Books like The Midnight News — picked by fans

Jane Austen wrote and revised most of her novels in a cottage lent to her by her brother in Chawton, England. This book is a fictional account of a group of individuals in post-World War II Chawton who are all lost—or have experienced great loss. They band together in an attempt to save Jane Austen’s home from destruction. I loved getting to experience the story from each of the character’s perspectives, and the author’s prose is delightful. This novel is a testament to how people from all walks of life have been changed by Jane Austen, and how reading Jane Austen can save us.

There are a lot of World War II books out there, and in truth, I was growing tired of them until I read Sarah Blake’s. Partially located on my home turf of Cape Cod, Massachusetts, the brush against our local history pre-World War II fascinated me. But Blake doesn’t stay local; she leaves the postmistress to do—or not do—her job and flies off to London with a female war correspondent. How their stories cleverly intertwine is part of my fascination with this tale. Blake has a habit of dropping unforgettable characters on my doorstep, where they tease and tantalize long after I’ve turned the last page. 

Today, it is almost impossible to imagine aircraft roaming freely over British cities, disgorging bombs onto the streets below. So, it’s vital for us to have access to the personal, unvarnished stories and contemporary accounts from those that actually lived through this particular horror. In The Secret History of the Blitz Levine pulls no punches as he documents the behaviour of ordinary people faced with extreme experiences. Some reacted with fortitude, uniting in neighbourhood solidarity and extending charity to strangers. Others exploited the chaos, breaking legal and moral codes for their own personal enrichment. To this day, the British psyche collectively benefits from the social concept of a Blitz Spirit. But we should remember it was always a two-sided coin.

I read this book when I was just out of journalism school and finding my way in the world of journalism and writing. For me, Maeve Binchy was already an icon because she managed to juggle journalism and writing. All these years later, I am doing the same, but the seeds were grown back then with this book.

I love this novel's depiction of a three-decade-long friendship between two women. The strength of the female characters shines through, and I remember thinking when I was reading it that was Maeve Binchy’s secret weapon; she made her characters so human. 

This is a story of endurance, love, and the power of friendship. I loved it when it first came out in the '80s, and it gave me heart that books about strong women and the bonds of friendship didn’t necessarily have to have a bright pink cover.

This gorgeously illustrated book is the story of Morgan, who becomes the Book Cat at the real publisher Faber. I adored TS Eliot’s Old Possum’s Book of Practical Cats as a child, and Morgan was a real cat who was one of the inspirations for the poems. These are his adventures during the London Blitz – in some ways a familiar story, but so moving from a cat’s point of view! 

As a crime writer, I am always looking for fellow authors with a different approach to "whodunnit."

This book has echoes of "Foyle’s War" and the difficulty in taking one small murder seriously in the face of wholesale wartime slaughter. The research is deftly employed, and the story is satisfying.

When writing my own book, I was grateful for this additional angle, which linked to my other writing as well as adding background knowledge.

Set during the London Blitz in the early years of World War II, this gripping speculative novel has it all: vivid characters, a page-turning plot, and many pages of fluid, dynamic, and consistently beautiful sentence-level prose.

Spufford is a gorgeous sentence-writer, his characters are fascinating, and page by page, the story is consistently immersive, subtle, and beautiful.

Like other British writers writing on the edge of the fantastic and the literary, like Susanna Clarke, David Mitchell, and Ian McEwan, Spufford is one of those writers whose work readers tend to seek out. Once you’ve read one of his books, you’ll want to read them all.

An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences. 

An unsparing portrait of a cast of characters working for the BBC in London at the outset of the war, this novel is both funny and moving, though Fitzgerald’s keen sense of irony assures that the writing is never sentimental. Even the most minor characters come to life, as they adjust to both the bureaucracy of the wartime BBC and the realities of life during the Blitz. 

It’s too easy, in time travel fantasies, to imagine that you would feel a step above the people around you... that you alone know what’s coming, and just, in general, have your advanced-future-person perspective on the world. That’s not how history should feel. The All Clear series’s time-traveling historians arrive to observe the London Blitz and have that comforting certainty ripped out from underneath them. They’re left lost, alone, and isolated in a well-painted portrait of a world on the edge of collapse.