I believe these concepts give us the key to open the meaning of what people say (in different languages) and of what Jesus says in the Gospels. In the process, I have published some thirty books engaging many disciplines. Three of them deal directly with Christianity: What Did Jesus Mean? (OUP 2001), What Christians Believe? (OUP 2019); and The Nicene Creed in Minimal English: Why Christianity Needs Universal Human Concepts (Palgrave 2025).
For me, Sheridan’s new book was a riveting read – a mind-opening reminder of how early Christians, unbelievably, converted a good part of the classical world and spread Jesus’ radical teaching of love, forgiveness, human equality, and fraternity in a world in which they were total nobodies, scorned, persecuted, tortured, and killed.
Attractively, the book also shows some modern countercultural Christian lives, based on the same Gospel teachings, still capable of acting as a leaven and a sign of hope in the spiritually disoriented Western world.
I found this book extremely refreshing and encouraging, and I have recently given it as a birthday present to a seventeen-year-old granddaughter to inspire her to set herself challenging and God-oriented goals worth living and dying for.
When my mother died at age 83, I became executor of her estate. When our son was diagnosed with a brain tumor at age 22 and went through four brain surgeries in nine months, I acted as his caregiver while also caring for my father, who was dying from cancer. As a Christian, I wanted to learn what the Bible taught me about the hope of Heaven, leaving a legacy (my mother made it easier to be her executor by organizing her essential information), caregiving, and aging wisely. As an author, life, and legacy coach, and speaker, I love sharing the hope, peace, and comfort I gained through these resources.
We all need stories of real women aging wisely and well, and Betters, who is in her seventies, and Hunt, who is in her eighties, live and tell vibrant and inspiring stories. I love the way they share biblical examples of women who aged with grace and real-life examples. This book makes me want to honor older women and to become an honorable older woman.
Today's culture marginalizes old age, often portraying it as burdensome and hopeless. Here is a book that presents examples of women who have found joy in the passing of time as they age with grace-finding fulfillment in their enjoyment of God.
