Here are 100 books that The Midwife of Venice fans have personally recommended if you like
The Midwife of Venice.
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Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
In prose that is engrossing and rich in color, culture, and voice, Dunant’s historical fiction novel incorporates stories of two of the women that I included in my own book.
The courtesan Fiammetta, loosely based on the life of Veronica Franco, and her healer La Draga, inspired by Elena Crusichi, pulled me into eighteenth-century Venice and its opportunities and dangers for enterprising women. Paired with reading Franco’s actual poems and letters, edited and translated by Ann Rosalind Jones and Margaret F. Rosenthal, I developed a deep admiration and compassion for Franco and Crusichi during Venice’s heyday.
Dunant has again written a page turner that I read more than once.
My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.
Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to…
Venice, 1612. A notorious courtesan and the scholarly daughter of the chief rabbi meet and form an unlikely friendship when their portraits are to be painted for a “Gallery of Beauties”.
Dangerous passions are stirred by the portraits, and one by one, the beautiful subjects of the paintings are poisoned.…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
Mary Laven’s readable academic bookVirgins of Veniceis the definitive resource on the topic of nuns in Renaissance Venice. She explores every aspect of what it was like to be and live as a nun during a roughly two-hundred-year period, when most convents were filled with high-status women of no religious calling, forced to live there by their fathers and the strict social conventions of the time.
A portrait of 16th and 17th century Italian convent life, set in the vibrant culture of late Renaissance Venice. Early 16th century Venice had 50 convents and about 3000 nuns. Far from being places of religious devotion, the convents were often little more than dumping-grounds for unmarried women fron the upper ranks of Venetian society. Often entering a convent at seven years old, these young women remained emotionally and socially attached to their families and to their way of life outside the convent. Supported by their private incomes, the nuns ate, dressed and behaved as gentlewomen. In contravention of their…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
This accessible academic work brings to life the inner workings – and breakdowns – of marriages at a time when annulment was the only option. Through court and ecclesiastical proceedings and petitions written by both sexes, the lives of ordinary women – including sexual relations, domestic abuse, cheating, and financial problems – are made even more real by the voices of friends, neighbors, and in-laws.
Based on a fascinating body of previously unexamined archival material, this book brings to life the lost voices of ordinary Venetians during the age of Catholic revival. Looking at scripts that were brought to the city's ecclesiastical courts by spouses seeking to annul their marriage vows, this book opens up the emotional world of intimacy and conflict, sexuality, and living arrangments that did not fit normative models of marriage.
Venice, 1612. A notorious courtesan and the scholarly daughter of the chief rabbi meet and form an unlikely friendship when their portraits are to be painted for a “Gallery of Beauties”.
Dangerous passions are stirred by the portraits, and one by one, the beautiful subjects of the paintings are poisoned.…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
A beautiful little book that showcases the paintings of early Renaissance painter Vittore Carpaccio, we see many women in his works. Some of saints, some bordering on the fantastical, a few quite realistic – all the women in Carpaccio’s art would have been inspired by real women living and working in Venice in the late 1400s and early 1500s.
In the course of writing Venice, her 1961 classic, Jan Morris became fascinated by the historical presence of a sometimes-overlooked Venetian painter. Nowadays the name of Vittore Carpaccio (1460-1520) suggests raw beef, but to Morris it conveyed far more profound meanings. Thus began a lifelong infatuation, reaching across the centuries, between a renowned Welsh writer and a great and delightfully entertaining artist of the early Renaissance. Handsomely designed with more than seventy photographs throughout, Ciao,Carpaccio! is a happy caprice of affection. In illuminating the life of the artist and his paintings, Morris throws in digressions about Venetian animals, courtesans, babies,…
I’m just an everyday person. I don’t have a fancy title or lots of degrees, but I do have experience being close to God and a never-ending quest to know Him more. His love is so good that it absolutely must be shared. So if I, in all of my ordinariness, can learn extraordinary sacred things, then I can bring others along the journey, too. His presence in my heartaches, struggles, joy, and adventures has sustained my life, and I don’t know any credential that could testify any clearer that a journey with God is worth taking.
I read this book with my journal nearby, and it was heart-changing.
It’s refreshing to have time solely focused on God without trying to figure out how to apply Scripture to my life as if He was a puzzle piece that I try to fit into place. None Like Him examines ten descriptions of God, and the more we get to know Him, the closer we feel.
This exploration of ten attributes that belong to God alone reminds us of why our limits are a good thing in light of God's limitlessness-celebrating the freedom that comes from letting God be God.
Who am I? Well, I'm a mother of three, a nurse, a wife, a survivor of a postpartum heart attack, and a new author. I'm living proof that life can throw some curveballs, but I'm also proof that you can bounce back stronger than ever. I'm the conductor of the chaos train, the healer with a heart of gold, and the one who holds it all together when things get crazy. I'm juggling carpool, advocacy, and dinner plans with a smile on my face and love in my heart. I'm embracing every moment of this second chance at life, living it to the fullest, and loving every minute of it.
This book is a refreshingly honest and empowering guide to self-discovery and finding strength within. Through candid anecdotes and practical advice, Rachel Hollis invites readers on a journey of self-reflection and personal growth, inspiring them to embrace their authenticity and pursue their dreams with confidence.
One of the most compelling aspects of the book is Hollis' relatability. She fearlessly shares her own struggles and insecurities, offering readers a glimpse into her own journey of self-discovery, which is extremely important and what makes this so relatable. By sharing her vulnerabilities, a safe space for readers is created so that they can explore their own doubts and fears, empowering them to break free from self-limiting beliefs and embrace their true selves.
The book is filled with strategies for overcoming obstacles and achieving personal fulfillment. It provides practical advice on topics such as goal-setting, self-care, and cultivating healthy relationships, empowering readers to take…
I grew up reading books that featured strong women, including Little Women and Anne of Green Gables so it only made sense that I would go on to write a book featuring four strong women. As much as I love reading fiction, since I am a professor, my writing is mainly academic and/or non-fiction and I aim to make research translatable and interesting to all – including mainstream audiences. Currently, I am working on a new book about evangelical Christian women and politics, which I started in 2020 right before the presidential election. No matter where I live or work, exploring the various facets of women’s lives will remain my driving pursuit.
I don’t usually enjoy reading historical books – especially not academic historical books, which can tend to be quite dry, but Johnson’s book had me riveted.
She (re)introduces us to four key women in the US Christian Right’s history yet presents their stories in a way that makes the historical feel incredibly present. Moreover, by sticking close to the women’s own voices, she avoids simplistic characterizations.
Over the past 50 years, the architects of the religious right have become household names: Jerry Falwell, Pat Robertson, James Dobson. They have used their massively influential platforms to build the profiles of evangelical politicians like Mike Huckabee, Rick Perry, and Ted Cruz. Now, a new generation of leaders like Jerry Falwell Jr. and Robert Jeffress enjoys unprecedented access to the Trump White House.
What all these leaders share, besides their faith, is their gender. Men dominate the standard narrative of the rise of the religious right. Yet during the 1970s and 1980s nationally prominent evangelical women played essential roles…
I’ve been a reader since childhood and books have simply become a part of my life’s tapestry. They have comforted me in times of stress. They have provided me with ripples of joy. And simply kept me up almost all night. The books that I have recommended underscore the changing cultures of the human condition all centered around three universal themes, faith, mental illness, and family. When drafting my first novel I dived into simply capturing aspects of the human condition. As a mental health clinician I see the many tides of life and how the human condition has many times been couched within family dynamics.
This book is all about relationships. It is about a relationship with God and his people and that we are certainly more alike than different. Woman Evolve takes the reader through the story of Eve and shows the reader just how she is relatable to each and every one of us. Eve was human and we are human. She had flaws and we have flaws. Her vulnerabilities are also ours and before we point the blame at her, or anyone else for that matter we can look right back at ourselves and understand how each and every one of us doesn’t necessarily deserve redemption, but God gave it anyway. Want a good read, this book will keep you turning page after page as the reader and author explores just how fallible, alike, and loved we all are.
A New York Times bestseller! With life lessons she's learned and new insights from the story of Eve, Sarah Jakes Roberts shows you how past disappointments, struggles, and even mistakes can be used today to help you become the woman God intended.
Who would imagine being friends with Eve-the woman who's been held responsible for the fall of humanity (and cramps) for thousands of years? Certainly not Sarah Jakes Roberts. That is, not until Sarah discovered she is more like Eve than she cares to admit.
Everyone faces trials, and everyone will mess up. But failure should not be the…
I am the teaching pastor of Woodland Christian Church. I have been in ministry since 2007, preaching God’s Word an average of 1 to 3 times weekly. Because my ministry focuses on teaching and preaching, I study God’s Word for 20 to 30 hours per week, and I have developed a deep and rich understanding of Christ in the Old Testament.
This is a bible study by Mrs. Guthrie. She takes each of the ten weeks to look at Christ in a different way throughout the book of Genesis.
For example, she sees him as the agent of creation, the offspring who will crush the head of the serpent, the ark of salvation, the source of the righteousness credited to Abraham, the substitutionary sacrifice provided by God, the Savior to whom the whole world must come for life. Some of these are prophecies and some of these are types and shadows.
The book is focused on small groups and comes with a leader’s guide. Christ in the Old Testament can be used in small groups, but it’s just as fitting for personal study.
This ten-week study helps readers understand the book of Genesis through a Christological, redemptive-historical lens. Book 1 in the Seeing Jesus in the Old Testament series.
Sam Dagher is a Lebanese-American journalist and author with more than 15 years of experience reporting on the Middle East and its people. He has lived in Baghdad, Beirut, and Damascus and worked throughout the region. Sam has been committed to telling the region’s stories from the ground up and in the process shedding new light on the root causes of war, extremism, and migration.
The Shell is a peek into both the horrors and absurdities of totalitarian regimes told in the form of a prison diary kept by the author. Khalifa, a Christian by birth and an atheist, was mistaken (or perhaps not, given what I learned about the Assad regime in the course of my work) for a radical Islamist, arrested and locked up in the notorious Tadmor desert prison, more accurately a death camp. The book reveals the horrific consequences of the logic and methods of the Assad family and other dictators in the Middle East and beyond: Anyone suspected of harboring a hint of opposition to the ruler will be labeled a terrorist and traitor, crushed and turned into an example to instill fear in the wider population.
The work of a moder-day Sozhenitsyn that exposes acts of violence and brutality committed by the Syrian regime. This compelling first novel is the astonishing story of a Syrian political prisoner of conscience—an atheist mistaken for a radical Islamist—who was locked up for 13 years without trial in one of the most notorious prisons in the Middle East. The novel takes the form of a diary which Musa keeps in his head and then writes down upon his release. In Tadmur prison, the mood is naturally bleak and yet often very beautifully captured. The narrator, a young graduate, is defiant…